Sometimes you hear about a book that might be somewhat off your usual and possibly well worn and beaten fictional path, yet it calls to you. This was the case with Jane Rawson’s From The Wreck a book I knew very little about other than it was very quirky and all the people in Australia (which I still believe is my spiritual home and the reason I haven’t been is because I might love it so much I wouldn’t come back) were loving it, no one in bloody Britain was publishing it though. By this point I was so desperate to read it, I sent out a small Twitter plea and who came to the rescue but Jane herself winging a copy over oceans (aptly) to get here. No sooner had I got it in my hand than I started getting nervous about it, what if I didn’t like it… the author had sent it me. But I reminded myself of my initial instincts and so I started it and fell in love with it, even though it started on a boat and longstanding readers of this blog will know I do not like books about boats, but I was hooked – line and sinker, sorry.
Transit Lounge Press, paperback, 2017, fiction, 390 pages, kindly sent by the author
It is 1859 and not long after seeing a mysterious woman talking to the horses aboard the SS Admella, George Hills finds himself next to her on the floating wreckage of the boat out in the open water. What the pair endure together George believes links them forever, however once they are rescued this woman, Brigid, vanishes. Many people believe she was taken to a different place to recover, some believe she might not even have been there, George is certain that this woman was real. And he is right, she was, what George doesn’t realise was that she was also a telepathic shape shifting alien cephalopod who once on land turned into a cat to escape and carry on trying to find another of ‘her’ kind. Some of you might now be thinking ‘WTF that sounds bonkers/ridiculous’, some of you might be thinking ‘Simon have you gone crazy’, you might be right on both counts, what I am certain of is that give this stunningly written book a chance and you will absolutely love it.
One eye open, then the other.
Am I still me? I touch here, taste this, smell that. I remember. I am still me. One thing holding fast in this shifting, blurring mass.
But the rest of it? None of the shapes are right. Is that a life form? Is that? There is neither the sight nor feel of wrapped tight energy, of breathing hot, of burning fuel, of soul-filled bursting selfness that is like anyone I have ever seen. I don’t even know who to eat.
After the shipwreck George is haunted, in part by what he had to do to survive but also by the seeming phantom of the women he knows he was with. Yet he must try to carry on as normal, he must start a family and make a future for himself. What he doesn’t realise is that unable to trace another of ‘her’ kind, the alien cat has been drawn to George again and soon transforms into the birthmark of his newly born son Henry.
This is where I think the book gets even better as it divides into further strands. You have the strand of George who has become haunted by the wreck and slightly unhinged with an obsession to find this woman. You have an alien cephalopod who is trying to find the rest of her kind who becomes more and more lonely and potentially more and more needy and dangerous. You also have the story of a young boy Henry who grows up a little bit different, slightly creepy and who desperately tries to understand human kind, his place in it and what it means to be human if only to quiet the strange voice he has in his head. All this delivered in the form of a ripping romp of speculative historical sci-fi yarn. I will say it again. It. Is. So. Bloody. Good.
‘Men are prone to overreact. They meet a woman, she’s beautiful, she talks to them and they think, oh, she likes me, we’ll get married. And she doesn’t return the favour, doesn’t like him as much as he likes her, so then she’s evil, isn’t she. She’s some kind of hell-spawned bitch to spurn him in this way. And he has dreams where he’s tupping her and she laughs at him and then that’s it, she’s haunting him, she really is a witch. Is that what happened with your… friend, did you say it was?’
What is also brilliant about From The Wreck is that is an insight into the social constructs and mores of Australia at that time, with a worrying amount of them still being rife now, especially in the respect to women which Rawson really delves into. Women are wives, mothers, daughters, ladies, lovers, whores or witches and there doesn’t seem to be anything in between, or at least in the eyes of most of the men. Rawson therefore brings all the women around George and Henry to the fore, interestingly with the exception of George’s wife – I couldn’t work out if Rawson was trying to say something there. (Doubly interesting that this shipwreck was real and Jane is one of George’s descendants, a twist to the whole thing I also love.) Our cephalopod is seemingly female, though gender isn’t really a construct for ‘her’ which is also fascinating, and often the questions asked internally of Henry do have a feminist leaning. One of my favourite characters is that of Beatrice, a woman many believe a witch, who has a wonderful back story to tell which I found very moving.
Beatrice Gallwey had come to South Australia from the colony of New South Wales. Her husband had died, the way husbands so often do. A bite from a flea or a mosquito, they said, and some infection of the blood. It hadn’t taken terrifically long. They didn’t like each other much, Bea and her husband, and she didn’t miss him but still, she’d rather they’d got around to leaving one another than that he was cold in the ground. She wouldn’t have held it against him had he found somewhere else to go.
So what more can I say? This book had it all for me; originality, wonderful writing, a brilliant twisting plot, fantastic characters and some themes within it that you can really get your teeth into, should you want to – though obviously there is nothing wrong with reading a book to simply escape. I feel that this book has it all and can almost 100% promise you that if you give it a try you will love it. What I can also promise you is that just when you think the book is going to go a certain way, it just won’t (which you will love it all the more for) instead it will probably head somewhere a bit stranger and almost definitely somewhere a bit darker.
He suddenly remembered: the mark was back. No surprises there. You can’t erase wickedness that easily. It had to go. The mark had to go or the boy hard to go. ‘You saw what he had in that cupboard? Bodies, corpses. Festering jars of muck. And those things he draws. He’s not normal. He’s not a normal boy. We need to fix him, William. The women can’t do it. Eliza can’t do it, she doesn’t even see it. She thinks he’s sweet. She doesn’t know anything about what the world is like. But you and I do. I’ve seen terrible things. You’ve read terrible things. Tell me what to do.
Without a shadow of a doubt From The Wreck is my book of 2018 so far. Now if you are despairing that you might not be able to get your hands on this book any time soon there is some exciting news, since I waxed lyrical about it on my channel and on social media, Picador will be publishing this in the UK next April, I’ll be reminding you to get it then and sincerely hope it will be winning many awards this side of the pond in 2019.