Tag Archives: Jesse Kellerman

Savidge Reads Grills… Sophie Hannah

Sometimes you just have to be a little bit cheeky and when I emailed some of my favourite authors about books they would recommend for the summer I then cheekily followed it up with ‘you wouldn’t want to do a Savidge Reads Grills too would you?’ One of the authors who instantly said ‘yes’ was Sophie Hannah who has become a favourite with me ever since Polly of Novel Insights told me I simply had to read the short story collection ‘The Fantastic Book of Everybody’s Secrets’ (when I was a bit vaguer in my reviewing) and then I moved onto her rather addictive crime series, the latest of which ‘A Room Swept White’ comes out in paperback today, what a pleasant coincidence…

For those people who haven’t read any of your series (we can call it a series, can’t we?) of crime novels as yet, can you try and explain them in a single sentence?
They are psychological suspense novels with a police procedural element.  That was the single sentence; now here are some more sentences, because I’m a rebel and hate doing what I’m told: the mysteries in my novels tend to be ‘high-concept’, because I love impossible-seeming scenarios which are then made possible.  I might also describe them as emotional-psychological mysteries.  The mystery element is crucial to me – as a reader of crime fiction, the main thing I want is to be desperate to turn the pages and find out what’s going on, and so that’s the feeling I try to create in my books.  I have heard some crime writers say that their main aim is to make a political point or discuss social issues, or dissect contemporary Britain/America/Belgium (er, actually, no one says it about Belgium) in their crime novels, but I am all about story.  A great novel can manage without a politically relevant theme, but it can’t manage without a fantastic plot and complex, interesting, problematic characters (though it often thinks it can and it sometimes wins the Booker Prize for thinking so!)

They are all very different.  How does each book come about?  Where are the ideas born? 
Firstly, I’m so glad you think my books are all very different!  One of the challenges of writing a series – and, yes, they are a series, even though they are also standalones, because I like to have my cake and eat it! – is to make each book sufficiently different to the others so that readers don’t get bored, at the same time as making them similar enough to reassure readers that they are still in the same imaginative world. 

For example, Ruth Rendell can move from London to Kings Markham and back again in her fiction, and that’s interesting and creates a healthy sense of variety within her oeuvre, but if she suddenly wrote a novel set in Nashville in which all the protagonists were Stetson-wearing country and western singers, I might (as one of her avid readers) feel rather alarmed! 

To answer your question (ahem!), the ideas almost all come from my own life and (extensive) suffering.  So, I once nearly mixed up my baby with another baby (Little Face), once had a very problematic relationship with my mother-in-law (Little Face), many times have fallen in love with poisonous narcissistic tossers (Hurting Distance), have been a stressed and bitter mother of small children, wondering who invented the strange form of torture known as parenthood (The Point of Rescue), have been and still am obsessed with art and doomed love (The Other Half Lives).  In fact, the only one of my books that was not inspired by my own life was the latest one, A Room Swept White – that’s about controversial cot-death murder cases, and was inspired by true stories such as those of Sally Clark, Angela Cannings, Trupti Patel and others.  Though even in that book, there’s an autobiographical element – although, since the book is so new, I’m still at the stage of pretending the autobiographical bits are fiction! 

Do you find it hard thinking of the impossible and then making it possible?
Yes, I find it very hard – but that’s the challenge.  And you’ve neatly summarised my mission statement as a writer – well, almost.  It’s not so much about finding the impossible and making it possible, it’s about demonstrating, via gripping stories, that what most people believe is impossible is actually possible.  In our lives, we often say, ‘But that’s impossible’, or ‘I just can’t believe it’ – but once you know the full story, suddenly it’s a lot more believable.  I have a plausibility test that I use for all my plots, which is, ‘Could this story happen once?’  If the answer is yes, then the story is plausible, in my view.  Whereas I think, for a lot of people, plausible means, ‘Does this happen regularly and have I been told about endless instances of it by Huw Edwards on the BBC news?’

Do you mind your books being labelled crime, as they are more than that really, aren’t they? The fit into the Kate Atkinson and Susan Hill world of literary crime…
I certainly don’t mind my novels being labelled as crime – it’s a label I’m proud to wear.  As a reader, I like being able to head straight for the crime section of a bookshop, knowing I will find books there that contain mysteries.  I know a lot of writers protest about being labelled, but it’s useful for people buying the books if they are divided into categories.  ‘Crime Fiction’ is a category that contains, as you say, writers like Kate Atkinson, Susan Hill, Barbara Vine, Karin Alvtegen, all of whom are great writers.  I’m slightly uncomfortable with the idea of anyone’s crime novels being ‘more than’ crime fiction, because that suggests there’s a limit to what a crime novel can be, and I don’t believe there is.  Look at Iris Murdoch’s ‘The Black Prince’ – undoubtedly a crime novel, and also one of the best novels ever written, full of depth and substance and ideas.  I like to think that my novels are novels as well as crime novels – just as a Calzone is an Italian meal as well as a pizza.

Your novels are becoming a TV series – how much involvement are you having with it? Was it hard to say yes, because it’s something you created? Who would be your dream cast?
I’m hardly involved at all – I’ve had the odd lunch and phone call with the TV people, and they send me updates, but I’m definitely at one remove.  I feel rather like a parent of a child at boarding school, and Hat Trick and ITV1 are the house master and…  Hm, this metaphor’s getting too complicated.  It wasn’t hard to say yes – I love the idea of the books being adapted for telly.  The telly versions will be very different, but that’s fine, because the books will still exist.  My dream cast?  Well, the cast is being assembled at this very moment, so I know almost definitely who is going to play Charlie Zailer for example (can’t say, I’m afraid, in case it falls through!).  My dream cast will be the actual cast, once I know who they are.  I will be so chuffed that they are willing to play my characters – it’d be outrageous of me to prefer anyone else to them.

Are you working on any poetry at the moment? Have you always wanted to write both fiction and poetry or does one have a particular place in your heart over the other?
I am writing the occasional poem at the moment, but mainly I’m concentrating my energies on my crime fiction.  This isn’t as unfair as it sounds – I have written hundreds of poems, if not thousands, and only six crime novels so far, so I think a little bit of positive discrimination is in order!

Do you think that having two rather literary parents has anything to do with you becoming a writer either by genetics or the environment you grew up in?
Genetics – I doubt it.  Environment?  Yes, definitely.  Everyone in my family was and is obsessed with books.  I was a writer waiting to happen.

When did you first know that you wanted to be a writer? Was it an easy thing for you to do?
I was never aware of wanting to be a professional writer – writing was simply my hobby, what I did when I was supposed to be doing school work, college work, university work and then, later, secretarial work.  I never had the chance to want to write, because I was always writing.  Then, at a certain point, people started to suggest to me that I should send stuff off to publishers, and I did – and it was great when my work started to reach an audience, but I don’t remember ever thinking, ‘I’d like to be a writer.’  It sort of happened organically.  I always assumed I would never make any money from writing, and that was fine – and then, when I started to earn my living as a writer, that was even better.  But I will always write, whether people pay me to do so or not – I’m obsessed with writing.

How long have you been writing for? Which books and authors inspired you to write?       
I think I wrote my first poem when I was six.  It began, ‘However young, however old/a bear will never catch a cold’.  My free-verse-loving detractors might argue that my style hasn’t evolved much since then!  Many, many authors have inspired and continue to inspire me: Enid Blyton, Agatha Christie, Daphne DuMaurier, Iris Murdoch, Ruth Rendell/Barbara Vine, Karin Alvtegen, Jill McGown, Wendy Cope, Edna St Vincent Millay, George Herbert, Robert Frost, E.E Cummings, CH Sisson, Douglas Kennedy, Diane Setterfield, Robert Goddard, Jesse Kellerman, Nicci French…  Oh, and my favourite newish writer: Tana French, who is absolutely brilliant.  I would advise anyone who cares about fiction and crime fiction to read her latest, ‘Faithful Place’.

Are there any books you wish you had written yourself?
No – because I’d rather read my favourite books, in awe of the writers, than have written them myself and be unable to see them clearly and appreciate them.  One’s own books are always viewed through a veil of neurosis!

Which contemporary authors do you rate who are writing right now?
Everyone on the above list who isn’t dead, plus: Jane Hill, Sophie Kinsella, Tim Parks, Geoff Dyer, M R Hall – there are so many!

Describe your typical writing routine, do you have any writers quirks or any writing rituals?
I write between 11 am and 7 pm, with an hour’s break for lunch – weekdays only, unless there’s a deadline emergency!  Since giving up smoking, I have taken to chewing a needle while I write.  It’s a mental thing to do, but it’s non-carcinogenic.

How relevant do you think book blogging is to the publishing industry? Do you ever pop and see what people have thought of your books or is it something you avoid at all costs?
You’re asking the wrong person!  I regularly complain that I can’t put a video tape into a machine any more and record TV programmes, and when people start talking to me about SkyPlus I nod and smile, but have no clue what they’re talking about.  I’m not against new digital thingies, but I’m too busy to find out what they are or take part in them – so I’m stuck with the technology that existed before I became too busy.  But I do sometimes read blogs, especially yours, because you say nice things about my books.  I also find time to surf property websites, I’m a Phil and Kirstie addict…

What is next for Sophie Hannah?
Funnily enough, my next thriller (out next Feb) has a property website theme.  It’s called ‘Lasting Damage’.  Here’s the blurb: It’s 1.15 a.m. Connie Bowskill should be asleep. Instead, she’s logging on to a property website in search of a particular house: 11 Bentley Grove, Cambridge. She knows it’s for sale; she saw the estate agent’s board in the front garden less than six hours ago.

Soon Connie is clicking on the ‘Virtual Tour’ button, keen to see the inside of 11 Bentley Grove and put her mind at rest once and for all. She finds herself looking at a scene from a nightmare: in the living room there’s a woman lying face down in a huge pool of blood. In shock, Connie wakes her husband Kit. But when Kit sits down at the computer to take a look, he sees no dead body, only a pristine beige carpet in a perfectly ordinary room…

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Filed under Savidge Reads Grills..., Sophie Hannah

The Brutal Art – Jesse Kellerman

I didn’t realise that the first week of Richard and Judy had come around so fast so this review is a little on the late side as should have put it up on Wednesday, but hadn’t actually read the book yet at that point. I started it late last night and by lunch time today it had been completely and utterly devoured. This book has actually only further confirmed in my mind that this is the strongest year with Richard and Judy’s book choices.

After a rocky childhood and turbulent teenage years and twenties Ethan Muller has slowly but surely become on of the most popular art dealers on the scene. When he gets a call from his fathers right hand man telling him there is a collection of art her really needs to see his instant reaction, after his bitter relations with his father, make him hesitant. When he sees the collection however he realises he could have found the discovery of a lifetime, only when he accepts the works do the police want to talk to him and the mystery of the vanishing artist who created them draws him into a mystery set to change his life forever.

Jesse Kellerman is not an author I had heard of before. The son of authors Faye and John Kellerman he comes from a fine heritage (I haven’t read their works am only going on what others have said) but I think this book will definitely make his name as an author stand out alone. I didn’t think I would be interested in the art world and thought this might be a poor version of a mix of The Da Vinci Code of The Interpretation of Murder. It isn’t it’s a stand out thriller that had me swiftly turning through the pages and I thought I had it all sussed and suddenly a massive twist was thrown in I don’t think anyone could predict coming.

My favourite parts of the book however weren’t set in the present. They were set in the from 1847 until now telling us the secret family history of the Muller’s and helped make the conclusion incredibly clever. Kellerman delivers all this in a direct yet colourful prose whilst making it easy to follow the complicated history that all ties up in the end. I was worried that Ethan’s ‘poor little unloved rich kid character’ might grate on me but I didn’t. His love interests are incredibly clichéd, it was the character of the artist as you got to learn about it I found fascinating.

I have to say I was incredibly pleasantly surprised with this book. I wasn’t expecting to be drawn in on such an adventure. Don’t listen to the comparisons to The Interpretation of Murder (which I enjoyed) as they are quite separate books and I think this one should stand alone as just a great gripping thriller. A must read!

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Filed under Books of 2009, Jesse Kellerman, Little Brown Publishing, Rebecca Miller, Richard and Judy

Incoming

So I thought what might be a good idea is if as publishers send me their lovely parcels I keep you up to date with what I am reading and then you can see what will be coming up on the blog in the future, what publishers have coming out or in their catalogues and the opportunity to get your mitts on some and read a long. Plus my TBR agenda changes all the time and if I mention the books here now they get a mention… er… now! You know what I mean. So the latest books to arrive are…

Mothers and Sons – Colm Toibin (Picador)
Colm Toibin’s new and challenging collection of stories paint rich and textured portraits of individuals at different pivotal moments in their lives. In each case, Toibin shows how their relationship with either a mother or a son, or their relationship to their own role as mother or son, reveals something unique and important about them. The stories feature Ireland or Irish narrators, but they are also truly universal. In “Famous Blue Raincoat”, unwelcome memories are stirred when a mother, once a singer in an Irish folk-rock band of some popular renown in the 60s, finds that her son has been listening to their old records – songs she hoped never to hear again. In “Water”, a son buries his mother and goes out to a drug-fuelled rave on a remote beach outside Dublin. In the course of this one night, his grief and desire for raw feeling combine with exquisite and devastating intensity. At once beautifully playful, psychologically intricate, emotionally incisive, finely-wrought and fearless these stories tease out the delicate and difficult strands which are woven between mothers and sons. Sometimes shocking and always powerful, this masterful new collection confirms Toibin as great prose stylist of our time.

The Story Of Night – Colm Toibin (Picador)
Richard Garay lives alone with his mother, hiding his sexuality from her and from those around him. Stifled by a job he despises, he finds himself willing to take considerable risks. Set in Argentina in a time of great change, “The Story of the Night” is a powerful and moving novel about a man who, as the Falklands War is fought and lost, finds his own way to emerge into the world.””The Story of the Night” is, in the end, a love story of the most serious and difficult kind.

Love In A Dark Time – Colm Toibin (Picador)
Colm Toibin looks at the life and work of some of the greatest and most influential artists and writers of the nineteenth and twentieth centuries, figures in the main whose homosexuality remained hidden or oblique for much of their lives. Either by choice or necessity, being gay seemed to come second for many of these writers. Yet in their private lives, and also in the spirit of their work, the laws of desire changed everything for them and made all the difference. Ranging from figures such as Oscar Wilde, born in the 1850s, to Pedro Almodovar, born a hundred years later, this book examines how a changing world altered lives in ways both subtle and fundamental. Colm Toibin interweaves a close reading of the works with detailed analysis of the personalities behind them, to illuminating effect. This is an exceptional collection of essays on sexuality and creativity.

The Master – Colm Toibin (Picador)
It is January 1895 and Henry James’s play, Guy Domville, from which he hoped to make his fortune, has failed on the London stage. Opening with this disaster, The Master spans the next five years of James’s life, during which time he moves to Rye in Sussex, having found his dream retreat. There he writes his short masterpiece The Turn Of The Screw, a tale in which he incorporates many details from his own life, including his experiences as a member of one of the great eccentric American families and, later, an exile in England. Impelled by the need to work and haunted by his past – including his failure to fight in the American Civil War, and the golden summer of 1865, and the death of his sister Alice – James is watchful and witty, relishing the England in which he has come to live and regretting the New England he has left.

The Brutal Art – Jesse Kellerman (Sphere)
Ethan Muller is struggling to establish his reputation as a dealer in the cut-throat world of contemporary art when he is alerted to a once-in-a-lifetime opportunity: in a decaying New York slum, an elderly tenant has disappeared, leaving behind a staggeringly large trove of original drawings and paintings. Nobody can tell Ethan much about the old man, except that he came and went in solitude for nearly forty years, his genius hidden and unacknowledged. Despite the fact that, strictly speaking, the artwork doesn’t belong to him, Ethan takes the challenge and makes a name for the old man – and himself. Soon Ethan has to congratulate himself on his own genius: for storytelling and salesmanship. But suddenly the police are interested in talking to him. It seems that the missing artist had a nasty past, and the drawings hanging in the Muller Gallery have begun to look a lot less like art and a lot more like evidence. Sucked into an investigation four decades cold, Ethan will uncover a secret legacy of shame and death, one that will touch horrifyingly close to home – and leave him fearing for his own life.

The 19th Wife – David Ebershoff (Black Swan)
Jordan returns from California to Utah to visit his mother in jail. As a teenager he was expelled from his family and religious community, a secretive Mormon offshoot sect. Now his father has been found shot dead in front of his computer, and one of his many wives – Jordan’s mother – is accused of the crime. Over a century earlier, Ann Eliza Young, the nineteenth wife of Brigham Young, Prophet and Leader of the Mormon Church, tells the sensational story of how her own parents were drawn into plural marriage, and how she herself battled for her freedom and escaped her powerful husband, to lead a crusade to end polygamy in the United States. Bold, shocking and gripping, “The 19th Wife” expertly weaves together these two narratives: a page turning literary mystery and an enthralling epic of love and faith.

The Cellist Of Sarajevo – Stephen Galloway (Atlantic)
This is the top 10 bestseller, now in paperback. Snipers in the hills overlook the shattered streets of Sarajevo. Knowing that the next bullet could strike at any moment, the ordinary men and women below strive to go about their daily lives as best they can. Kenan faces the agonizing dilemma of crossing the city to get water for his family. Dragan, gripped by fear, does not know who among his friends he can trust. And Arrow, a young woman counter-sniper must push herself to the limits – of body and soul, fear and humanity.Told with immediacy, grace and harrowing emotional accuracy, “The Cellist of Sarajevo” shows how, when the everyday act of crossing the street can risk lives, the human spirit is revealed in all its fortitude – and frailty.

Pilcrow – Adam Mars-Jones (Faber & Faber)
Meet John Cromer, one of the most unusual heroes in modern fiction. If the minority is always right then John is practically infallible. Growing up disabled and gay in the 1950s, circumstances force John from an early age to develop an intense and vivid internal world. As his character develops, this ability to transcend external circumstance through his own strength of character proves invaluable. Extremely funny and incredibly poignant, this is a major new novel from a writer at the height of his powers.

The Luminous Life of Lilly Aphrodite – Beatrice Colin (John Murray)
As the clock chimed the turn of the twentieth century, Lilly Nelly Aphrodite took her first breath. Born to a cabaret dancer and soon orphaned in a scandalous murder-suicide, Lilly finds refuge at a Catholic orphanage, coming under the wing of the, at times, severe Sister August, the first in a string of lost loves. There she meets Hanne Schmidt, a teen prostitute, and forms a bond that will last them through tumultuous love affairs, disastrous marriages, and destitution during the First World War and the subsequent economic collapse. As the century progresses, Lilly and Hanne move from the tawdry glamour of the tingle-tangle nightclubs to the shadow world of health films before Lilly finds success and stardom in the new medium of motion pictures and ultimately falls in love with a man whose fate could cost her everything she has worked for or help her discover her true self. Gripping and darkly seductive, The Luminous Life of Lilly Aphrodite showcases all the glitter and splendor of the brief heyday of the Weimar Republic, and the rise of Hollywood to its golden age.As it foreshadows the horrors of the Second World War, the novel asks what price is paid when identity becomes unfixed and the social order is upended.

Madresfield – Jane Mulvagh (Transworld)
Madresfield Court is an arrestingly romantic stately home surrounded by a perfect medieval moat, in the Malvern Hills in Worcestershire. It has been continuously owned and lived in by the same family, the Lygons, back to the time of the Domesday Book, and, unusually, remains in the family’s hands to this day. Inside, it is a very private, unmistakably English, manor house; a lived-in family home where the bejewelled sits next to the threadbare, the heraldic and feudal rest easily next to the prosaically domestic. The house and the family were the real inspiration for Brideshead Revisited: Evelyn Waugh was a regular visitor, and based his story of the doomed Marchmain family on the Lygons.Never before open to the public, the doors of “Madresfield” have now swung open to allow Jane Mulvagh to explore its treasures and secrets. And so the rich, dramatic history of one landed family unfolds in parallel with the history of England itself over a millennium, from the Lygon who conspired to overthrow Queen Mary in the Dudley plot; through the tale of the disputed legacy that inspired Dickens’ Bleak House; to the secret love behind Elgar’s Enigma Variations; and the story of the scandal of Lord Beauchamp, the disgraced 7th Earl.

So I have a fair amount to read you could say. Am really pleased though as can do the Richard and Judy Challenge… well almost!

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Filed under Adam Mars-Jones, Beatrice Colin, Colm Toibin, David Ebershoff, Jesse Kellerman, Steven Galloway

The Richard & Judy Challenge

So it was announced this week what the Richard & Judy Books 2009 are. I have to say Amanda Ross (some people believe Richard & Judy have a say also, some don’t, I don’t comment) has chosen possibly the best selection this year that I have seen. Is this something to do with the fact they have moved onto the TV channel Watch, which ironically no one does seem to be watching? Either way the selection looks really varied and has real promise.

I know some people think that Richard & Judy is low brow reading, the choice all popular fiction and the like. I have to say I disagree. Firstly I think that anything that gets people out there reading is a good thing. Secondly I have to admit that some books I have truly loved have come from these selections (though not the summer ones from experience so far bar The Island) books like The Shadow of the Wind, Half of A Yellow Sun, Mister Pip, Restless, The Lovely Bones, Notes on A Scandal, Arthur & George and The Time Travellers Wife have been on their lists. I’ve loved all of those. So I am setting up the Richard & Judy Challenge and aim to have read them all way before each on is done on the telly (not that I will see it anyways) so here is the list, in case anyone has been on Mars, ha.

The Brutal Art – Jesse Kellerman (Sphere)
Ethan Muller is struggling to establish his reputation as a dealer in the cut-throat world of contemporary art when he is alerted to a once-in-a-lifetime opportunity: in a decaying New York slum, an elderly tenant has disappeared, leaving behind a staggeringly large trove of original drawings and paintings. Nobody can tell Ethan much about the old man, except that he came and went in solitude for nearly forty years, his genius hidden and unacknowledged. Despite the fact that, strictly speaking, the artwork doesn’t belong to him, Ethan takes the challenge and makes a name for the old man – and himself. Soon Ethan has to congratulate himself on his own genius: for storytelling and salesmanship. But suddenly the police are interested in talking to him. It seems that the missing artist had a nasty past, and the drawings hanging in the Muller Gallery have begun to look a lot less like art and a lot more like evidence. Sucked into an investigation four decades cold, Ethan will uncover a secret legacy of shame and death, one that will touch horrifyingly close to home – and leave him fearing for his own life.

The Suspicions of Mr Whicher – Kate Summerscale (Bloomsbury)
It is midnight on 30th June 1860 and all is quiet in the Kent family’s elegant house in Road, Wiltshire. The next morning, however, they wake to find that their youngest son has been the victim of an unimaginably gruesome murder. Even worse, the guilty party is surely one of their number – the house was bolted from the inside. As Jack Whicher, the most celebrated detective of his day, arrives at Road to track down the killer, the murder provokes national hysteria at the thought of what might be festering behind the closed doors of respectable middle-class homes – scheming servants, rebellious children, insanity, jealousy, loneliness and loathing.This true story has all the hallmarks of a classic gripping murder mystery. A body, a detective, a country house steeped in secrets and a whole family of suspects – it is the original Victorian whodunnit.

The Gargoyle – Andrew Davidson (Canongate)
The nameless and beautiful narrator of The Gargoyle is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and wakes up in a burns ward, undergoing the tortures of the damned. His life is over – he is now a monster. But in fact it is only just beginning. One day, Marianne Engel, a wild and compelling sculptress of gargoyles, enters his life and tells him that they were once lovers in medieval Germany. In her telling, he was a badly burned mercenary and she was a nun and a scribe who nursed him back to health in the famed monastery of Engelthal. As she spins her tale, Scheherazade fashion, and relates equally mesmerising stories of deathless love in Japan, Greenland, Italy and England, he finds himself drawn back to life – and, finally, to love.

When Will There Be Good News – Kate Atkinson (Black Swan)
In rural Devon, six-year-old Joanna Mason witnesses an appalling crime. Thirty years later the man convicted of the crime is released from prison. In Edinburgh, sixteen-year-old Reggie works as a nanny for a G.P. But Dr. Hunter has gone missing and Reggie seems to be the only person who is worried. Across town, Detective Chief Inspector Louise Monroe is also looking for a missing person, unaware that hurtling towards her is an old friend – Jackson Brodie – himself on a journey that becomes fatally interrupted.

The 19th Wife – David Ebershoff (Black Swan)
Jordan returns from California to Utah to visit his mother in jail. As a teenager he was expelled from his family and religious community, a secretive Mormon offshoot sect. Now his father has been found shot dead in front of his computer, and one of his many wives – Jordan’s mother – is accused of the crime. Over a century earlier, Ann Eliza Young, the nineteenth wife of Brigham Young, Prophet and Leader of the Mormon Church, tells the sensational story of how her own parents were drawn into plural marriage, and how she herself battled for her freedom and escaped her powerful husband, to lead a crusade to end polygamy in the United States. Bold, shocking and gripping, “The 19th Wife” expertly weaves together these two narratives: a page turning literary mystery and an enthralling epic of love and faith.

The Bolter – Frances Osborne (Virago)
On Friday 25th May, 1934, a forty-one-year-old woman walked into the lobby of Claridge’s Hotel to meet the nineteen-year-old son whose face she did not know. Fifteen years earlier, as the First World War ended, Idina Sackville shocked high society by leaving his multimillionaire father to run off to Africa with a near penniless man. An inspiration for Nancy Mitford’s character The Bolter, painted by William Orpen, and photographed by Cecil Beaton, Sackville went on to divorce a total of five times, yet died with a picture of her first love by her bed. Her struggle to reinvent her life with each new marriage left one husband murdered and branded her the ‘high priestess’ of White Mischief’s bed-hopping Happy Valley in Kenya. Sackville’s life was so scandalous that it was kept a secret from her great-granddaughter Frances Osborne. Now, Osborne tells the moving tale of betrayal and heartbreak behind Sackville’s road to scandal and return, painting a dazzling portrait of high society in the early twentieth century.

Netherland – Joseph O’Neill (HarperPerennial)
In early 2006, Chuck Ramkissoon is found dead at the bottom of a New York canal. In London, a Dutch banker named Hans van den Broek hears the news, and remembers his unlikely friendship with Chuck and the off-kilter New York in which it flourished: the New York of 9/11, the powercut and the Iraq war. Those years were difficult for Hans — his English wife Rachel left with their son after the attack, as if that event revealed the cracks and silences in their marriage, and he spent two strange years in New York’s Chelsea Hotel, passing stranger evenings with the eccentric residents. Lost in a country he’d regarded as his new home, Hans sought comfort in a most alien place — the thriving but almost invisible world of New York cricket, in which immigrants from Asia and the West Indies play a beautiful, mystifying game on the city’s most marginal parks. It was during these games that Hans befriends Chuck Ramkissoon, who dreamed of establishing the city’s first proper cricket field. Over the course of a summer, Hans grew to share Chuck’s dream and Chuck’s sense of American possibility — until he began to glimpse the darker meaning of his new friend’s activities and ambitions.’ Netherland’ is a novel of belonging and not belonging, and the uneasy state in between. It is a novel of a marriage foundering and recuperating, and of the shallows and depths of male friendship. With it, Joseph O’Neill has taken the anxieties and uncertainties of our new century and fashioned a work of extraordinary beauty and brilliance.

The Luminous Life of Lilly Aphrodite – Beatrice Colin (John Murray)
As the clock chimed the turn of the twentieth century, Lilly Nelly Aphrodite took her first breath. Born to a cabaret dancer and soon orphaned in a scandalous murder-suicide, Lilly finds refuge at a Catholic orphanage, coming under the wing of the, at times, severe Sister August, the first in a string of lost loves. There she meets Hanne Schmidt, a teen prostitute, and forms a bond that will last them through tumultuous love affairs, disastrous marriages, and destitution during the First World War and the subsequent economic collapse. As the century progresses, Lilly and Hanne move from the tawdry glamour of the tingle-tangle nightclubs to the shadow world of health films before Lilly finds success and stardom in the new medium of motion pictures and ultimately falls in love with a man whose fate could cost her everything she has worked for or help her discover her true self. Gripping and darkly seductive, The Luminous Life of Lilly Aphrodite showcases all the glitter and splendor of the brief heyday of the Weimar Republic, and the rise of Hollywood to its golden age.As it foreshadows the horrors of the Second World War, the novel asks what price is paid when identity becomes unfixed and the social order is upended.

December – Elizabeth H. Winthrop (Sceptre)
Eleven-year-old Isabelle hasn’t spoken in nine months, and as December begins the situation is getting desperate. Her mother has stopped work to devote herself to her daughter’s care. Four psychiatrists have already given up on her, and her school will not take her back in the New Year. Her parents are frantically trying to understand what has happened so they can help their child, but they cannot escape the thought of darker possibilities. What if Isabelle is damaged beyond their reach? Will she never speak again? Is it their fault? As they spiral around Isabelle’s impenetrable silence, she herself emerges as a bright young girl in need of help yet too terrified to ask for it. By the talented young author of FIREWORKS, this is a compelling, ultimately uplifting novel about a family in crisis, showing the delicate web that connects a husband and wife, parents and children, and how easily it can tear.

The Cellist Of Sarajevo – Steven Galloway (Atlantic)
This is the top 10 bestseller, now in paperback. Snipers in the hills overlook the shattered streets of Sarajevo. Knowing that the next bullet could strike at any moment, the ordinary men and women below strive to go about their daily lives as best they can. Kenan faces the agonizing dilemma of crossing the city to get water for his family. Dragan, gripped by fear, does not know who among his friends he can trust. And Arrow, a young woman counter-sniper must push herself to the limits – of body and soul, fear and humanity.Told with immediacy, grace and harrowing emotional accuracy, “The Cellist of Sarajevo” shows how, when the everyday act of crossing the street can risk lives, the human spirit is revealed in all its fortitude – and frailty.

So who is up for the challenge and will be joining me? Don’t all rush at once! Doesn’t anyone else think this is a strong line up? I have already read two of the books (both the Kate’s) but think at the moment the most exciting ones are The Gargoyle and The 19th Wife, I also think Netherland will be my downfall. Just something tells me it might not be quite me, we will see though!

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Filed under Andrew Davidson, Beatrice Colin, David Ebershoff, Elizabeth H. Winthrop, Frances Osborne, Jesse Kellerman, Joseph O'Neill, Kate Atkinson, Kate Summerscale, Richard and Judy, Steven Galloway