It is always nice when you discover a book is coming out by one of your favourite authors that you had no idea about. In this particular instance it was even more exciting when the author herself, for it was Susan Hill, tells you so in a tweet. I had just tweeted about how excited I was about her latest Simon Serrailler novel ‘A Question of Identity’ coming out when she replied ‘you just wait for my new ghost story ‘Dolly’’ well I was of course both intrigued and thrilled. Firstly a new ghost story is always good and just from the sounds of the title alone, and the images it conveyed, I was really, really, really excited to read ‘Dolly’.
Having been a big fan of both Susan Hill and her ghost stories, ‘The Woman in Black’ being one of my favourite ghost stories and books of all time, there was a slight worry with ‘Dolly’ that I might hype it up too much in my head. I needn’t have worried as I think ‘Dolly’ might be one of the uneasiest and creepiest stories I have read all year, and indeed in some time since I re-read the aforementioned ‘The Women in Black’ itself.
‘Dolly’ is set in the British Fens, a marshland South Western region perfect for a ghost story, as two cousins, previously unknown to each other, come and stay with their Aunt Kestrel for a period during their childhood. It is Edward, not his cousin Leonora, who tells us the tale of the uneasy and creepy things which happened in his aunts rambling old manor, Iyot House, over this time and how they lingered well into the future. These of course concern themselves with a doll or indeed two actually, though how I will not say as with all good ghost stories you should have absolutely no idea where the story is going and where the unease lies hidden in the pages awaiting you.
I can tell you though that ‘Dolly’ is a crackingly good ghost story. It is not one of utter jumps and horrors, it is far subtler than that and actually reminded of the great Edwardian and Victorian tales of mystery and unease (can I use the word unease any more?) where is isn’t just ghosts that can be scary, objects indeed can be supernatural too as can the ordinary if it has just a hint of the extraordinary or unusual. Here we have what is really quite a traditional tale of a spooky old house with a rather creepy young girl, doll and a housemaid (Mrs Mullen is a little bit Danvers-esque, which of course I loved) but as Susan Hill herself has said “some of the traditional ingredients rarely fail – the old, isolated house, the churchyard – but best be sparing. One small hint, a shadow, one rustling sound and you can have the reader in your power.” And indeed in the case of ‘Dolly’ she does just that.
Having thought about it I think that ‘Dolly’ might just be my favourite of Susan Hill’s ghost stories so far after ‘The Woman in Black’ and interestingly they do share some of the same ingredients, yes the old house is very important as a device, as are the marshes and a good graveyard, we also have a sensetive male narrator and ‘Dolly’ also has that feel of timelessness about it. You can’t quite place when it is set, there are cars and in the ‘current’ narrative there is indeed facelifts and plastic surgery but it feels like a period where they just came in and so the main story in the past tense has that Victorian edge to it. Yet I should add here that is doesn’t feel like a carbon copy or ghost story by numbers, it’s quite a story of its own and I loved it. It definitely gave me the chills and unease I was hoping for.
If that doesn’t make you want to rush out and read it then try this brilliant trailer out for size (no more video’s for a while)…
Has anyone else read ‘Dolly’ yet and if so what did you think? If you haven’t and you fancy something creepy for the autumn nights then I heartily recommend you pick this up.