Tag Archives: Not The Booker

Not The Booker Prize Shortlist 2016

I may be in another country, however one piece of book based news I was keeping my beady bookish eyes on was the announcement for the Not The Booker Prize shortlist 2016 yesterday. I love the Booker as many of you will know, I am also deeply fond of it’s slightly rebellious relation (well not relation but you know what I mean) and was thrilled to judge it a few years ago when the Not The Booker opened itself up for a jury of judges. It was such fun taking part and I loved the bookish chats, I have also remained friends with some of the lovely folk that I judged with. So after having been torn for choice by the longlist I voted for two titles (there were many, many I could have voted for) an waited with baited breath by the pool in our villa. Here are the shortlisted titles…

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  • Walking the Lights – Deborah Andrews (Freight Books)
  • The Combinations – Louis Armand (Equus)
  • What Will Remain – Dan Clements (Silvertail)
  • The Summer That Melted Everything – Tiffany McDaniel (Scribe)
  • The Less Than Perfect Legend of Donna Creosote – Dan Micklethwaite (Bluemoose Books)
  • Chains of Sand – Jemma Wayne (Legend Press)

Here I have some shamefaced admittance (is that a word?) I have not heard of many of the six that have been shortlisted, in fact I have only heard of two of them. Tiffany McDaniel because I was sent it ages ago as the publisher said it would be right up my street, and admittedly it looks it, and Jemma Wayne as she was longlisted for the Bailey’s Prize a few years ago. This though, for me, is exciting. I love hearing about books that I have no knowledge of (I loved this when I discovered what the Man Booker longlist was, I love it with every prize). It is also good as there are a lot of independent publishers on the list and you know how I love those.

The list has set me off on a journey discovering more about them all and I have to say this does sound like a really interesting bunch which I might have to get a wriggle on and read. You have something massive, and slightly scary sounding with the Armand. A modern fairytale with heaps of bookish nods in the Micklethwaite, which by the sounds of it has the potential to be one of my books of the year. A tale of theatre and the young, drunk and messy, life of an actor with the Andrews. A small town distraught by the arrival of a young boy who could be the devil in McDaniel’s, which is one of the books I have been most excited about this summer and have for the bank holiday next week. And two novels of looking at war and conflict, and all that comes with those, with Wayne and Clements. I just need to get my hands on them…

Have you read any of the list? What do you make of it?

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Shame – Melanie Finn

Whilst people are off reading the Man Booker longlist, I have decided to be slightly different and give both the Gordon Burn Prize shortlist and Not The Booker shortlist a whirl as the variety that they both provide really interests me. Shame is up for the latter, where it could win the author’s Holy Grail that is The Guardian Mug, and if it is a sign of all the reading ahead then I am in for some unusual and thought provoking treats over the next month or so.

Orion Publishing, 2015, hardback, fiction, 308 pages, kindly sent by the publisher

Pilgrim Jones is having a pretty horrendous time of it. The first of the awful things to happen to her, we learn, is that her husband has left her for a younger woman they met on a social weekend all together with mutual friends. She is, as the book opens, now in Tanzania after picking the first flight she could to leave the broken home they had created in the Swiss village of Arnau before ditching her fellow safari goers half way through a trip in Magulu. However, it soon becomes clear that this is no holiday of respite; Pilgrim is running away from something far worse, an accident that left three children dead. Yet as Pilgrim seeks escape the past and try to deal with it, it seems her past is coming looking for her.

But they are without shame. Like animals. Do you see? You maybe feel shame for them, but they do not feel shame for themselves.

For the first third of the book Shame reads like a compelling thriller. We move forward with Pilgrim as she gets to know the people of Magulu, such as Dr Dorothea and PC Kessy as well as the mysterious and pretty skin crawling inducing Martin Martins. We also begin to learn of the people of Africa’s superstitions which come to the fore when a box of albino body parts, deemed to be a curse, are left in the village not long after Pilgrim and Martin’s arrivals. Whilst all this is going on we are also going backwards to Switzerland and learning of the ripples immediately after Pilgrim’s divorce and the accident that labels her kindermörderin, child killer and the detective who investigates it, Strebel. Then about 100 pages in Pilgrim suddenly decides to leave, on a whim, and head elsewhere. Fate seemingly intervenes and suddenly she is in Tanga where she meets fellow ex-Americans Gloria and Harry and things take a surreal turn before just after half way Finn turns the book completely on its head, and I mean completely.

It is a huge gamble that Finn takes here as, without giving anything away, she shifts the book completely out of Pilgrim’s perspective and narrative and then takes it into some of the characters that she has met along the way. We are dropped by one character and then suddenly scooped up by another. It also gives the book a huge plot twist/reveal that I did not see coming from any direction. Readers will be completely intrigued; completely enraged by it or like me somewhere in the middle, as it both baffled me and completely thrilled me. I just couldn’t not read on.

I think, again without any spoilers, that the reason Finn does this is to highlight the two biggest themes of the book and no I am not talking about shame. I am talking about redemption vs. revenge and the stories we tell others vs. the stories we tell ourselves. Whilst shame is a huge theme in the book, as the title would suggest and as pretty much every single character feels shame (for what they have done, didn’t do, can’t do or won’t do) in some way I actually think it is the other topics that have their roots the deepest in this novel. Each character has an image they put forward that is very different to the one underneath their skin whatever their colour or whatever their background. They have secrets or problems they are shamed by in some way which they tell little lies and stories to cover up. Can they redeem themselves? Can they live with themselves? Can they even scores? All these things are looked at in Shame.

I do have to admit I had a few wobbles with Shame on and off which I think are worth highlighting before I recommend you all to read it, which I do. Occasionally there seems to be a lot of sudden reaction without motivation. For example Pilgrim’s sudden decision to leave Magulu and how she suddenly ends up in Tanga, which whilst I got it at the end seemed very confusing and broke the pace for the novel with me for a while before I was hooked again. I also felt that this happened with the sudden arrival of the albino body parts. Whilst I found the African magical elements/beliefs really interesting and occasionally grimly fascinating sometimes I felt it both strengthened and weakened the plot. Instead of adding darkness or a threatening presence, which I think was the intention, it added occasional confusion or diverted your eye away from its intent. These were by no means fatal flaws and I should add. Africa is described wonderfully in this book, with its mystery, oppressive heat, cultural ways and brooding landscape it becomes a character and presence all of its own.

Kessy smiles. ‘Imagine someone hates you this much? What have you done to him? Perhaps in your heart you know you are guilty. And this magic speaks to your heart.’
A sensation comes over me, as if something is moving underneath my skin, one of those terrible worms that beds down in your flesh.

Shame is a compulsive, fascinating, perplexing and disorientating one which keeps you in its thrall. It is a book that plays with storytelling, genre and expectations. It also looks at the way we perceive ourselves and others as well as how they perceive us, which changes from person to person, emotion to emotion. It is brilliantly written, quirky and plays with the reader as it goes along. Most interestingly it is a book that is about revenge vs. redemption, right up until the very last line. You’ll be left pondering what should be the most fitting outcome for all the characters, potentially feeling some shame yourself as to what fate you decide to leave them too.

Who else has read Shame and what did you make of it? It is one of those books I am desperate to talk about now I have finished it, so do let me know if you have. I am going to have to hunt down her debut novel Away From You at some point which is another novel about Africa too and was longlisted for both the Orange and IMPAC prizes. I am certainly looking forward to what she writes next. Next up from the Not The Booker shortlist I will be reading The Anatomy of Parks by Kat Gordon, which keeps making me think of my new (belated, last to the party – I know, I know) favourite show Parks and Recreation.

Note – I have just gone off to read some other reviews of Shame, as I do only after I review, and it seems that myself and the lovely Naomi of The Writes of Woman have blog snap as she has written about Shame today too.

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Filed under Melanie Finn, Not The Booker Prize, Orion Publishing, Review, Weidenfeld & Nicolson

The Ocean at the End of the Lane – Neil Gaiman

Neil Gaiman is one of those cult writers who I always think I would really, really like, I just have to read more of his books as so far the number of them that I have read is a little paltry. When it comes to authors of that stature, and being a relative ‘Neil-newbie’, it almost makes me feel fraudulent it write about his latest ‘The Ocean at the End of the Lane’ – one of the most hyped/anticipated/buzzed about books of the year and one I read for the Not The Booker Prize. I am also rather nervous because whilst it is a book I really enjoyed reading, it is one that had a few niggles for me on occasional, let me explain (before all the Gaiman fans come and hunt me down for blasphemy)…

Headline Books, 2013, hardback, fiction, 256 pages, kindly sent by the publisher

‘The Ocean at the End of the Lane’ is a book about memory and imagination and how these develop or fade as we grow up. It is also a corking story about a young boy, who starts the novel as an old (and unnamed) man, and one particular summer in his childhood when he met Lettie Hempstock. As a young boy his life was quite mundane, he was a bit of a bookish loner, and his family were ‘getting by’. One day they take in a lodger, who runs over the kitten and then kills himself in his car – not a spoiler as this happens very near the start – and it is during this debacle that the young lad finds himself being looked after by Lettie and her mother and grandmother while the police sort everything out. It is at this point that something magical is introduced into his life (at one point quite literally) and it is also when the greatest darkness comes as a new lodger, Ursula Monkton, arrives to change everything for the worse, if she can.

You might roll your eyes at what I am about to write, or think ‘oh for goodness sake why tell us about this book’, but I have to admit all the fantastical elements of this book really didn’t gel so well for me. I really liked Ursula as a villain (though she did feel very similar to the Other Mother in ‘Coraline’ at times) yet I couldn’t conjure her as the tent/marquee/thing that we first meet. I liked the hunger birds very much but the whole worm thing (even though it was brilliantly squeamish) didn’t work for me either. I couldn’t quite get it to 100% form itself in my head. Most of all though I didn’t really get ‘the Ocean’ of the title, apart from just after the denouement when it was so needed – no spoilers – as I didn’t see the point to it overall yet it is the title feature. Also did anyone else understand why the suicide at the start leads to Ursula/the worm/tent appearing? I think I missed that, or maybe it just was there because it was there? So why do, after saying all that especially about the ocean, I then think people should read it? Well…

Firstly when Gaiman writes in the ‘real world’ the book is very emotive, reminiscent and nostalgic. The scene with the bath was actually quite upsetting, as was the whole scene with his dad and Ursula by the fireplace (for some reason that really, really unsettled me). Also the emotions of feeling adults don’t understand you, hating your siblings, feeling a disappointment to your parents was all fully evoked. There is also a certain horror to the book that the ‘younger you’ inside you will be really hit hard by. Interestingly these both involve the dad, one also involving the bath and the other involving Ursula and a wall and things that shouldn’t be seen. Both had a real impact with me and left me feeling quite uncomfortable and also incredibly moved and almost bruised, it is hard to explain.

Then there is also the element of the book that I loved the most; the fact it took me back to my childhood, and I thought that this was what Gaiman was setting out to do, give us as readers a serious case of nostalgia and the memory at the route as to why we love books. All the things that appealed to me most as Simon aged 31 were the things that would have appealed to me as Simon aged 11. I loved the Hempstock’s and could think of one of my Gran’s friends who I thought (and sometimes still do) was a real life good witch, and all those old ladies who had that wry smile and spoilt you who were probably only 50/60 but seemed about 110 years old. I also thought that Ursula Monkton, or anti-Poppins, was a fantastic character I would have loved to have had in many a books when I was a kid. That of course brings up the question is this book a book for adults, for children, both? Should it even matter?

Whilst I don’t think (and here I type almost wincing with fear) it is one of the very best books I have read all year, it was a true delight as it is one of those books that will remind you of your own imagination (which sounds silly but true) and how we must stretch it unquestioningly sometimes as we would when we were younger. This seemed the biggest message I got from the book, to look back at myself and how I felt at a time when anything and everything was possible and hold that memory now all these years later. It is a book that in looking at the narrators nostalgic memories makes you look at yours and I really, really liked it for that.

In ‘The Ocean at the End of the Lane’ our narrator states ‘I liked myths. They weren’t adult stories and they weren’t children’s stories. They were better than that. They just were.’ I have found myself thinking about this a lot since I read the book as I wish that the older me could occasionally find the younger me and give myself over to the fantasy side a little more as maybe if I had, with the brilliance of Gaiman’s family drama in this novel and getting lost in the ‘beyond magical’ elements of the book, this would have been the perfect book for me. Which is of course the point of the book I think. One thing I do know for sure is that I must read more Gaiman. Should I head to ‘American Gods’ or ‘Neverwhere’ next? Or another of his titles entirely?

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Filed under Headline Review, Neil Gaiman, Not The Booker Prize, Review

The Trader of Saigon – Lucy Cruickshanks

I was going to start something new this week and do a mid-week selection of mini reviews, as I have realised that I have a mountain of books I have read this year and might not end up reviewing until 2014. The first of which was going to be some of the Not The Booker Prize shortlisted books. There need be no secret on my thoughts on these as it went live over the interweb last week. However, as on said day, I had dragged myself out of my sick bed to do that and so didn’t think I was as eloquent as I would have liked. So I thought I should give them each, maybe bar one, a review here and try and sound a little more compos mentis. Plus the Not The Booker helped me discover some great ‘new to me’ authors and I would like to pass some of them onto you. Starting with Lucy Cruickshanks…

Heron Books, 2013, hardback, fiction, 336 pages, kindly sent by the publisher

‘The Trader of Saigon’ is a tale of three people all in Vietnam in the 1980’s shadow of post war. Phuc is a business man who has fallen on hard times and with a family to feed resorts to desperate measures in his hope to save them. Hanh is a young woman who is working in order to keep herself and her ill mother barely away from starvation by working at the street toilets where her manager sits opposite constantly drinking yet claiming he can never pay her wage. Alexander is a US army deserter who now deals in women, that’s right, he deals in snatching and selling women. Cruickshanks weaves their story together though, obviously, if you want to know how you need to read the book.

There was much that impressed me with this debut novel. Firstly I liked the fact that whilst the book was set in Vietnam you knew where you were without having the author having to spoon feed you. It wasn’t smacking you over the head all the time (because this isn’t a history text book, it’s a novel), it simmered in the background. It was the same with the war, it didn’t get mentioned all the time yet was the cause for why everyone was in the situation they were in after all – again the scenes with Alexander at war I found very atmospheric and vivid. It didn’t need a lot of show and tell I didn’t think, and actually made me want to go away and find out more about the war as I realised I have very little knowledge of it shamefully.

At the start of the book I was a little concerned that I wasn’t going to get into the heads of any of the characters. Just as I felt I was getting to know either Alexander, Hanh or Phuc we would suddenly be thrown into the others narration. I also couldn’t quite work out what the book was trying to do, was it wanting to be a thriller or was it trying to be a literary novel? As I read on I realised it was aiming for both and that I myself was desperately trying to second guess what the novel was rather than just get lost in it. My fault more than the book itself!

Yet the more I read the more the characters became defined and Alexander started to really intrigue me. Note; if any of you who have read it, please explain the baby in the formaldehyde he carried around, I was a bit puzzled whilst also being oddly fascinated. He is really a bit of a bastard and I worried he would thaw and fall in love with Hanh (not really a spoiler, it is laid on a bit thick this might happen from the off) and for a period of time it looked that way but then Cruickshanks pleasantly surprised me by not doing that at all. I would have liked more psycho-Alexander though and his back story, but maybe that says more about me and my taste for the darkest aspects of fiction.

However she did make Alexander switch quite a lot for the purpose of the plot rather than letting the character lead the narrative, I thought, and Alexander was the most fascinating character for me out of the lot, especially at his most repugnant. I must admit I was secretly hoping he was going to become a fully blown psychopath after hints of his youth in America and behaviour during the war in Vietman, it wasn’t do be but I did find him rather fascinating. I did also have this huge worry, especially after the Phuc gambling incident you describe, that the book was going to become a huge cliché. It never does but I would say that towards the end almost too much happens and as it went on I found I was a bit confused with all the sudden high drama, but hey it was the denouement, it was going to be dramatic wasn’t it?

Overall though I found ‘The Trader of Saigon’ to be an interesting and enlightening read and one which ultimately combines a sense of literary with thriller to great effect. It is one of those books that gives you a peek into another place, time and culture and leaves you wanting to rush off and find out more about it. I know that Lucy is currently working on her second book at the moment and I will be one of the first in the queue to see what she does next as this book shows so much promise for the future of an author to keep your eyes on.

I should add here that I have been slightly lazy (though not ridiculously so as I have extended and expanded on quite a lot) and tweaked, not twerked, my thoughts from the Guardian website. Just so you know. Have any of you read ‘The Trader of Saigon’? What are your thoughts on the new genre of ‘literary thriller’ if such a thing exists? And if it does are there any you would recommend?

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Filed under Heron Books, Lucy Cruickshanks, Not The Booker Prize, Review

Incoming Thoughts…

Be warned this post contains a lot of incoming books, my thoughts on them and a bit of an angry rant. First Note: If you love this sort of post then carry on, if you don’t then hopefully you will be back tomorrow for the return of The Persephone Project. Second Note: I have decided Savidge Reads might be going rogue over the next few months in preparation for 2014, partly brought on by the books I have received and the thinking they have made me do, and a more no nonsense style is required which if you a) scroll quickly down to the bottom of this post before you leave b) reach after looking at a bit of book porn you will spot. Savidge by name*… where was I? Oh yes these incoming book posts.

It is funny how these kinds of posts can divide people. Some people see them as delightful posts of Book Porn and some see them as a blogger or reviewer just showing off. I go both ways with it dependent on the blog. I would assume by now you know which of those camps I am in, if you need to be told it is the Book Porn camp then I suggest you leave and don’t darken my blogs door again. Ha! So who is ready for some bookish nattering…?

So last week I was in London. This was in part to interview the amazing Jennifer Saunders, who I was very nervous of meeting and who was really lovely and I bonded with over psychopaths, for the Christmas special of You Wrote The Book, go to a press event of Penguins (where I met Deborah Levy and had a moment of mutual fandom, very strange but very lovely) as well as going to the Not The Booker event on The Saturday. I decided to make an extended break of it and catch up with friends I had not seen for a while. Naturally one place I had to go was Persephone Books to see Nicola Beauman, its founder, who I have been writing to for the last year or so since The Persephone Project started. We had a lovely cup of coffee chatted about books old and new and I was even allowed into the printing room (with a sneaky peak at one of their possible future books) and down into the Persephone cellar where the damaged books live. I didn’t leave empty handed…

photo 2 (2)Now the picture here —> actually is missing a book as I left having bought almost as many books as I was given… I decided as a thank you to my lovely friend Catherine who let me stay she simply had to have a lovely new copy of ‘The Shuttle’ by Frances Hodgson Burnett, my favourite Persephone so far as it has a sensational feel, whilst I saved one from the damaged shelves. I also saved a copy of ‘Julian Grenfell’ by Nicholas Mosley as it is the next Persephone I don’t have, well apart from ‘Few Eggs and No Oranges’ by Vere Hodgson (Persephone’s biggest book so far) which I bought a pristine copy of as a treat along with the one for Catherine. The final one I left with was ‘The Mystery of Mrs Blencarrow’ by Mrs Oliphant which Nicola insisted I take as it has a lot of Liverpool in it. She was far too kind and wouldn’t take no for an answer.

photo 5There is something so special about smaller publishers, like Persephone, and how they go the extra mile to make their books look even more appealing as well as having a certain uniformed identity. Between all the Not The Booker chatter this is something I had been talking to Sam Jordison (the chair of the inaugural judging panel) about along with the fact that I was beginning to get this real urge to go rogue and off the bloggish beaten track and read some more undiscovered or off the radar gems. He introduced me to Galley Beggar, a publishing house he co-founded which I had no idea about till then (sorry Sam) and promptly delivered me with two of their latest titles; ‘A Girl is a Half-Formed Thing’ by Eimear McBride and ‘Everlasting Lane’ by Andrew Lovett. Aren’t these gorgeous editions, I know I shouldn’t judge a book by its cover but we all do. I am now very excited about discovering both a new publishing house and two new to me authors. If you fancy reading books a little of the bookish path I thought you might like to know these guys are about.

I did leave London with a few more books than that but they aren’t out till 2014, something which I am actually going to talk more about next week. I can say that I think 2013 has been a bit of a safe year in publishing (that will get me emails, sorry but its true – some lovely books have come out, only one or two of which have made me think ‘wow original’ or blown my socks off) though from the looks of things 2014 is looking really, really, really exciting – especially for more off the road novels. photo 3Anyway one additional book I got —> ‘My Brother Jack’ by George Johnston is extra special as it was from Kim of Reading Matters and had come all the way from Australia and is one of her very favourite books. No pressure on me to like it then, ha! I was really touched when we meet for a few pints, and a whole lot of chatter, and she whipped this out as I wasn’t expecting it. Odd but delightful fact, I had taken a load of proofs for her from Penguin yet neither of us had told the other we had treats. Lovely stuff.

Finally, when I got back from London I discovered the postman had had some arduous labour whilst I had been away as there were a lot of books awaiting me. Why mention these too? Well I have started doing something new. When books come in the following happens…

  • If I have asked for it, and I maybe ask for two or three books a month if that (just to clarify), then of course they go straight onto a special set of shelves for reading ASAP – with a little ‘when the mood takes me’ thrown in.
  • If it is for work it goes on another shelf. Almost a high priority one as I need to separate these for fear of going mad.
  • If they are unsolicited I now read the blurb (which I never used to do) and the opening page and then if I think the book is a must read or a must try it stays…
  • If I don’t it goes.

photo 5 (2)For extra clarity, the ones pictured have stayed or are work books and the only ones I asked for were Ciaran Collins ‘The Gamal’; because it is a bit off the beaten track and five people I trust have told me I must read it, ‘Mr Loverman’ by Bernadine Evaristo; because they ran out of proofs at the Penguin bloggers night way back in February and I waited for the paperback, ‘The Woman in Black: Angel of Death’ by Martyn Waites; for obvious reasons that I am obsessed with the Woman in Black and am interviewing Susan Hill soon and want to discuss this with her. Blimey that is a lot of books isn’t it?

You can see why I am going to be having a small cull when the final shreds of this lurgy have passed. I have clarified this all for you more than I normally would because of this…

*Just to underline something. I have blogged for six years and do this free of charge simply for the love. Six years, not six months. Secondly I work freelance on several book pages in several magazines. Thirdly I created a book prize because I love books. Fourthly I make three podcasts free of charge discussing books with other co-hosts or the authors of said books. These are the reasons I have built up delightful relationships with publishers and they send me books, many unsolicited. This has all come through passion, dedication and hard work, leading to a good presence. I do not condone the new attitude of constant ‘book blagging’ – publishers give books out where they want to – but when I hear that a blogger or two have been slating me to several  publishers for getting sent ‘too many books’ and yet also telling some publishers that I said they could ask for books I have to address it. Naturally I am very upset to have heard about this and felt it needed addressing as it has put me in a very awkward position in the last few days.

Right, issue addressed, back to the lovely books and your thoughts… Which of these have you read or fancy reading? What is your favourite Persephone Book? What was the last book you gave to a friend? What books have caught your eye lately? What have you bought, borrowed or been sent of late?

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Judging A Book…

So in the not too distant future (or in the recent past if you read this later than I posted it, which is pretty late) there will be a big announcement in the bookish world as to which novel and author have gone and won some award they call the Man Booker Prize, just a small thing no biggie. Of course I jest. In actuality within the next twenty four hours, and actually possibly weeks months and years to come, most of the bookish world is going to be discussing the decision made by five people in a room on the very subjective nature of what makes a truly great book… or possibly which book they all liked equally and therefore chose as the winner. So, not afraid to open a tinned can of worms, I thought I would talk a little bit about the whole book judging thing really.

You see when the Man Booker winner is announced there will be arms in the air with jubilation and also arms in the air with indignation. That is the way with books awards, well with any awards. I have experienced this a few times having judged both The Green Carnation Prize (for a few years) and then this year, yesterday in fact, I had the pleasure of judging the Not The Booker Prize for the Guardian. The latter was all the more nerve wrecking as the judging was all done live, we had no four walls and a swanky lunch (I am imaging the lunch, it might just be a cup of tea and a digestive) unlike the Booker.

Not The Booker’s Prize… a coveted Guardian mug.

For the judges there were two clear favourite books and forerunners, not in the eyes of the public but more on that shortly, those were Kate Atkinson’s ‘Life After Life’ and Meike Ziervogel’s ‘Magda’. Two books which couldn’t be more different in terms of length but are equal in how brilliant their stories, writing and vision were – oh and how much they made us think. The winner in the end was ‘Life After Life’ which will tick some people off. Interestingly as we were talking having said at the start I wanted ‘Life After Life’ to win I started thinking ‘hang on a minute Simon, Atkinson doesn’t need the publicity, she probably has plenty of mugs and doesn’t need a Guardian one and Magda is as amazing in so many ways and think what this could do for a debut novelist…’ yet I had to be true to what I considered the best read FOR ME on the list. Which is of course a very personal and subjective thing, for me though I was looking for prose, voice, story, characters, something new, impact and thought provoking nature. Both books had all these things, personally Atkinson just hit that chord where I felt it had been written for me even when Ziervogel blew me away. This probably makes no sense so let us move on; suffice to say I was very torn.

We also went against the popular and public vote of Zoe Venditozzi’s debut novel ‘Anywhere But Here’. We didn’t do this because we were being controversial, we did it because we all agreed that Zoe can write bloody brilliantly (review coming soon) and it is a very impressive debut but we all had a slight issue with what happens in the book as it goes on, which I won’t spoil. That doesn’t mean we didn’t like it, quite the opposite is true, it means we can’t wait to see what she (and indeed Lucy Cruickshanks) do next. Unlike the Booker, or any of the main awards actually, we COULD say that publically which was really nice. I don’t think the Booker longlisters who don’t make the short list get more than a ‘nope’, though I could be wrong – doubts it. Back to my point, the public weren’t wrong, the judges weren’t wrong, it is all subjective. Different judges could have had a completely different outcome.

Books are subjective by their very nature; we will all read a book differently. Even with the people that I respect the most in terms of books, I can sometimes think ‘what on earth did you see in that twaddle?’ It is the same with loved ones; I cannot begin to tell you how many books Granny Savidge Reads and I would debate, be they crime series, classics or modern literature. Yet some books you just meet on the middle on how much you love. It is those, above the ones you all like, that you discuss the most and get excited about the most. Like at a book group. You see when it comes to books we all judge them and that is what makes me laugh when people are up in arms about a set of judges decisions. (I include myself in this; I have been very cross with panels before, and then laughed at my outrage.) From the cover of the book till the final page – if we make it that far – we are constantly judging a book on everything we have read before and what we deem a good read for whatever reason be it on the writing, the enjoyment factor or the dreaded ‘readability’.

The best things about prizes are though that they get us all talking about books and igniting the passion for literature of all types and genres. And they make people want to read long and short lists. All good stuff! So before we judge the judges on what they have judged the best book of the year (remember that the publishers were the ones who actually chose which books to put forward) in whatever prize they are judging, that we all judge books all the time don’t we?

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