I mentioned the other day that myself and the delightful Novel Insights were off to see the movie Dorian Gray which I was quite shocked so few of you had heard was out, maybe just for once they have released a movie in Britain before anywhere else? Why is it we always get the movies last over here? So off we pootled to the cinema with brimming bags of popcorn and sweets (or in Novel Insights case cheese twists) and prepared ourselves to be whisked away in Victorian times through the medium of cinema. I thought this would be additional visual back ground for The Sensation Season.
I have to admit, before I go any further, that though we were both excited to be going to the cinema together and to see the movie; we had also heard that it had received some quite harsh reviews from certain ‘literary quarters’ and yet also been raved about by some of the movie magazines, I don’t read them it just says so on the posters ‘a terrific gothic romp’ etc. So we were both excited but slightly dubious all in one. We decided to just sit back and let the movie take over.
The first thing that I will say is that though this film ‘is inspired by’ The Picture of Dorian Gray and isn’t actually an exact retelling which is why when Dorian arrives in London having inherited a huge mansion and looking very innocent and knowing no one I was a bit confused. “That’s not how it started in the book” I almost grumped, but these are film adaptations and you have to simply not compare them to the book however hard it is.
Though I liked the book, I utterly loved the movie. Maybe it was my current obsession with all things sensational and the era of 1870 – 1900? Maybe it’s the fact I have immersed myself in all things Victorian and this embodied it all. It’s a very dark film, the way I would actually describe it (sorry of this sounds poncey) is like a rich decadent yet dark velvety thriller. But enough of that lets get back to the movie and the story…
After the success of the showing of his newly found friend Basil’s portrait of him Dorian becomes the talk and desire of London. One minute you are thrown into the glitz and glamour of society as Dorian (a brilliant Ben Barnes) makes his way first innocently and then falls into the path of Lord Henry and everything gets seedier and much, much darker. From then on its all about ‘youth and beauty’, getting what you want in life and a dark pact made with the devil inspired by Lord Henry that takes the tale into the darkest parts of Victorian east end (which of course I loved) and the darkest parts of the mind. I don’t want to give too much away in case you haven’t read the book or seen the film. If you have read the book I would be interested to hear your thoughts on the movies ending.
I thought the acting by Ben Barnes was superb, after seeing him as Prince Caspian I have to admit that I was quite dubious he could pull it off. As innocent Dorian on arrival in London I thought ‘no this won’t work’ but as the darkness of the character crept in I was so impressed with the way he played it, some could say he was near on a perfect Dorian in fact. For me though, no offense Ben, but Colin Firths portrayal of Lord Henry Wotton was utterly superb and any scene in which he was simply got stolen from who he was playing against. He had the leer, the gluttony, the rapacious appeal and the beguiling nature of Henry down to a fine art and you cannot stop yourself watching him.
Sadly the girls let the film down a bit for me. I wouldn’t go as far as to say wooden, that would be slightly unfair, maybe the way the plot was devised they just weren’t given enough time but the whole Sybil Vane affair was done too quickly and neither leading lady had enough time to grow on you or show you why Dorian, who could have anyone, would want them.
The costumes were wonderful (I need a cape for winter and a long sweeping velvet coat, I currently have the shaped beard and some new boots so am almost dressing Victorian already ha) and had slight modern twists of the Victorian era in terms of making the film real but unreal which I liked, it in some ways felt slightly Tim Burton-esque. The sets were wonderful Victorian London at its finest, most lavish and darkest. Highgate Cemetery (the star of Audrey Niffenegger’s new book) made a guest appearance which has only made me more desperate to visit. The film was also surprisingly scary!
All in all a wonderful way to spend a few hours of your evening deeply embroiled in the Victorian underworld with a few spooky happenings along the way. I utterly loved it. If you want to see more you can go to the website here, see if that wets your appetites any further. I do think I might get Dorian’d out though as The Converted One after not wanting to see it now is desperate to (and I will happily see it twice) and also soon I am off to see this in a few weeks too!