Tag Archives: Reginald Hill

Other People’s Bookshelves #15 – Janet O’Kane

So after ANOTHER small hiatus Other People’s Bookshelves is back… Hoorah! Thank you to everyone who has responded to my plea for more of you to share your book porn with us, keep them coming as I would love this series to run and run. If you haven’t heard back from me, have sent them before but not been featured or you have held back thinking there’s a queue (it’s a small one) then do please email savidgereads@gmail.com with the subject Other People’s Bookshelves and they will be featured. I have been a bit slack. Anyway, for the fifteenth in the series we get to have a lovely nosey through Janet O’Kane’s shelves, first though (I know you are desperate to see the books, the books, the books) let us find out a little bit more about Janet…

As Janet grew up in rural Dorset her parents instilled in her an immense love of books. They tried not to spoil her (she was an only child) but she was provided with all the books she ever wanted, either from the library or bought from a local second‑hand shop. For a long time she answered the question, ‘What do you want to do when you grow up?’ with, ‘A librarian’. Despite this, her first job was in Harrods, the London store, where she sold Wedgwood china to rich tourists and underwear to the then 007, Roger Moore. She also worked for Boots for many years, although that company’s lending libraries were long gone. Now living in the Scottish Borders with her husband John, two dogs, two cats and numerous chickens, Janet still reads as much as she can and has a deep mistrust of anyone else who doesn’t. She mostly reads crime fiction, despite the best efforts of an Open University degree course and the Berwick Book Group to entice her away from that genre.

Janet has always written for pleasure, and remembers winning a Brooke Bond writing competition at the age of ten with a short story inspired by Mary Norton’s The Borrowers. She started writing in earnest when she moved to Scotland and early on was delighted to have a poem published in Forum magazine. Unfortunately, she couldn’t cash the £10 cheque because she had been too embarrassed to submit under her own name.  The idea for the opening of Janet’s first novel, No Stranger to Death, which will be published on November 5th, came to her at a Guy Fawkes party held in the village where they used to live. When she suggested to John that a huge bonfire would be a good way to dispose of a dead body, he said, ‘Go on then, write it’. And over the next few years, in between jobs and studying for a degree, she did. She now writes fulltime. Janet blogs about writing and her life in the Scottish countryside at www.janetokane.blogspot.co.uk and is also an avid fan of Twitter, where she is @JanetOkane

Do you keep all the books you read on your shelves or only your favourites, does a book have to be REALLY good to end up on your shelves or is there a system like one in one out, etc?

I wish I had the space to keep every book I read, but instead I have to be ruthless. I try to find space for signed copies and novels I’ve really enjoyed. I also won’t part with some of the books I studied for my recent Open University degree, and a few teenage favourites, like The Chrysalids by John Wyndham. The rest I pass on to friends or our local charity shop. There is one exception: I’ve kept a copy of the worst crime novel I’ve ever read, and no, I’m not going to say what that is.

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Do you organise your shelves in a certain way? For example do you have them in alphabetical order of author, or colour coded? Do you have different bookshelves for different books (for example, I have all my read books on one shelf, crime on another and my TBR on even more shelves) or systems of separating them/spreading them out? Do you cull your bookshelves ever?

I group the books I’ve read by subject or genre. While many – okay, most – of my shelves hold crime fiction, there are also reference, travel, gardening, art and film books. Guides to writing are on a separate shelf unit. Unread books – of which I have over 100, excluding what’s on my Kindle – are grouped together on two TBR shelves. I’ve promised myself I won’t buy any more until I’ve considerably reduced that number, and regularly but cheerfully fail to keep that promise.

What was the first book you ever bought with your own money and does it reside on your shelves now?

From an early age I spent all my pocket-money on books but I confess I don’t own a single Enid Blyton or Angel Brazil now. I do though, still have that copy of Martin Amis’s The Rachel Papers I bought at the age of 17 to read on the journey up to London for a job interview. My Mum travelled with me and I remember sitting awkwardly to stop her from seeing what I was laughing at.

Are there any guilty pleasures on your bookshelves you would be embarrassed people might see, or like me do you have a hidden shelf for those somewhere else in the house?

I don’t think anyone should feel guilty about what they read, as long as they do read! My tastes are there for all to see.

Which book on the shelves is your most prized, mine would be a collection of Conan Doyle stories my Great Uncle Derrick memorised and retold me on long walks and then gave me when I was older? Which books would you try and save if (heaven forbid) there was a fire?

To me, a book is just a book and easily replaced, so I don’t have an emotional attachment to any in particular. I’d concentrate on getting my husband, cats and dogs to safety and making sure the fire didn’t spread to the henhouses.

What is the first ‘grown up’, and I don’t mean in a ‘Fifty Shades of Grey’ way, that you remember on your parent’s shelves or at the library, you really wanted to read? Did you ever get around to it and are they on your shelves now?

My Dad only read non-fiction, usually about World War Two or football, while my Mum was a huge fan of crime fiction by the likes of Agatha Christie, Dorothy L Sayers, Ngaio Marsh and Margery Allingham. Guess whose books I moved on to when I outgrew my own! I have a few Christies on my shelves but tend not to reread books except for a specific reason, like a competition. Revisiting The Murder of Roger Ackroyd proved worthwhile as I won a weekend pass to the 2010 Theakstons Old Peculier Crime Festival in Harrogate for summing it up in 50 words.

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If you love a book but have borrowed the copy do you find you have to then buy the book and have it on your bookshelves or do you just buy every book you want to read?

I’m lucky to be able to buy most of the books I want to read, although I struggle to justify buying hardbacks or expensive books about art. I enter competitions and drop hints at Christmas for those.

What was the last book that you added to your bookshelves?

I recently went to an event in Newcastle by crime-writer Margaret Murphy and forensic scientist Professor Dave Barclay who write together under the pseudonym A.D. Garrett. It was a great evening and I’ve enjoyed Margaret’s writing in the past, so I bought their first book, Everyone Lies. I started reading it on the train going home and was hooked. I finished it a few days later and it’s now rubbing shoulders with my permanent collection of Reginald Hill novels.

Are there any books that you wish you had on your bookshelves that you don’t currently?

I’ve got my eye on Barry Forshaw’s British Crime Writing: An Encyclopedia, which has a cover price of £90, although I’m sure it is well worth that much. Moving away from crime fiction, I’d really like to own Avian Architecture: How Birds Design, Engineer and Build by Peter Goodfellow, The Chicken: A Natural History by several authors including my poultry ‘guru’ Andy Cawthray, and Ray Bradbury’s Zen in the Art of Writing.

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What do you think someone perusing your shelves would think of your reading taste, or what would you like them to think?

I like to think they’ll see further than all that crime fiction and realise I’m a person with a wide range of interests who just happens to enjoy reading and writing about people being murdered.

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A huge thanks to Janet for taking part in Other People’s Bookshelves. Don’t forgot if you would like to participate (and I would love you to – hint, hint) in the Other People’s Book Shelves series then drop me an email to savidgereads@gmail.com with the subject Other People’s Bookshelves, thanks in advance. In the meantime… what do you think of Janet’s responses and/or any of the books that she mentioned?

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Savidge Reads Grills… Val McDermid

Last week I had the pleasure of meeting up with the lovely Val McDermid for a good long coffee and catch up thanks to the joys of twitter and knowing she was in the vicinity. I hadn’t seen her since she came and talked at Bookmarked Literary Salon last year, so we had much to discuss. When I got back I suddenly thought ‘hang on, didn’t I do a Savidge Reads Grills… with Val?’ It turned out I had last year when her latest novel ‘The Retribution’ came out and then very naughtily hadn’t used it, probably because I had done an interview with her for We Love This Book. Well ‘The Retribution’ is out in paperback now, you can see my review here, and so I thought that I would post it today as it seemed timely.

For those crazy people who haven’t read a Tony Hill novel yet, how would you describe the series of books he features in?

The Tony Hill and Carol Jordan novels are dark psychological thrillers that explore the extremes of what human beings are capable of doing to each other.  Tony is a psychologist who profiles for the police, Carol is a senior detective. Tony explores crimes by worming his way into the head of the killer; Carol uses more traditional detective techniques. He is motivated by compassion and empathy, she is motivated by justice. And at the heart of the books is the relationship between them, a relationship that is complicated by the damage they have both sustained in the cases they have worked.

Do you think people can come into the series at any point, especially with ‘The Retribution’ which sees one of Tony Hill’s old adversaries’s returning to the scene?

Each book in the series can stand alone but if you start at the beginning and read them in order, it will be a richer and more complete experience.

Have you ever liked one of you criminal characters, you see I think Jacko Vance is a brilliant psychopath… though that might say more about me as a reader maybe?

I don’t like them in the sense of wanting to go out for a beer with any of them. But I feel a sense of satisfaction when I think I’ve achieved a villain that feels like a three-dimensional character. Even if all three of those dimensions are pretty dark!

Each of your books is very different, be they in a series or a standalone, where do the ideas generate from? Does the murder come first or the story itself?

Occasionally it will be the murder, in the sense of a scenario for the crime or even an unusual method (such as the murder of the footballer in Beneath The Bleeding). But mostly it’s a situation or an interesting piece of information that sets me off on the ‘what if?’ game.  Sometimes it’s an anecdote told by a friend, or a throwaway line in a radio programme or a magazine article. It could be anything, as long as it piques my interest.

And how do you know if the story is one for a series or one that needs to simply standalone?

I can tell from the shape of the story, pretty early on. Rule of thumb – if it’s a serial killer, it’s probably Tony & Carol. If not, it’s going to need a whole new cast of characters.

Do you think Lindsey Gordon or Kate Brannigan will be coming back soon? Is there another series waiting in the wings?

I don’t know. And I don’t know. It depends what shouts loudest inside my head. I know the next two books will be a standalone followed by another Tony & Carol, and that’s all I can say right now.

How did it feel when Wire in the Blood the series was made, is it hard to see your work adapted?

I was very well served by the adaptation. I thought we ended up with excellent TV that felt like it occupied the same fictional landscape as the books. Coastal Productions took an unusually collaborative approach in the development and making of the show, and that is a large part of the reason it ended up being something I was very comfortable with.

How relevant do you think book blogging is to the publishing industry? Do you ever pop and see what people have thought of your books or is it something you avoid at all costs?

It’s a great way of getting the word out about books that excite and fulfill readers. There are so many books out there and relatively few are reviewed in the traditional media. There’ s a huge range of bloggers but once you find a few who are in tune with your own tastes, it can be a fast track to finding new writers to enjoy. I have my own personal preferences, and yes, it’s gratifying to read good things about my work.

When did you first know that you wanted to be a writer? Was it an easy thing for you to do?

I first knew I wanted to be a writer when reading the Chalet School books revealed that being a writer was a proper, paid job, not just something people did out of the goodness of their hearts! I came from a very non-traditional background for a writer – I grew up in a working class family in a mining community. But I was always encouraged to read, to educate myself and to work hard. All of which came in very handy. I had a couple of false starts in my creative writing career – including enough rejection letters to paper the bathroom — but once I began to write crime fiction, it all came together.

Is there anything you wish you hadn’t written in a book?

Nothing I can think of except maybe one dedication! And no, I’m not going to tell you which one.

You have always loved crime fiction, what is it that you love so much about the genre?

I love that it gives me the opportunity to put characters under pressure and see what that makes them do. I love that moment of delight when I finally get the plot to make sense so that all the other elements of the book can fall into place. I love that there’s room to write decent prose while still moving the story along. And I love that crime writers take their work but not themselves seriously.

Do you ever think a crime book will win the Booker Prize?

Why does it matter? Really, crime writers and readers need to stop being so chippy about this. We know the quality of the best of our genre. We don’t need the imprimatur of the Booker or any other prize to justify ourselves.

Which books and authors inspired you to write?

Elinor M Brent Dyer, Robert Louis Stevenson, Norman MacCaig, Agatha Christie, Ruth Rendell, Sarah Paretsky. And many, many others.

Are there any books you wish you had written yourself?

Treasure Island.

Which contemporary authors do you turn to?

Margaret Atwood. Ali Smith. Reginald Hill. James Sallis. James Lee Burke. Kate Atkinson. Michael Robotham.  Andrea Camilleri. And many, many others.

Describe your typical writing routine, do you have any writers quirks or any writing rituals?

I get out of bed, I shower, and I drink two cups of coffee. I eat bacon and beans and a portion of fruit. I go out to the office, turn on the music and start the writing day revising what I wrote the day before.  That’s pretty much it.

Which one book must all Savidge Readers run out and buy right now, which is your very favourite?

I don’t have a favourite. I really don’t.

What is next for Val McDermid?

A standalone called The Vanishing Point. Then another Tony & Carol. And maybe another radio drama serial, because I really enjoyed the one I did this spring.

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A big thanks to Val for doing this. If you want to see any of the other previous Savidge Reads Grills then do pop and have a look. Reading this interview back and seeing Val last week has reminded me I must read ‘Wire in the Blood’ very soon. Which of Val’s books have you read? Have you stuck with the series, the standalones or both?

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Reading Retreats…

Savidge Reads will be off on a little holiday by the time you read this. Fear not though I have some rather interactive posts coming up over the weekend, even if I don’t manage to respond until I get back… buts that the whole point of a holiday isn’t it? So where will I be, who with and what will I be reading? That is of course what today’s post is about.

Well I will be ‘glamping’ which is apparently a version of camping with a few mod cons. Oh and not in a tent, rather in a log cabin in the delightful setting of woodlands and ponds in Surrey, I did try and convince everyone I was going camping but nobody bought it, I can’t think why…

I won’t be with The Converted One, but I won’t be alone as the lovely Novel Insights is coming, along with our very wonderful and delightful friend Michelle. It’s going to be a bit of a break that gets us all back to nature, we are banning  most of the mod-cons the place offers (well apart from the comfortable beds, shower and maybe the hot tub ha, ha) for the break and having a sort of companionable reading retreat!  So what will I be reading? These books have made it into my luggage…

  • Peyton Place – Grace Metalious (I have almost finished this; we have all been reading it in advance and are discussing it over dinner and drinks on Saturday Night in a sort of rogue book group)
  • Stone in a Landslide – Maria Barbal (very excited about the new novella from Peirene Press after having loved their first release ‘Beside the Sea’)
  • The Passage – Justin Cronin (I will finish this, I will, I will!)
  • The Woodcutter – Reginald Hill (I have never read Reginald Hill but was sent this to read for a magazine and being in the woods seems to team with the theme)

So what are your plans this weekend? Read any of these or eager to? Have any of you given Reginald Hill a whirl, as I never have, and what did you think? Have any of you any reading retreats planned?

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