Tag Archives: Charlotte Rogan

Books I’m Looking Forward to in the Next Six Months

I know we are past the middle of the first month of 2016 but, as is my want, I thought it might be a nice idea to let you know about some of the books that I am really looking forward to reading over the next six months published in the UK. I know, I know, it is the list you have all been waiting for. Ha! For a few years now, every six months, Gavin and I share 13 of the books that we are most excited about on The Readers podcast, based on which publishers catalogues we can get our mitts on – so sometimes we miss some, so I thought this year I would make it a new biannual post. Getting to that final thirteen is almost impossible (actually one year it was a struggle) and this year it has been particularly tough as it looks set to be a year of corkers. In fact my longlist of books I’m keen to get my hand on is 60 books (and would have been 62 if I hadn’t already read The Trouble with Goats and Sheep by Joanna Cannon and Eileen by Ottessa Moshfegh) long. Yes that is right, 60 books. I have highlighted a few each month that I will definitely be reading or getting my mitts on. So, grab a cuppa tea and settle down with a notepad or bookstore website open next to you…

January

Mr Splitfoot – Samantha Hunt (Corsair)

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Nat and Rose are young orphans, living in a crowded foster home run by an eccentric religious fanatic. When a traveling con-man comes knocking, they see their chance to escape and join him on the road, proclaiming they can channel the dead – for a price, of course. Decades later, in a different time and place, Cora is too clever for her office job, too scared of her abysmal lover to cope with her unplanned pregnancy, and she too is looking for a way out. So when her mute Aunt Ruth pays her an unexpected visit, apparently on a mysterious mission, she decides to join her. Together the two women set out on foot, on a strange and unforgettable odyssey across the state of New York. Where is Ruth taking them? Where has she been? And who – or what – has she hidden in the woods at the end of the road? Ingenious, infectious, subversive and strange, Mr Splitfoot will take you on a journey you will not regret – and will never forget.

Human Acts – Han Kang (Portobello)

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Gwangju, South Korea, 1980. In the wake of a viciously suppressed student uprising, a boy searches for his friend’s corpse, a consciousness searches for its abandoned body, and a brutalised country searches for a voice. In a sequence of interconnected chapters the victims and the bereaved encounter censorship, denial, forgiveness and the echoing agony of the original trauma. Human Acts is a universal book, utterly modern and profoundly timeless. Already a controversial bestseller and award-winning book in Korea, it confirms Han Kang as a writer of immense importance.

The Widow – Fiona Barton (Transworld)
Paulina & Fran – Rachel B. Glaser (Granta)
The World Without Us – Mirelle Juchau (Bloomsbury)
The Outrun – Amy Liptrot (Canongate)
Sea Lovers – Valerie Martin (Serpents Tail)
Dinosaurs on Other Planets – Danielle McLaughlin (John Murray)
The Actual One – Isy Suttie (Orion)

February

The Sympathiser – Viet Thanh Nguyen (Corsair)

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A profound, startling, and beautifully crafted debut novel, “The Sympathizer” is the story of a man of two minds, someone whose political beliefs clash with his individual loyalties. It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong. “The Sympathizer” is the story of this captain: a man brought up by an absent French father and a poor Vietnamese mother, a man who went to university in America, but returned to Vietnam to fight for the Communist cause. A gripping spy novel, an astute exploration of extreme politics, and a moving love story, “The Sympathizer” explores a life between two worlds and examines the legacy of the Vietnam War in literature, film, and the wars we fight today.

Under the Udala Trees – Chinelo Okparanta (Granta)

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One day in 1968, at the height of the Biafran civil war, Ijeoma’s father is killed and her world is transformed forever. Separated from her grief-stricken mother, she meets another young lost girl, Amina, and the two become inseparable. Theirs is a relationship that will shake the foundations of Ijeoma’s faith, test her resolve and flood her heart. In this masterful novel of faith, love and redemption, Okparanta takes us from Ijeoma’s childhood in war-torn Biafra, through the perils and pleasures of her blossoming sexuality, her wrong turns, and into the everyday sorrows and joys of marriage and motherhood. As we journey with Ijeoma we are drawn to the question: what is the value of love and what is the cost? A triumphant love story written with beauty and delicacy, Under the Udala Trees is a hymn to those who’ve lost and a prayer for a more compassionate world. It is a work of extraordinary beauty that will enrich your heart.

The Butchers Hook – Janet Ellis (Two Roads)
The Narrow Bed – Sophie Hannah (Hodder)
Scary Old Sex – Arlene Heyman (Bloomsbury)
The Children’s House – Charles Lambert (Aardvark Bureau)
13 Minutes – Sarah Pinborough (Orion)
The Catch – Fiona Sampson (Chatto & Windus)
Gold Flame Citrus – Claire Vaye Watkins (Quercus)
Your Heart is a Muscle the Size of Your Fist – Sunil Yapa (Little Brown)

March

Where Love Begins – Judith Hermann (Serpents Tail)

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Stella is married, she has a child and a fulfilling job. She lives with her young family in a house in the suburbs. Her life is happy and unremarkable, but she is a little lonely-her husband travels a lot for work and so she is often alone in the house with only her daughter for company. One day a stranger appears at her door, a man Stella’s never seen before. He says he just wants to talk to her, nothing more. She refuses. The next day he comes again. And then the day after that. He will not leave her in peace. When Stella works out that he lives up the road, and tries to confront him, it makes no difference. This is the beginning of a nightmare that slowly and remorselessly escalates. Where Love Begins is a delicately wrought, deeply sinister novel about how easily the comfortable lives we construct for ourselves can be shattered.

Hot Milk – Deborah Levy (Penguin Books)

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Today I dropped my laptop on the concrete floor. It was tucked under my arm and slid out of its black rubber sheath, landing screen-side down. The digital page shattered. Apparently there’s a man in the next flyblown town who mends computers. He could send off for a new screen, which would take a month to arrive. Will I still be here in a month? My mother is sleeping under a mosquito net in the next room. Soon she will wake up and shout, ‘Sofia, get me a glass of water’, and I will get her water and it will be the wrong sort of water. And then after a while I will leave her and return to gaze at the shattered starfield of my screen. Two women arrive in a Spanish village – a dreamlike place caught between the desert and the ocean – seeking medical advice and salvation. One of the strangers suffers from a mysterious illness: spontaneous paralysis confines her to a wheelchair, her legs unusable. The other, her daughter Sofia, has spent years playing the reluctant detective in this mystery, struggling to understand her mother’s illness. Surrounded by the oppressive desert heat and the mesmerising figures who move through it, Sofia waits while her mother undergoes the strange programme of treatments invented by Dr Gomez. Searching for a cure to a defiant and quite possibly imagined disease, ever more entangled in the seductive, mercurial games of those around her, Sofia finally comes to confront and reconcile the disparate fragments of her identity. Hot Milk is a labyrinth of violent desires, primal impulses, and surreally persuasive internal logic.

Patience – Daniel Clowes (Vintage)
Rain – Melissa Harrison (Faber & Faber)
A Girl in Exhile – Ismail Kadare (Vintage)
The Paper Menagerie & Other Stories – Ken Liu (Head of Zeus)
An Unrestored Woman & Other Stories – Shobha Rao (Virago)
Vertigo – Joanna Walsh (And Other Stories)

April

The Sunlight Pilgrims – Jenni Fagan (Random House)

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Set in a Scottish caravan park during a freak winter – it is snowing in Jerusalem, the Thames is overflowing, and an iceberg separated from the Fjords in Norway is expected to arrive off the coast of Scotland – The Sunlight Pilgrims tells the story of a small Scottish community living through what people have begun to think is the end of times. Bodies are found frozen in the street with their eyes open, euthanasia has become an acceptable response to economic collapse, schooling and health care are run primarily on a voluntary basis. But daily life carries on: Dylan, a refugee from panic-stricken London who is grieving for his mother and his grandmother, arrives in the caravan park in the middle of the night – to begin his life anew.

What Belongs To You – Garth Greenwell (Picador)

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On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia’s National Palace of Culture. There he meets Mitko, a charismatic young hustler, and pays him for sex. And so begins a relationship that could transform his life, or possibly destroy it. What Belongs To You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created a indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.

The Trees – Ali Shaw (Bloomsbury)

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There came an elastic aftershock of creaks and groans and then, softly softly, a chinking shower of rubbled cement. Leaves calmed and trunks stood serene. Where, not a minute before, there had been a suburb, there was now only woodland standing amid ruins…There is no warning. No chance to prepare. They arrive in the night: thundering up through the ground, transforming streets and towns into shadowy forest. Buildings are destroyed. Broken bodies, still wrapped in tattered bed linen, hang among the twitching leaves. Adrien Thomas has never been much of a hero. But when he realises that no help is coming, he ventures out into this unrecognisable world. Michelle, his wife, is across the sea in Ireland and he has no way of knowing whether the trees have come for her too. Then Adrien meets green-fingered Hannah and her teenage son Seb. Together, they set out to find Hannah’s forester brother, to reunite Adrien with his wife – and to discover just how deep the forest goes. Their journey will take them to a place of terrible beauty and violence, to the dark heart of nature and the darkness inside themselves.

The Cauliflower – Nicola Barker (Random House)
Foreign Soil – Maxine Beneba (Corsair)
The Last of Us – Rob Ewing (Borough Press)
Fragments – Elena Ferrante (Eurpoa Editions)
A Different Class – Joanne Harris (Transworld)
Ladivine – Marie NDiaye (Quercus)
The Bricks That Built Houses – Kate Tempest (Bloomsbury)
Six Four – Hideo Yokoyama (Quercus)

May

The Doll Master & Other Tales of Terror – Joyce Carol Oates (Head of Zeus)

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Six terrifying tales to chill the blood from the unique imagination of Joyce Carol Oates. A young boy plays with dolls instead of action figures. But as he grows older, his passion takes on a darker edge…A white man shoots dead a black boy creating a media frenzy. But could it be that it was self-defense as he claims? A nervous woman tries to escape her husband. He says he loves her, but she’s convinced he wants to kill her…These quietly lethal stories reveal the horrors that dwell within us all.

The Gustav Sonata – Rose Tremain (Chatto & Windus)

It is the tutor who tells the young Gustav that he must try to be more like a coconut – that he needs a hard shell to protect the softness inside. This is what his native Switzerland has perfected – a shell to protect its neutrality, to keep its people safe. But his beloved friend, Anton, doesn’t want to be safe – a gifted pianist, he longs to make his mark in the world outside. On holiday one summer in Davos, the boys stumble across a remote building. Long ago, it was a TB sanitorium; now it is wrecked and derelict. Here, they play a game of life and death, deciding which of their imaginary patients must burn. It becomes their secret. The Gustav Sonata begins in the 1930s, under the shadow of the Second World War, and follows the boys into maturity, and middle age, where their friendship is tested as never before.

The Bones of Grace – Tahmima Anam (Canongate)
The Beautiful Dead – Belind Bauer (Transworld)
The Witches of New York – Amy McKay (Orion)
This Must Be The Place – Maggie O’Farrell (Tinder Press)
The Woman Next Door – Yewande Omotoso (Chatto & Windus)
Now and Again – Charlotte Rogan (Virago)
The Wicked Boy – Kate Summerscale (Bloomsbury)

June

Fen – Daisy Johnson (Vintage)

Daisy Johnson’s Fen is a liminal land. Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what? English folklore and a contemporary eye, sexual honesty and combustible invention – in Fen, these elements have come together to create a singular, startling piece of modern fiction.

The Essex Serpent – Sarah Perry (Profile Books)

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Set in Victorian London and an Essex village in the 1890’s, and enlivened by the debates on scientific and medical discovery which defined the era, The Essex Serpent has at its heart the story of two extraordinary people who fall for each other, but not in the usual way. They are Cora Seaborne and Will Ransome. Cora is a well-to-do London widow who moves to the Essex parish of Aldwinter, and Will is the local vicar. They meet as their village is engulfed by rumours that the mythical Essex Serpent, once said to roam the marshes claiming human lives, has returned. Cora, a keen amateur naturalist is enthralled, convinced the beast may be a real undiscovered species. But Will sees his parishioners’ agitation as a moral panic, a deviation from true faith. Although they can agree on absolutely nothing, as the seasons turn around them in this quiet corner of England, they find themselves inexorably drawn together and torn apart.

Foxlowe – Eleanor Wassberg (Harper Collins)

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A chilling, compulsive debut about group mentality, superstition and betrayal – and a utopian commune gone badly wrong We were the Family, and Foxlowe was our home. There was me – my name is Green – and my little sister, Blue. There was October, who we called Toby, and Ellensia, Dylan, Liberty, Pet and Egg. There was Richard, of course, who was one of the Founders. And there was Freya. We were the Family, but we weren’t just an ordinary family. We were a new, better kind of family. We didn’t need to go to school, because we had a new, better kind of education. We shared everything. We were close to the ancient way of living and the ancient landscape. We knew the moors, and the standing stones. We celebrated the solstice in the correct way, with honey and fruit and garlands of fresh flowers. We knew the Bad and we knew how to keep it away. And we had Foxlowe, our home. Where we were free. There really was no reason for anyone to want to leave.

Daisy in Chains – Sharon Bolton (Transworld)
Everyone Is Watching – Megan Bradbury (Picador)
Addlands – Tom Bullough (Granta)
The Girls – Emma Cline (Chatto & Windus)
Black Water – Louise Doughty (Faber & Faber)
Early Riser – Jasper Fforde (Hodder)
The Little Communist That Never Smiled – Lola Lafon (Serpents Tail)
The Bed Moved – Rebecca Schiff (John Murrary)
Smoke – Dan Vyleta (Orion)
Our Young Man – Edmund White (Bloomsbury)

Phew! So that is the list, it has changed slightly since we recorded The Readers as Gav and I had a couple of snap choices and also I found out some other books were coming out earlier than thought or I simply only discovered them in the last few months. There will be many more I discover or hear about too I am sure. I have just thought of several I have missed (Kit De Waal, Nicholas Searle and a whole shelf of prrof I can’t get to due to scaffolding) so there will be many more. Anyway, quite a few for you to go and find out more about and a good list for me to have when I am stuck in a bookshop without a clue of what to by next – as if that ever happens. Right, I better get reading then. Which of these do you fancy? Which books are you looking forward to in the next six months?

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Filed under Book Thoughts, Random Savidgeness

Savidge Reads Books of 2012 – Part Two…

As I mentioned on Saturday I was going to try and be really brave and break the habit of this blogs and just do a single top ten books of the year. I tried and tried and tried, and I failed. I simply couldn’t only have ten, in fact I actually had a top thirty roughly, but then I have read 167 books (Green Carnation submissions always bump this figure up, what will next year be like without them) this year so maybe that will make it slightly more understandable. So what I have done once again is have two top tens, one of the books published for the first time in the UK in 2012 and another with all the other books published before that – today I am listing my favourite books published for the first time in the UK in 2012. For the full review click on the link, I have chosen a highlighting paragraph to tempt you for this post.

10. The Lifeboat by Charlotte Rogan

I think ‘The Lifeboat’ is one of the most brilliant fictional takes on ‘mental warfare’ and how people change under certain circumstances that I have come across in a very long time, especially from a modern writer. Dare I say there was something rather Daphne Du Maurier-like about the darkness that develops? What I won’t say is anything about the other characters (apart from the fact I was scared of Mrs Grant) because I don’t want to give anything away, but Rogan creates a fascinating psychological game with them all, and with Grace herself Rogan pulls the trump card.

9. The Snow Child – Eowyn Ivey

I was enjoying ‘The Snow Child’ so much from the start that I did something I hardly ever do. Rather than read it in chunks when I could, I simply devoted almost a whole day to it. I could have saved it and made it last, but sometimes you have to think ‘stuff that’ and just get lost in it all. So I did and read the book in pretty much one go just gorging on it. Now that is the sign of a truly magical book, I was completely spellbound… apart from having to pop the heater on and making the occasional hot drink as the snow really does feel like it’s coming off the page. This is a highly, highly recommended read.

8. The Colour of Milk – Nell Leyshon

The book is a story of a girl who leaves an unhappy home, yet we figure that out as we read on because really Mary is quite happy with her life on the whole thank you very much. The fact the story is reminiscent of a Victorian classic also works in the books favour because it feels comfortable and yet different, does that make sense? I have to admit that i did hazard a guess at ending that seems to have shocked other people I know who have read it, which I will not spoil or even hint at, not that it stopped me loving the book because I was being taken along by Mary who I could have read for another few hundred pages or more.

7. Some Kind of Fairy Tale – Graham Joyce

If you are thinking of dipping your reading toes/eyes into fantasy from literary fiction or vice versa, or more importantly if you just want a really good story, then you need to read ‘Some Kind of Fairy Tale’. I am really pleased that I ended up choosing this for one of The Readers Book Groups on a whim because I can promise you that I am going to read everything that he has written so far after reading this. I really like his prose and in a way he is doing with literary fiction and fantasy what I think Kate Atkinson and Susan Hill have done with their crime novels, merging them so they become one genre, a genre I call ‘bloody good books’.

6. The End of Your Life Book Club – Will Schwalbe

There are some books out there that you need at a certain time in your life. They can be therapeutic and upsetting but show you just how important a book can be as an object that emotionally resonates with you. These books may be recommended when you are going through something or they may be found through researching yourself. That said they are not self help books, just books which chime in with you at that moment. Will Schwalbe’s ‘The End of Your Life Book Club’ is one such book, a book that seemed to mirror my life in many ways it was both a comfort and occasionally uncomfortable, overall though just amazing.

5. Gone Girl – Gillian Flynn

I don’t think I have read a book that has taken me to such dark places, it’s not a graphically disturbing novel though get ready to have your mind played with and warped, and have so many twists and turns. I also don’t think I have read a book that so cleverly asks the question ‘how well do you really know your partner’ and answers it in such a shocking, brutal yet also worryingly plausible way. ‘Gone Girl’ is easily one of the best novels I have read this year, I cannot recommend it enough… well, unless you are about to get married, have just got married or have just had a bit of a row with your other half as it might give you second thoughts, or sudden ideas, good and bad.

4. The Age of Miracles – Karen Thompson Walker

I thought that ‘The Age of Miracles’ was a truly marvellous novel, definitely one of the highlights of the year so far for me. Naturally because I loved it so much I am finding it very difficult to do the book justice as I feel I missed so much out. I was so lost in the book that I felt the people’s dread and I felt like I was with Julia along the way; I got very upset several times, and as the book went on worried all the more. I was hooked. It seems almost patronising to say ‘I was also really shocked this was a debut novel’ yet if I am honest I was. Karen Thompson Walkers prose is wonderful in the fact it captures the changing atmosphere of the people and the planet, and I should mention here the brilliant way she creates a divided society with people who keep ‘clock time’ and people who decide to live with the earth’s new unnaturally timed days, and also ever so slowly and skilfully builds up the tensions in relationships, fear and terror as the earth slows down and the book leads to its conclusion.

3. Hawthorn & Child – Keith Ridgway

I think the best way to sum up the wonderfully quirky, exciting and surreal yet real ‘Hawthorn & Child’ comes from one of the many characters who could be a psychopath or sociopath or just mad who says “Knowing things completes them. Kills them. They fade away, decided over and forgotten. Not knowing sustains us.” This is a book where not everything is resolved, stories create stories, some fade and some linger, the only constant is the brilliant writing, compellingly created cast, sense of mystery and dark humour which will sustain you from the start until the end and may just have you turning to the first page again as soon as you have finished the last.

2. Diving Belles – Lucy Wood

‘Diving Belles’ is a collection of stories that it would be easy to describe as fairytales for adults, that very statement may of course put people off, and while it is a book that finds the myths and legends of the Cornish coast seeping into every page of it there is so much more to it than that. Of course writing about a whole collection is always difficult (made doubly so when you loved every single one in the book) as you could end up giving too much away on each story or end up writing something as long as the collection itself.

1.  My Policeman – Bethan Roberts

I adored ‘My Policeman’, despite the fact it made me cry on a few occasions. I found it incredibly difficult to break away from it for any period of time yet I also found that as the book went on I was trying not to read it too fast, in part from the sense of impending doom and also because I didn’t really want it to end. I felt I was there, a bystander watching it all, feeling for Marion then Patrick and vice versa. It is one of the most beautifully written and emotionally engaging novels I have read this year. It is also a book that highlights a bit of our history that we often brush under the carpet, mainly because we think we are more tolerant now, and yet is one that should definitely be acknowledged and learnt from.

There are of course a few other books I must mention, for example both winners of the Green Carnation Prize, ‘Moffie’ by Andre Carl van der Merwe and ‘A Perfectly Good Man’ by Patrick Gale, and also Kerry Hudson’s ‘Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma’ which was one of the debut highlights of the year for me, I will be reviewing/reporting back on all the long list next year, as they were all rather brilliant. Also ‘The Lighthouse’ by Alison Moore and ‘Swimming Home’ by Deborah Levy which would have been joint tenth with ‘The Lifeboat’ and my final two had I done a Simon’s Booker Dozen type of post. Overall it has been a great year of reading and I am looking forward to the next.

What about you? What have been your highlights of the year published in 2012? Which of these have you read and what did you think?

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Filed under Book Thoughts, Books of 2012

My Books of 2012, So Far…

I mentioned the other day that we were halfway through the year and how I was taking stock of what I had read so far and what I wanted to read over the next few months. Well in terms of what I have read I thought I would give you a list of my top ten books of the year so far, we all like a list of books don’t we, each comes with a brief quote from my review – you can click on the title and author for the full reviews.

Diving Belles – Lucy Wood

“I don’t think I have been this excited or captivated by a debut author, or indeed a well known one, in quite some time… It’s the sort of book that really makes reading come alive and re-ignites or invigorates the joy of reading to anyone no matter how little or how much you read. I should really stop enthusing now shouldn’t I? It might seem a little obvious to say that this is easily my book of the year and will be a collection I return to again and again but it’s true.”

The Song of Achilles – Madeline Miller

“I wouldn’t normally say that I was a reader who subscribes to adventure stories or love stories and yet Madeline Miller’s debut novel ‘The Song of Achilles’ is easily my favourite read of the year so far. The reason for this is simple, she’s a bloody good storyteller, a great writer and I think the enthusiasm she has for classics becomes contagious somewhere in the way she writes.”

The Snow Child – Eowyn Ivey

“I was enjoying ‘The Snow Child’ so much from the start that I did something I hardly ever do. Rather than read it in chunks when I could, I simply devoted almost a whole day to it. I could have saved it and made it last, but sometimes you have to think ‘stuff that’ and just get lost in it all. So I did and read the book in pretty much one go just gorging on it. Now that is the sign of a truly magical book, I was completely spellbound… apart from having to pop the heater on and making the occasional hot drink as the snow really does feel like it’s coming off the page.”

A Monster Calls – Patrick Ness

“I don’t think I have yet read a piece of fiction which seems to encapsulate the entire breadth in which cancer can affect people and not just those in the eye of the storm it creates. Ness looks at the full spectrum of emotions for all those involved, from Conor, his mother and grandmother to those on the periphery such as Conor’s teachers. He takes these feeling and reactions, condenses them and then makes them readable, effecting, emotional and compelling in just over 200 pages.”

You’ll Be Sorry When I Am Dead – Marieke Hardy

“‘You’ll Be Sorry When I Am Dead’ is one of those books which manages to make you laugh out loud, feel ever so uncomfortable at its honesty, possibly makes you want to cry and then makes you laugh all over again. When someone writes their memoirs it isn’t necessarily that the full truth doesn’t come out, just that the author tends to look at things in a rose tinted way, highlighting their best bits – not so in the case of Marieke.”

Now You See Me – S.J. Bolton

“It is hard to say too much about ‘Now You See Me’ without spoilers or sounding too sycophantic. It is really a book of layers, you have the layers of the atmosphere of London (though the book does travel to Cardiff), the multiple facets and layers of the characters from the killer to Lacey and all the cops in between and also it is a book which has more than just a layer of murder, you get to know the victims and those affected by the horrific events that unfold you also get to look at some of the social issues affecting our times.”

Down the Rabbit Hole – Juan Pablo Villalobos

“Child narrators are something which either work superbly in a novel and make it or can completely ruin it with a more saccharinely sweet, naive and possibly precociously irritating tone. It is a very fine line and one that an author has to get just right. When done well they can be used as a way of innocently describing much more adult themes in a book or for leaving gaps in which we as adults can put the blanks, this is the way that Juan Pablo Villalobos uses his narrator Tochtli. Tochtli is a wonderful narrator as he describes the strange circumstances, somewhere in Mexico, he finds himself in as the son of a drug lord – of course Tochtli doesn’t know this but through what he doesn’t say we put the pieces of the puzzle together.”

The Lifeboat – Charlotte Rogan

“I was completely won over by ‘The Lifeboat’, enthralled in fact, so much so that would you believe it… I wanted more! At a deceptive 288 pages Rogan manages to pack in so much in terms of plot, back story, twists, turns and red herrings it is amazing that the book isn’t another few hundred pages long. Yet I think to be left wanting more of a book is always a good sign no matter what the length of it. If you are looking for a literary novel, because the prose is superb, that will have you utterly gripped and guessing along the way then I do urge you to give ‘The Lifeboat’ a whirl, I thought it was fantastic.”

Never Mind – Edward St Aubyn

“I always admire an author who can write beautifully and simply, an author who can create the most understated of melodramas will win me over. I also always admire an author who can write a passage that chills you before one that makes you laugh out loud and then another which horrifies you all over again. All these things are encompassed in Edward St Aubyn’s first Patrick Melrose novel ‘Never Mind’.”

Half Blood Blues – Esi Edugyan

“Edugyan delivers a novel that is brimming with atmosphere, is hauntingly written and will really move you (this book, clichéd as it sounds, really kicked me in the emotional guts) and it stays with you long after you read it. I am late to this book; don’t let yourself be though as it is a truly marvellous read and one I am glad I returned to at just the right time.”

So there we have it. Have you read any of these and what did you think? Will these books still be in my top books of the year at, well, the end of 2012? I guess we will have to see. I know some of you have already given me your favourite books of the year so far but do please keep those recommendations coming!

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Book Winners; A Mystery Parcel & Copies of The Lifeboat

So the other week I did a post on all the parcels of books that were going to the wrong address. I decided it would be fun to see if you could guess how many books were inside the parcels and win a parcel of mystery books from me yourself. Well the 28 parcels were opened, it was rather like Christmas day had come early, and you can see they have now found a home on my bedroom shelves…

How many were there? There were 35!! So well done Elaine for guessing them, it seems her comment was right and her experience with parcels means she can indeed guess from a distance, what a talent! I am also going to send a parcel to David who went the extra mile and tried to guess all the books in the parcels. These will be sent out late next week, so email me and get in touch.

One giveaway wasn’t enough as I also thought it would be nice, thanks to Virago who said yes, to give away five copies of ‘The Lifeboat’ by Charlotte Rogan, I do love to give away books that I love to you all. The Beard has picked the winners at random and they are…

Alison P
Em
Geraldine
Heavenali
Ceri Kay

Please email me with your addresses and the lovely Zoe will pop them out to you in the post in the next week. Lovely stuff! A book review is coming later, back then.

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Savidge Reads Grills… Charlotte Rogan

Yesterday I told you all about ‘The Lifeboat’ a truly accomplished debut novel with wonderful prose which also gripped me like a thriller, is narrated by a wonderfully unreliable narrator and amazingly also bowled me over considering as it was a book set on a boat – and I don’t normally like those at all. Well today its author, Charlotte Rogan, takes part in a Savidge Reads Grills to discuss the novel, the hidden manuscripts locked away in her drawers and her writing and reading habits. You can also quite possibly win a copy of the book yourself today, read on for more…

Firstly can you describe the story of ‘The Lifeboat’ in a single sentence without giving any plot spoilers?

Grace Winter survives three weeks in an overcrowded lifeboat only to be put on trial for her life, but is she telling the truth at her trial or is she merely saving herself again?

Where did the idea for ‘The Lifeboat’ come from?

The idea for the story came from my husband’s old criminal law text. I was particularly intrigued by two 19th century cases where shipwrecked sailors were put on trial after being rescued. At the time, sailors thought they were protected by something called the Custom of the Sea, which was an unwritten code of conduct meant to govern the actions of those who found themselves far beyond the reach of any civil authority. For instance, it held that the captain should be the last one to leave a sinking ship, that the women and children should be saved first, and that the ship’s crew owed a special duty to the passengers. It also held that the concept of necessity made it acceptable to kill other people in order to survive as long as the victims were chosen fairly by drawing lots. The moral issues involved in lifeboat situations are what hooked me—not only on an individual level, but on a social level, for lifeboats can be used as metaphors for all sorts of situations faced by society today. And the law is so interesting. It is a way of telling a story so we can judge it, but in order to do that, it leaves out the fraility of mind and body, the human will to surive, the nuance, and the fear. The left out bits are what I wanted my story to be about.

This year has obviously been the anniversary of the Titanic’s disaster, was this something that inspired the book at all? Did you use anything from that case for ‘The Lifeboat’?

I was obviously aware of the Titanic disaster, but I was not thinking about it as I started to write the book. Later on in the writing process, though, it proved to be an invaluable resource. The volume of information gathered and written about the Titanic made it easy for me to research elements that were important to my story, such as lifeboat sizes, launching mechanisms, wireless communication devices, and shipping routes, to name a few.

How much research did you have to do for the novel, obviously you couldn’t blow a dingy up and just ask friends or relatives to push you out into the middle of a lake etc? Was there a particular story in history?

Besides researching technical details and reading some non-fiction accounts of survival at sea, I tapped into my own experiences growing up in a family of sailors. My father was intense and competitive, which had the effect of turning a casual family outing into a high-stakes, all-hands-on-deck game. We children would be lured onto the boat with talk of cruising to some far-off shore and cooking marshmallows on the beach, but sooner or later we would find outselves racing with the other boats we saw. My sister and I were too little to be of any help in this endeavor, and it was our job to not fall overboard and to stay out of the way. The weather sometimes turned bad, but we were not quitters! It made us seasick to go into the boat’s cabin during a storm, so I know what it is to huddle in the rain for hours on end surrounded by people who are stonger than I am.

Now I am rather renowned through Savidge Reads for not being a fan of a books set on boats (though I was a fan of this one) as I instantly think that with minimal characters and nothing but ocean around this could limit a novel, this isn’t the case with ‘The Lifeboat’ though is it? What were the pro’s and con’s of writing a novel primarily set on a lifeboat lost at sea?

I, too, have had the experience of not being taken with the premise of a novel and then absolutely loving the book. I think the best novels defy expectations, whether it be through unusual characters or surprising language or intricate plots. I also think closed room novels can be both challenging and liberating. Just the way having their options and horizons severly curtailed forces the characters in the lifeboat to draw on deeper parts of themselves, the novelist, too, has to reach beyond setting and plot when she limits herself in this way.

One of the advantages of fiction is that it has so many dimensions: there is the surface of the words and sentences; there is the linear dimension of plot; and there is the depth, which encompasses the myriad things that are going on in a charater at any particular moment in time: motives and memories, hopes and fears, sensations and thoughts. So there can be a wonderful freedom in limits—freedom to dig and magnify and explore more than just the who did what of a linear plot.

Now Grace, our protagonist, is a very interesting character and we never know if she is reliable or not as a narrator. Did you have fun with this element?

I did. My characters take on a life of their own, and I remember the first time I realized: “Grace isn’t telling the truth!” But my very next thought was: “Well, who does?” I love how Grace is by turns calculating and honest and how we catch her in a truth the way we might catch other people in a lie. I also liked the chance to explore how a woman might use her innate talents in order to survive just the way a stong man would use his. Grace is a keen observer and highly attuned to social cues and nuance. Those are traits that help her in the lifeboat, and at her trial, they help her again.

There is a certain amount of mystery to the book, hence why we have to be rather cloak and dagger, how hard was it to come up with twists in order to leave the reader wondering and wanting to know more throughout the novel?

Plot for me is difficult—and, frankly, it is not the first thing I read for. More important for me are the language and the characters and an author’s attempt to hit on something universal. But I eventually realized that most readers read for plot and that if I was going to increase my chances of finding a publisher, I was going to have to pay attention to it.

The key to most aspects of writing is revision, which includes something I call layering—going back over and adding and refining and intentionally making more of whatever I find in the pages I have written. The first draft is little more that hints and impulses, with the twists and complications accruing over time.

‘The Lifeboat’ has been chosen as one of the Waterstones 11 and been praised all over the book world, how has this been for you?

I spent the first six weeks after publication in a state of heightened anxiety. I was being asked to do a lot of things I had never done before and wasn’t particularly good at, like giving interviews and speaking in front of groups. My publishing team had shown such faith in me that I didn’t want to let them down.

Another scary thing about sending a novel out into the world is that a lot of very smart and knowledgable literary people will not only see it, but will publicly comment on it. I have fairly ambitious ideas about what a novel can be, so I am happy and grateful that some of the people who know about these things have understood what I was trying to do.

An unexpected and wonderful aspect to being published has been the opportunity to connect with a lot of people who are just as passionate about books and writing as I am. I didn’t know a lot of book people before, and meeting them has been both eye-opening and fun.

I have heard that while ‘The Lifeboat’ is officially your debut novel, you actually had/have several novels locked away in your drawers. Why is ‘The Lifeboat’ the first one that got published? Did you know it had something special about it? Do you think any of those other novels will be published in the future?

As I said, I got better at plotting over the years, which I think is one of the things that made The Lifeboat appealing to the publishers. But it was also the manuscript I was working on when I was introduced to my literary agent. I actually sent him two manuscripts, and while he liked the other one, he thought The Lifeboat would be easier to sell.

Once I finish a project, I tend to move on. While I could imagine going back to one of my old manuscripts, I don’t spend a lot of time looking back or worrying about all those pages in the drawer.

Before we discuss books further, let us discuss writing! When did you first know you wanted to be a writer? How long have you been writing for?

At this point, I have been writing for 25 years. I did not always want to be a writer—I wanted to be an architect. When I was in my mid-thirties, I took a leave of absence from my job at a construction company, and it seemed an opportune time to try something new. I decided I would write a novel, and I was lucky enough to take an inspirational creative writing workshop with Harold Brodkey. He is the person who opened my eyes to the layered and multi-faceted thing that writing can be.

When I started writing, I started reading differently. I read and re-read with the aim of figuring out how my literary heroes did it. I was not content to write something that didn’t work on several levels at once, and I think that is why I didn’t really care if I got published early on. What I wanted was to get good at the writing itself—for a long time, getting published seemed very secondary to that.

Describe your typical writing routine, do you have any writers quirks or any writing rituals?

The key to fitting writing into life as a parent is to take advantage of the corners of time, wherever you might find them. I used to have a beautiful fountain pen, and I would sometimes spend a good bit of my writing time tracking it down or racing off to buy cartridges when I was out of ink. I got used to the weight of it, which made other pens seem to lack substance. When the pen broke, I went through a period of withdrawal, but I realized I was better off without it. I became very happy to write in waiting rooms and carpool lines, on the backs of envelopes and receipts—whenever and with whatever I had at hand in those precious bits of time. My first writing space was in a basement, where I sat at a workbench amid the tools, and my second space was a funny room off the garage. Now I have the luxury of time and a pretty desk, but I am trying not to get too used to it.

Back to reading now… What is your favourite ‘guilty pleasure’ read?

I recently read a Michael Connelly mystery and enjoyed it. While that is not the type of book I usually go for, I didn’t feel guilty about it. I like literary fiction, but some of the books I am drawn to can only be read in small chunks, like A Book of Memories by Peter Nádas, which I am reading now. I am also reading everything by Albert Camus and A Land More Kind Than Home by Wiley Cash.

Which book, apart from your own, would you demand Savidge Reads and readers run out and buy right this instant, a book you would call your favourite?

Reading choices are so personal, and I don’t have a favorite. How about if I suggest four books I read in the last year and found worthy of my Life List? They are Remainder by Tom McCarthy (a novel as remarkable for what the author leaves out—expostition and explanation—as for what he puts in), The Rehearsal by Eleanor Catton (a strange and compelling novel of performers and voyeurs), Zone One by Colson Whitehead (astonishing language and powers of observation, no plot), and The Unlikely Pilgrimmage of Harold Fry by Rachel Joyce (another Waterstones 11 pick; gorgeous language and story that touches the heart). I can never describe what I look for in a book, because the books that knock my socks off do so by being completely unpredictable, which is one of the things I love about them.

What is next for Charlotte Rogan?

My biggest challenge now is to juggle my new responsibilities so I can get back to the novel I am working on. I am superstitious when it comes to talking about unfinished work, so the only thing I will say is that it is set in South Africa. My husband and I spent almost a year in Johannesburg and fell in love with the country and the people.

Huge thanks to Charlotte for taking time to answer all my questions. ‘The Lifeboat’ is a truly wonderful book, you really need to give it a read. Oh… as if by magic you might just be able to win one of five copies, for more details pop here. Don’t say I don’t always think of you all.

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Give Away… The Lifeboat – Charlotte Rogan

I don’t only like to share books I love with you by writing about them, when I can I also really like to give you the chance to win some of them too (don’t forget I am giving you the chance to get a parcel of books in the post here). Well, thanks to the lovely people at Virago I have five copies of ‘The Lifeboat’ by Charlotte Rogan to give away to you lucky lot.

All five copies are kindly available internationally so wherever you are in the world (as I am aware you Savidge Readers come from all over the shop) you have a chance to get this fabulous book. If you love a really good gripping story and wonderful writing you are in for a real treat.

All you have to do is tell me of a subject in books that you really don’t think you like (like me and books set on boats) and then an example of a book which bowled you over despite yourself (like me and ‘The Lifeboat’) and why it blew you away. You have until midnight GMT on Saturday and then The Beard will pick you out of a hat at random. Good luck.

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The Lifeboat – Charlotte Rogan

If you are a long time follower of this blog, or listen to The Readers Podcast, then you will know that there is one thing in books I really don’t like, and that is boats. I don’t like them off the page, it’s all that expanse and silence – it irks me plus all the space below you fills me with a nervous dread, and in my head a book on a boat can’t really do very much. You sail along, possibly something awful happens and you sail on again till you sink, reach a shore or get saved. Boats to my mind equal boredom, and I don’t want that in a book. Yet occasionally a book comes along that completely flips your thoughts on your own book bias and you are enthralled. Charlotte Rogan’s debut novel ‘The Lifeboat’ is such a book and joins Carol Birch’s ‘Jamrach’s Menagerie’ as a book I utterly loved set on a boat, though they are quite different stories.

Virago Books, hardback, 2012, fiction, 288 pages, kindly sent by the publisher

In 1914 the Empress Alexandra, one of the world’s most desirable transatlantic liners suffers some kind of explosion and sinks. Somehow some of the passengers make it onto ‘Lifeboat 14’ and against all odds some of these people survive. Yet no sooner are they saved than they are put on trial for the culpability of the deaths of those passengers who didn’t make it. One such woman is recently married and now recently widowed Grace Winter, and through her trial, and her diary of the 21 days lost at sea, we are discover what really happened on that boat (so I haven’t given away any spoilers there), or at least we think we might.

The very things that I think make books set on boats a bore actually become some of the things that I liked so much about ‘The Lifeboat’. Grace and her fellow passengers, with so much expanse on the horizon and so much endless depth below them, are fearful, vulnerable, hungry and bored – this leads to an incredibly enclosed setting and as the hunger, fear and boredom rise so do the mental strains and characters change, or in some cases true characters show through. You start with unity, but then someone must divide and rule.

‘We were in similar circumstances, after all, and an unspoken etiquette was arising where we would not look the beast of physical necessity in the eye. We would ignore it, we would dare it to claw apart our sense of decorum, we would preserve civility even in the face of a disaster that had almost killed us and that might kill us yet.’

I think ‘The Lifeboat’ is one of the most brilliant fictional takes on ‘mental warfare’ and how people change under certain circumstances that I have come across in a very long time, especially from a modern writer. Dare I say there was something rather Daphne Du Maurier-like about the darkness that develops? What I won’t say is anything about the other characters (apart from the fact I was scared of Mrs Grant) because I don’t want to give anything away, but Rogan creates a fascinating psychological game with them all, and with Grace herself Rogan pulls the trump card.

One of the things that I most enjoyed about ‘The Lifeboat’ was Grace’s voice; she is at once incredibly innocent and yet will suddenly come out with statements that make you wonder if there is a much more cunning streak lying in the depths of her persona. Rogan uses this device masterfully, as we read on and see how Grace reacts to everything you start to wonder how responsible for all that follows she may or may not be. There is also the fact that as Rogan weaves some of Grace’s life before embarking on the Empress Alexandra but nothing really before her marriage, there is an ambiguity there. I like a good unreliable narrator and Grace is certainly up there with Harriet Baxter in ‘Gillespie and I’ by Jane Harris in terms of a character you like because she’s slightly barbed and yet you are never sure you really trust. A glimpse of something dark appears and yet is immediately erased and you question yourself as well as your protagonist. Just how did Grace survive, luck or something else?

‘I am trying to be honest. In memory, I can feel a tug at my heartstrings as I think of Mary Ann. She was frail and beautiful. Her engagement diamond slipped uselessly around on her thin finger. The indigo veins on her wrist looked like delicate calligraphy on the white parchment of her skin. In other circumstances we might have been real friends, but there in the boat, I had no sympathy for her. She was weak, unlikely to survive or to be of use in prolonging the lives of others.’

I was completely won over by ‘The Lifeboat’, enthralled in fact, so much so that would you believe it… I wanted more! At a deceptive 288 pages Rogan manages to pack in so much in terms of plot, back story, twists, turns and red herrings it is amazing that the book isn’t another few hundred pages long. Yet I think to be left wanting more of a book is always a good sign no matter what the length of it. If you are looking for a literary novel, because the prose is superb, that will have you utterly gripped and guessing along the way then I do urge you to give ‘The Lifeboat’ a whirl, I thought it was fantastic.

So I think you can tell that’s a rather hearty recommendation from me. Watch out for more Charlotte Rogan on the blog tomorrow. Until then… who else has read ‘The Lifeboat’ and what did you think? Any other recommendations for books set on boats I might be missing?

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Filed under Books of 2012, Charlotte Rogan, Review, Virago Books