Bereft – Chris Womersley

Sometimes a book arrives here unsolicited and just reaches out to me. It is likely that I haven’t heard anything about it prior to its arrival and yet it just tempts me to read it. This is what happened with ‘Bereft’ by Chris Womersley, it arrived and the cover seemed to constantly catch my eye and call out to me (I am wondering if this is because it looks a little like Catherine Hall’s ‘The Proof of Love’ which you know I adored). The quote from Evie Wyld, ‘I hammered through Bereft in a day; I didn’t want to be away from it’, was the final clincher especially after the success I had with her recommendation of ‘The Hunger Trace’ by Edward Hogan. It is interesting that its arrival made me think of these two books because in some ways it is of their ilk. It also fitted in perfectly with Kim’s Australian Literature Month, it all seemed aligned.

Quercus Books, trade paperback, 2012, fiction, 264 pages, kindly sent by the publisher

The year is 1919 and Quinn Walker is returning to his hometown of Flint in New South Wales after fighting in WWI. This is not going to be some happy emotional family reunion as the reason Quinn left was that ten years earlier he was found seeming to have raped and murdered his sister, he fled. His return seems timely as Australia is in the grips of the Spanish flu epidemic, in fact many believe it is the end of the world, and when the end is nigh you have very little to lose.  Now returning, undecided if he will face his accusers or not without proof it wasn’t him, sheltering in the hills around Flint he meets Sadie a young girl living in secret like him and as these two outsiders form a bond of friendship they both realise her present and his past are more linked than either of them could have imagined.

I am aware that the last line in that paragraph above is a little bit clichéd and sounds rather melodramatic, yet in essence that is how the plot goes, it isn’t a melodramatic book however and that is what holds me back from giving it the ‘gothic’ label that I have seen in reviews since finishing the book and mulling it over. It does have elements of the gothic but despite the nature of the tale it tells this novel is rather quiet and understated until it leads to its climax. It has also been labelled as a crime novel and in some ways it is, there is a mystery at the heart of the book and yet it is never a whodunit, in fact that aspect of the book is really bubbling away in the background as we look at the effects of war and epidemic on people at the time.

It is this combination that I think makes this book such a brilliant read. You have the war and its effects, and in many ways the understated element of the horrors we read of and see in Quinn himself are the reasons they hit home, a country and its people believing the world may be ending, you even get some séances in Victorian London thrown in and yet it never feels too much, nothing seems out of place. Its historical, thrilling, has some magical elements (in fact while I loved the séance and how that worked into the story, there was an animal sacrifice that I just didn’t see the rhyme or reason for, small quibble) and most importantly is beautifully written. It’s understated but highlights the drama of the time; it’s to the point yet descriptive and wonderfully builds the brooding atmosphere and heat before the storm, a metaphoric aspect if ever there was one and one which again made me think of ‘The Proof of Love’, it’s writing that quietly holds you and takes you away to a calm darkness.

‘That night, Quinn lay back, snuggled into the curve his shoulders had made in the pine needles and stared up at the darkness. The moon hove into view. The forest spoke in its secret tongue, and if he turned his head and pressed his ear to the ground he fancied he might hear the millions of dead rustling in their mass, unmarked graves on the far side of the world. Sarah had always claimed to understand the language of animals and trees, the growls of possums and wallabies. But what of the dead?’

Since finishing the book I have been off finding out more about it and the author. It seems this book was pretty much long listed for every book award in Australia last year and I can certainly see why. ‘Bereft’ is one of those books that is set very much in its time and yet asks you to look back and put the pieces together. I like this effect in books as it makes me feel a little bit clever. It also makes this book nicely merge the divide between literary and thriller in many ways. The prose it beautiful, the characters fully drawn, there is also a mystery at its heart giving it that page turning quality, yet never at the expense of any of its other winning factors. It also covers a very interesting period in a countries history I knew nothing about yet came away with the atmosphere still lingering with me long after finishing the book. Highly recommended.

I am really glad I read this book, I have instantly started wondering if its eligible for a certain award this year but wouldn’t want to jinx it, it is only January after all. I am saddened to see that you can’t get his debut novel ‘The Low Road’ in the UK as yet, as I would definitely like to read more of his work. Has anyone else read that? Who else has read this one? I would love to know if readers in Australia have heard as much about this book as I imagine you might.



I read this book as part of Australian Literature Month,    which runs throughout January 2012. The idea is to simply read as  many   novels as I can by writers from my homeland and to encourage  others to   do the same. Anyone can take part. All you need to do is  read an   Australian book or  two, post about Australian literature on  your own   blog or simply engage  in the conversation on this blog. If  you don’t   have a blog, don’t worry —  you just need to be willing  to  read   something by an Australian writer  and maybe comment on other   people’s   posts. You can find out more here.


Filed under Books of 2012, Chris Womersley, Quercus Publishing, Review

15 responses to “Bereft – Chris Womersley

  1. David

    I enjoyed ‘Bereft’ – the writing was good, the period and the landscape wonderfully evoked, and although for my tastes it became a little too gothic I did like the uneasy feeling it gives you as you start to question what is real. But I suspect the lasting image I will take from the book (and the reason I didn’t rate it more highly) is going to be those talking ants – maybe I missed the point, but for me they ruined an otherwise powerful climax.

    • You see I quite liked the slightly magical and supernatural twists here and there. I can understand they might have put some people off, you see I don’t remember the talking ants. I was clearly too engrossed in the whole ‘angel of death’ aspect at the end. No spoilers there for others I hope.

      • David

        Oh, I didn’t mind most of the supernatural bits, don’t get me wrong. It wasn’t the talking ants per se (Sadie “speaks” to them earlier in the book and that fit perfectly with her character), it was more the deus ex machina (deus ex Formicidae?) way Womersley used them to get himself out of the corner he’d written himself into. It irritated me all the more as the rest of the climax was so good – it had that almost biblical grandeur that you get in Cormac McCarthy.

      • I think thats what I liked though, it ended not being as Cormac McCarthy as I was worried it would. I like Cormac, don’t get me wrong, I just think mimicing another author is not so great and this was its own book.

  2. I heard about this book at the ALA conference last week, and it sounds fascinating. It was the first I’d heard about it, so I’m glad to see it getting some more buzz. I hope to read it soon!

    • It’s great. I’m hoping it continues to get more attention because for an immensely readable and not over blown or over long novel this is one that really covers so much and really takes the reader to the place and time and the people.

  3. sharkell

    I’m not going to read your review as a library copy has just come in with my name on it. And Proof of Love is there waiting for me as well. Given that I loved The Hunger Trace after you recommended it, I can’t wait…

    • Oooh you have two brilliant reads ahead. I would read something very different in between the two though as the heat and countryside and young girl befriends older man might seem a little samey and that would do a disservice to both books which would never do!

      • sharkell

        Thanks for the tip. I fell in love with Bereft from the first paragraph. I have started The Children’s Book by AS Byatt and will read this before picking up Proof of Love.

  4. ana

    So glad you enjoyed this, Simon. I was lucky to hear the writer speak at Sydney Writers’ Festival last year. Even the venue was a dream!! We were a mezzanine space above Bangarra’s [our outstanding Indigenous dance comapany] Dance Studio, overlooking Sydney Harbour on a balmy Saturday morning. He was a fine speaker and certainly enthused his audience. I just LOVE the cover!! And also the book, finding the period and its exploration of the flu epidemic particularly rich. It is so skilfully created, keeping you entranced. It is a novel that is hard to resist. Very pleased that you loved it too.

    • The cover is superb and really does seem to sum up the contents and atmosphere of the book! I thought the period of the book was really, really interesting. I had no idea of the epidemic after WWI and those two combined are horrific but he doesn’t dramatise it!

  5. Kate, Sydney

    Hi Simon – yes, the book has received quite a bit of positive press here in Australia for a while now. We also read it for our ANZLitlovers online book group too – and for the most part it was well received. It was a very good book for discussion too – as frankly, I didn’t realise just how clever the book was until we discussed it!! But, as with so many Australian authors and their books – they are relatively unknown outside of this country – and I think our authors can certainly hold their own on a world writing stage but just can’t get the numbers to read their books. PLEASE read The Trout Opera by Matt Condon – you will love it!! Promise.

    • Well with a capital please how could I not? In fact I have just requested it from the library so hopefully I will be soon. The title isnt the most appealing I have to say.

      Its a very subtley clever book, a very very subtley clever book. Almost effortlessly so.

  6. Pingback: Chris Womersley’s Bereft: Review Round-up | Quercus Books

  7. Pingback: Review: Chris Womersley – Bereft « crimepieces

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