Monthly Archives: July 2015

Get Your Glad Rags On For Gladfest 2015

I mentioned the other day how much I love literature when it is live and how I am a big fan of events in bookshops, hotels and of course festivals. Over the autumn I am going to be attending a few literature festivals and the first one, and indeed the only one I can talk about for now, is Gladfest which happens on the borders of North Wales and Cheshire and is just down the road from me, taking place in the most gorgeous venue with a brilliant line up of authors and events.

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If you love books (which of course you are, that is why you’ve popped by) then if you have yet to get to Gladstone’s Library, which you can see above, then you really should. It is the UK’s only Prime Ministerial Library after it was former Prime Minister William Ewart Gladstone founded the library in 1894 and donated 32,000 books from his own personal library at Hawarden Castle. Today, the library has a world-renowned collection of more than 250,000 items specialising in theology, history, culture, politics and literature attracting writers, academics, clergy and students from all over the world. The library is seriously stunning…

Theology Room Gallery

If that wasn’t enough, and frankly getting a sneaky wander around the library should be, the line up of authors is brilliant. Gladfest 2015 will be playing host to Patrick Barkham, Matthew Bradley, Jessie Burton, Robyn Cadwallader, Sarah Dunant, Richard Beard, Judy Brown, Sarah Butler, Zia Chaudhry, Martin Edwards, Michel Faber, Simon Grennan, Lesley McDowell, Michael Nobbs, Sarah Perry, Patrick Gale, Melissa Harrison, Peter Moore, Alice Oseman. I have my sites on seeing many of these authors when I head there for the day on the Saturday.

History room and reader

Oh and did I mention that is also a residential library with 26 bedrooms, dining room/coffee shop, Common Room, conference facilities, chapel and gardens. So if you need somewhere to kip there might be rooms but if you are a budding writer and need a retreat then head here and follow in the steps of authors like Sarah Waters, Sarah Dunant, Salley Vickers, Loyd Grossman, Tony Benn as well as many of the authors who will be in attendance.

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Oh and if you are a writer you might like to check out some of the talks and workshops on subject froms how to review your own work to how to be creative, and even how to inject fear and loathing into your writing!

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There are more than 20 talks and workshops taking place across the three day literary festival as well as music, singing, crafts and of course, delicious home-cooked food at the Food for Thought Café and the library’s famous, Gladstone Cookies. Gladfest will host a full programme of activities for young people including the ‘So You Want to be an… Actor, Director & Scriptwriter’ events as well as storytelling and discussions on Shakespeare and Roald Dahl.

Basically there will be blinking loads on! I won’t be staying there the whole weekend (but I have it in my sites on it for a future reading retreat one weekend) however I will be there on the Saturday to see Melissa Harrison, Michel Faber, Peter Moore, Sarah Perry and Jessie Burton. I am gutted to be missing Patrick Gale on the Sunday and the murder mystery dinner on the Friday but thems the breaks.

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The festival runs from the 4th to the 6th of September, I went last year and loved it, despite being terribly jetlagged. Tickets cost £6 for the talks and £10 for the workshops. To book, call 01244 532350 or email enquiries@gladlib.org or visit https://www.gladstoneslibrary.org For more information, times and how to book then do get your mitts on the festival programme here. Hopefully I will see some of you there that weekend – oh and of course I will be reporting on it, and podcasting from it, over the coming months!

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Mobile Library – David Whitehouse

Many of you may know, as being so excited I mentioned it a few times, I had the joy of judging Fiction Uncovered earlier this year. Over the next few weeks (and indeed last two weeks) I will be (and have been) sharing my thoughts with you on the winners, one per week. This week it is David Whitehouse’s utterly brilliant Mobile Library which is one of those books that charms you so much and whose characters you become so attached to you hug it to you afterwards, like you were ten again.

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Picador Books, hardback, 2015, fiction, 384 pages, kindly submitted by the publisher for Fiction Uncovered (I am tempted to have this cover made into some kind of tattoo design!)

Bobby Nusku is a twelve year old unhappy in the world that he is living. His mother has disappeared, he has tried to catalogue as much of her life as he can in a box of artefacts he keeps hidden, his father has met a new woman and both of them either spend the time ignoring Bobby, telling him off or being drunk. If that wasn’t bad enough his best friend, and protector from school bullies, Sunny has had to move away after a failed attempt to turn himself into the first human-cyborg. After witnessing an act of bullying on someone else, Rosa, he tries to pay for his cowardice by befriending her and in doing so comes to meet her mother Vera, and before long they all decide to escape their lives, quite literally, in a mobile library.

In case you are thinking ‘oh Simon, you rotten spoil sport, you have given everything away’ I actually haven’t. Once on the road and off on the adventures of their lives so far, for good and bad reasons, much happens and they meet many people and get into various scrapes along the way. Also, Mobile Library actually begins somewhere towards its end and so we back pedal and then head towards a literal cliff-hanger we know is coming. Though we don’t know what happens after it, ooh that David Whitehouse is a teaser.

‘Are we in trouble?’ Bobby asked?
‘No,’ Val said, ‘not anymore.’
The white cliffs of southern England spread out beyond them, disappearing where the blues, sea and sky, coalesce. High up in the cab of the mobile library, they could not see the land below them, just the oceans ceaseless loop, as if they were driving an island through the sea to a faraway place. Hemmed by a crescent of police cars to the cliff edge, bulbs flashed, helicopters chopped up the air. When the sirens fell mute, he saw her, exquisite in the dim dashboard light.

I will say no more on the plot bar the fact that it involves camping in woods, creepy old mansions, an escaped convict and an abandoned zoo. The reason I mention all these things is because they were all things I loved in books as ‘a youth’ and of course still do, so there was a lovely nostalgic feeling as I was reading. There is no doubt that this is Whitehouse’s intention as actually the book takes on many tropes of the fairytales (for me the Ladybird Classics) that I would say 90% of us read or had read to us when we were small. Bobby himself, though admittedly without the ugly stepsisters or his parents giving a monkey’s how dirty the house is, is rather a Cinderella figure in some ways, Val his fairy godmother and the Mobile Library his pumpkin… though the story doesn’t follow the path of Cinderella you can see other nods to fairytale as you go, especially towards the very end.

One thing the book doesn’t have is magic, well at least not of the wands, spells, eye of newt or enchanted spinning wheel (or steering wheel, see what I did there – sorry!) kind. There are two other kinds of magic in it, love and friendship. Now any of you who think I have been kidnapped by some hippy commune bear with me. Love is something we cannot explain, there is no science behind it, there is no logic and the same applies to friendship, these invisible bonds tie us together for some unknown rhyme or reason. That is a magic of sorts and we take it far too much for granted which was something I felt strongly after finishing the book.

The theme of friendship also links onto the other major theme of the book which is what makes a family. The stereotypical family of 2.4 children and indeed the ‘nuclear’ family (whatever that meant, it sounds horrid) can no longer be defined so easily. I know this all too well with two half brothers, two half sisters and two step sisters – I know think of the Christmases’! Not only that though more and more people are creating family through friendships, I am Uncle (Sugabear in some cases) to a lot of my friends children because there are certain friends who you feel are more your family than your own family. Whitehouse looks at this through a group of people who couldn’t be more different and yet somehow – no spoilers – become a family of sorts. People who either have difficult or awkward family relationships or feel they have no real family at all.

These days she looked forward to visiting the doctor. As cold as his hands were, small talk was a welcome respite from the otherwise lengthy nothingness. Sometimes she considered faking symptoms, just to feel that rough chill against her body and talk about the changing weather.

Having read Whitehouse’s previous novel Bed, which shamefully I loved but haven’t reviewed, it is interesting to see that his theme of outsiders in society is still there. Interestingly I think Mobile Library is like a polar opposite look at these ‘underdogs’ because whereas in Bed the act of someone going to bed forever is about dropping out of society due to a lack of hope, here we have people desperate for love and belonging. Even when ‘Sometimes,’ she said to nobody in particular, ‘I worry that life is just the journey between toilets.’ there is a glimmer of hope and potential which may be fulfilled at some point. Isn’t that the essence of every great fairytale?

Yes, I am back to fairy tales again. Speaking of which, if you hadn’t guessed yet, Mobile Library is also a book about the power and wonder of books. I need say no more, brilliant…

‘In every book is a clue about life,’ Val said. ‘That’s how stories are connected. You bring them to life when you read them, so the things that happen in them will happen to you.’
‘I don’t think the things that happen in books will happen in my life,’ he said.
‘That’s where you’re wrong,’ she said. ‘You just don’t recognise them yet.’  

I loved, and hugged, Mobile Library which is frankly some of the highest praise that I can give it. It is a book that reminds you of the magic of books, friendship, family and love without any magic having actually occurred. It is also an adventure story, possibly the most quintessentially British road trip novel you could encounter. It is also a book that despite being marketed for adults, I think many a ‘youth’ should read as I think it will remind them of the brilliance of reading and the fun it can be, as much as it reminds we adults of all ages, of just the same thing. I’m a massive fan of books, Mobile Library reminded me why whilst making me even more of a fan.

If you would like to hear  David talking about Mobile Library in more detail you can hear him chatting with me on Fiction Uncovered FM and he will also be on You Wrote The Book next week, again with me but quite a different chat. Who else has read Mobile Library and what did you think of it? Which other books about books and grown up fairy tales have you loved? I always want more recommendations of those.

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Filed under Books of 2015, David Whitehouse, Fiction Uncovered, Picador Books, Review

The Man Booker Prize Longlist 2015…

So yesterday I had fun guessing what the Man Booker Longlist would be and now, as I you all want to know what it is before you hear my possibly garbled thoughts on it, here are the books that Ellah Allfrey, John Burnside, Sam Leith and Frances Osborne all judged as being super special and the finest fiction…

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  • Bill Clegg (US) – Did You Ever Have a Family (Jonathan Cape)
  • Anne Enright (Ireland) – The Green Road (Jonathan Cape)
  • Marlon James (Jamaica) – A Brief History of Seven Killings (Oneworld Publications)
  • Laila Lalami (US) – The Moor’s Account (Periscope, Garnet Publishing)
  • Tom McCarthy (UK) – Satin Island (Jonathan Cape)
  • Chigozie Obioma (Nigeria) – The Fishermen (ONE, Pushkin Press)
  • Andrew O’Hagan (UK) – The Illuminations (Faber & Faber)
  • Marilynne Robinson (US) – Lila (Virago)
  • Anuradha Roy (India) – Sleeping on Jupiter (MacLehose Press, Quercus)
  • Sunjeev Sahota (UK) – The Year of the Runaways (Picador)
  • Anna Smaill (New Zealand) – The Chimes (Sceptre)
  • Anne Tyler (US) – A Spool of Blue Thread (Chatto & Windus)
  • Hanya Yanagihara (US) – A Little Life (Picador)

Surprise surprise as I was absolutely nowhere near correct as I only guessed three. What are my initial thoughts? Well, since you asked so nicely, I think that the list is as always an interesting one. I have read ? of them and am obviously thrilled about A Little Life being on the list, I may even have done a little dance in the lounge which is only for the eyes of my cats. I am also really excited to see Chigozie Obioma and Marlon James on there. I think what is interesting is that some of the big hitters everyone expected to be on the list aren’t. No Ishiguro, no Atwood, no Atkinson (boo), no Toibin etc – which I actually find quite exciting. Firstly all those books are selling like hotcakes so that’s them sorted, secondly it means there are some books that will get a chance to be discussed that might not have been. In the industry we all know of Tyler, Enright, McCarthy and Robinson but outside of the industry is that the case? And then there are even more to discover, I want to read Sahota pronto now, I loved his first. My only minor niggle is Gattis not being on the list, oh and where are all the Australian and Canadian authors. Anyway… I need to mull it all over a little more but overall I think its an interesting list I may well delve into. As it stands I want Yanagihara to win.

So what are your thoughts on the longlist? Which of them have you read and what did you make of them? Which ones are you now planning on reading? I am asking the latter question myself. I might go for all the ones I haven’t you know, maybe…

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Man Booker Prize 2015 Longlist Predictions…

Sorry I couldn’t come up with a more snazzy title than that this morning but having just spent a good hour or two going through my bookshelves, both of the books I have read this year and the ones I have yet to (which made me have a moment of weeping from the shame), so my brain is slightly frazzled. The reason I was doing this exercise was to see which books I thought would make it onto the Man Booker Longlist tomorrow, always a fun game which many people have joined in with already. I must say, before I reveal the list, there is no way on earth I think I am a) anywhere near right b) in a position where I feel I should be c) am not sure I want to be anywhere near right as I like the surprise of new to me books. How can any of us, unless we are one of the judges or the administration team, have a clue? I have just gone on books I have read and loved and books that I really want to read that I can see as being ‘Booker’ books, whatever that is – let’s not open up that can of worms! So here goes…

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A Little Life – Hanya Yanagihara
All Involved – Ryan Gattis
The Good Son – Paul McVeigh
Girl At War – Sara Novic
A Brief History of Seven Killings – Marlon James
TheWallcreeper – Nell Zink

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I Saw A Man – Owen Sheers
At Hawthorn Time – Melissa Harrison
The Wolf Border – Sarah Hall
The Well – Catherine Chanter
Tender – Belinda McKeon
Us Conductors – Sean Michaels

Note, I am missing one and that is because I don’t have it. I think The Fishermen by Chigozie Obioma could also be on the list, it is one I am very eager to read at some point. Now you may be thinking ‘hang on a minute sunshine whatabout x, y or z’ well these lists are tricky and you can only go with your gut but I did have another 11 that I could have had on that list which at the moment I purged I thought could go either way…

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Yes, I know those are a pile of nine books but I cannot find my copy of The Gracekeepers by Kirsty Logan and Kate Atkinson’s A God in Ruins is on a very high shelf (yes those shelves in the picture above go on up very very very high) and I couldn’t reach it without getting chairs involved and all sorts. I loved A God in Ruins but I wonder if the clever sneaky very subtle twist will be a marmite effect as I know lots of people who (because clearly they have hearts made from coal surrounded by ice, ha) were left slightly unmoved by it. Anyway, any of the above and aforementioned, if not pictured, I would like to see on the list very much indeed. Though as I have mentioned part of the joy of it is the surprise that may await us.

Would I have a tantrum if any of these weren’t on the list? Possibly with A Little Life, which might be one of my books of a lifetime, and All Involved because I think Gattis has written a fascinating insight into gang culture which puts you on a roller-coaster from start to finish (unputdownable would be the cliche I would use if I could, oh… I have) and is crafted and characterised beautifully, and A God In Ruins will ruin you, if you have a normal person’s heart – hehehe. Annoyingly I have only reviewed the Atkinson as the other two will be on You Wrote The Book in due course so am holding off till then. Oh, I am rambling, let us wrap up. What I can say is that I am very excited about tomorrows list and will be awaiting it with much interest.

If you would like to see more guesses there are some at A Case For Books, A Life in Books, Farm Lane Books and over at Neil D. A. Stewart’s blog. Oh and if you want a whole different list you can vote on then check out the Not The Booker Longlist 2015 too. Now over to you, what do you think of the books I have chosen (have you read any?) and which books are you hoping will make the list and why? Let me know if you have had a go at predicting tomorrows list.

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Filed under Book Thoughts, Man Booker, Random Savidgeness

Station Eleven – Emily St John Mandel

I first heard about Station Eleven when I was in a hotel room in Asheville, North Carolina. My lovely roomie, Michael Kindness of Books on the Nightstand, was reading it while we were at Booktopia. He was really enjoying it and it was fair to say that when he was seen with it in his company, or when it was heard he had it, there was almost a fever of anticipation and a buzz going through the many Booktopia attendees. I asked what it was about, as naturally Michael and I spent the entirety of our room sharing talking books, and was told it is about the start of the end of civilization and then the aftermath twenty years later. I think you could hear my eyes rolling around the whole of the U.S and I may have made some snarky comment along the lines of ‘oh, that’s not something that has been written about before is it?’ I came back to the UK and Station Eleven  was soon being talked about everywhere, before swiftly becoming many people’s (lots of whom I trust immensely) favourite books of 2014. After someone, who will remain nameless, but who bloody loved this book sooooo much dared me to read it on the promise of £50 if I didn’t like it I decided it was time. Well, I never got the £50 because I loved it and was of course furious I hadn’t stolen Michael’s proof off him when I had the chance.

Picador Books, paperback, 2015, fiction, 384 pages, kindly sent by the publisher

Station Eleven opens, aptly, at the Elgin Theatre in Toronto where well-known (more famous in his youth) actor Arthur is taking on the lead role in Shakespeare’s King Lear, that is until midway through the show he collapses and dies from what initially appears to be a heart attack. Yet within hours not only is Toronto feeling the beginnings of what seems to be a pandemic flu, the whole world is following suit. Through the eyes of a seemingly unlinked group of people we watch as flu turns out to be a deadly virus and the end of the world is coming.

Yet Station Eleven is not simply an end of the world novel, in fact bar the initial millions of deaths (99.9% of humans have died, he says casually) in the first few days we are soon sent to the year Twenty when those who somehow survived, or were immune, to the virus are carrying on in a new strange world. Here Mandel focuses in more particularly with Kirsten, part of The Symphony, travelling around North America performing Shakespeare as they head through the wilderness we see both a future that is much simpler (no phones, no television, no electrics) yet where humans living at their most base start to want powers of other kinds. All I will say is ‘cults’ and we know how fascinating, if utterly bizarre, some of those can be.

There was much to love and admire in Station Eleven. Firstly I found the fact that Mandel chooses to write about the very beginnings and then skip to twenty years after the end of civilisation, really interesting. Many authors would have gone full throttle with the horror of what could happen as the humanity falls and then deals with everything’s slowly breaking down and running out. Mandel however, bar a few of the tiniest flashbacks, leaves that all to our imagination which of course can be much worse. I wondered if she felt, like I did when I rolled my eyes back in Asheville like a wally, that maybe this is ground that has almost been covered too much, isn’t how and if people survive after that all the more interesting? It turns out it is.

Before we head to that I do want to mention how brilliantly she does write about the pandemic as it sweeps across continents. It is utterly bloody terrifying as it could all happen so easily, especially if we think what happened with Ebola recently, all it takes is the virus to get on a few plans with a few people and off it spreads. I don’t suggest reading this book on a plane next to anyone with a cold. I thought this also had a real emotive weight on several occasions, with particular reference for those who die not long after including one leading-ish character far from their loved ones and indeed surrounded by strangers (who I won’t name, but I wept) as well as those people who we only see the merest glances of through survivor’s eyes.

“You told me to call you if there was ever a real epidemic?”
“I remember.”
“We’ve admitted over two hundred flu patients since this morning,” Hua said. “A hundred and sixty in the past three hours. Fifteen of them have died. The ER’s full of new cases. We’ve got beds parked in hallways. Health Canada’s about to make an announcement.” It wasn’t only exhaustion, Jeevan realised, Hua was afraid.
Jeevan pulled the bell cord and made his way to the rear door. He found himself glancing at the other passengers. The young woman with groceries, the man in the business suit playing a game on his cell phone, the elderly couple conversing quietly in Hindi. Had any of them come from the airport?  He was aware of all of them breathing around him.

In the year Twenty things are no less emotive or terrifying, just in a very different way. People who have survived the pandemic might die simply treading on a rusty nail as there is no treatment. People are also suffering as with no police/official control/government some lesser individuals see this as a way to form their own controls be it husbands and their behaviour to wives, criminals and murderers lingering just out of eye sight ready and waiting, or self appointed rulers ready to spread wisdom from the past they use old documents and twist the words of or simply make them up themselves. We watch the way someone’s nature, be it good or bad, can come to the fore.

It is interesting to read how the ripples of the past end up affecting the future in ways unseen. Throughout Station Eleven Mandel seems to use it to talk about many things. There is fame and why people become so obsessed with it, we have the fame (or the fading of it) for Arthur in the past, and the seeming need for infamy of ‘The Prophet’ in the future. We look at what truly lasts after the world is ravaged, yes there are aeroplanes and cars and all those sorts of things yet without power they become useless, what really become valuable are documents, words, trinkets, memories and history, even pop culture is celebrated for some of the positive attributes is has in a desolate future.

We stand it because we were younger than you were when everything ended, Kirsten thought, but not young enough to remember nothing at all. Because there isn’t much time left, because all the roofs are collapsing now and soon none of the old buildings will be safe. Because we are always looking for the former world, before all the traces of the former world are gone.

I really like books with layers and Station Eleven has those in bounds. On one level it is just a fast paced and fascinating look at the end of one civilisation and potential beginning of another. There is plague, there is murder, there are cults, there are loves lost and found. There’s also a lot going on under that; we are reminded how vapid celebrity culture can be and yet how obsessed we can become with the famous on our many devices, rather than getting to know a neighbour; the importance of words and culture; how important kindness is. I could go on, the power of all of these and more subtly resonates through the book. The most powerful thing of all though is hope, especially in other people and their choices to be good. That was the message I was left with as I left a world that seemed like the future yet reminded me to look away from all my screens and remember a simpler past – where books ruled.

If you would like to hear Emily St John Mandel talk more about Station Eleven then you can hear her chatting to me (I know, how lucky was I) here on this episode of You Wrote The Book. I would love to hear your thoughts on Station Eleven, a spectrum of which you can see here on Adventures with Words, Tomcat in the Redroom, Mookse and the Gripes and Lonesome Reader. I would also love to know which of Emily’s previous three books you have read (as I now have them all) and what you made of those?

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Filed under Emily St John Mandel, Picador Books, Review

Other People’s Bookshelves #66 – A.M. Bakalar

Hello and welcome to the latest Other People’s Bookshelves, a series of posts set to feed into the natural filthy book lust we all feel and give you a fix through other people’s books and shelves. This week we are in London, I will be staying in The Shard again I am sure, to meet author A.M. Bakalar, or Asia, and to have a nosey around her bookshelves. Before we do though do grab some Paczki, Sernik or maybe some Piernik (they are all delicious) and a drink and let’s get to know Asia and her shelves…

A.M. Bakalar is the author of Madame Mephisto, published by Stork Press in 2012. Madame Mephisto was among readers’ nominations to the 2012 Guardian First Book Award. She is the first Polish woman to publish a novel in English since Poland joined EU in 2004. Her writing has appeared in The Guardian and The International New York Times. She was the editor of Litro Magazine Polish Issue and recently her essay ‘The Future of Paper Books’ has been published in Wasafiri Birthday Edition. Asia was born and raised in Wroclaw, Poland. She lived in Germany, France, Sicily and Canada before she moved to the UK in 2003. She lives in London, with her partner, a drum and bass musician.

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Do you keep all the books you read on your shelves or only your favourites, does a book have to be REALLY good to end up on your shelves or is there a system like one in one out, etc?

Everything I read I keep on my bookshelves or any other space I can find for them. But a few months ago I was told there were cracks in the walls which hold some of my shelves, and the living room was becoming a danger zone, in case the books start falling down. Which, frankly, has happened a few times when I tried to place one more book on top of the other so with a heavy heart I began to stack the books I can live without on the floor until I give them away. Now, I try to keep only the books I really really love, and if I read something I’m not super excited about, I add it to the pile of give aways. This is incredibly hard for me because if I could I would make my house one big library but my partner is not too thrilled by the idea. He has a big collection of drum and base vinyl records but his takes less space. There’s a lot of negotiation going on when new books arrive as I try to find place for them.

I keep books in my home in London and I also have boxes of hundreds of books in Wroclaw, Poland, my mum is taking care of them. One day I’d like to ship them to London, when we have a bigger house. I used to have a flat back in Poland and I had to pack all the books in boxes and store in the basement. One day my mum called me there was fire in the basement. I almost had a heart attack thinking all my books are gone. Then my mum said: ‘Guess what, everything burnt except the books.’ Call that luck or some intervention of a Book God, if one exists.

Do you organise your shelves in a certain way? For example do you have them in alphabetical order of author, or colour coded? Do you have different bookshelves for different books (for example, I have all my read books on one shelf, crime on another and my TBR on even more shelves) or systems of separating them/spreading them out? Do you cull your bookshelves ever?

I have to organise otherwise I wouldn’t be able to find anything but it still takes me a while to find what I want. In the kitchen I only keep books by African authors and theory of literature; postcolonialism, comparative literature and world feminism. I was doing PhD in Nigerian and Zimbabwean women’s fiction before I decided to write fiction. A lot of books in that section reflect that period, and any new fiction out of Africa goes there. This is a place where I write as well so there’s a big section of research books depending what I’m working on. And, there’re a few shelves with books that are waiting to be read. I pile them in the kitchen until they are read and moved around. And some cook books as well. In the bedroom I only keep science fiction and books by my bedside.

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The living room is devoted to fiction in translation, British fiction, books from Poland, non-fiction, poetry and drama, graphic novels and books by Middle Eastern authors. In the bathroom I keep a few titles as well, for a quick read when taking a bath. Once I finish reading something I pile it onto a small table until there’s no space and then I distribute them to various sections around the flat and I stack them alphabetically. A few years ago I had a personal book stamp and used to add a date and place where I got a book but there’re so many of them I can’t be bothered anymore. I have a Kindle but can’t stand reading eBooks which my partner finds incredibly disappointing because he thinks one day we will both be buried under the books and it will be all my fault.

What was the first book you ever bought with your own money and does it reside on your shelves now?

Honestly, I don’t remember the first book I bought. I remember the first money I ever made was weeding out the garden of my grandmother’s neighbour and I spent it on books but I have no idea what I bought then.

Are there any guilty pleasures on your bookshelves you would be embarrassed people might see, or like me do you have a hidden shelf for those somewhere else in the house?

I have some books which disappointed me but I still keep them, until I give them away of course. One man’s thrash is another man’s treasure. Reading is so much fun I don’t really care whether people feel embarrassed when they look at my books. One of my friends told me she only reads very violent crime fiction and her mother suggested perhaps she should not invite men for tea to see her book collection as they will be scared of her. But she loves her books so they are stay where they are. I had people feel uneasy about some of the books I have, e.g. Dying for the Truth. Undercover inside the Mexican Drug War by the Fugitive Reporters of Blog Del Narco, but there’s a yellow tape around it with a warning so they think twice before opening it.

Which book on the shelves is your most prized, mine would be a collection of Conan Doyle stories my Great Uncle Derrick memorised and retold me on long walks and then gave me when I was older? Which books would you try and save if (heaven forbid) there was a fire?

There’s a book my mum read to me when I was a child, a collection of all Hans Christian Andersen’s stories published in 1969 in Poland. It has my drawings in it when I was small and some over thirty year old dried flowers between pages. For a long time my mum refused to give to me but I managed to convince her. Apart from emotional value it is simply a beautiful book, bound in orange cloth with incredibly delicate pages, and front and back pages of dark indigo sky with stars.

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What is the first ‘grown up’, and I don’t mean in a ‘Fifty Shades of Grey’ way, that you remember on your parent’s shelves or at the library, you really wanted to read? Did you ever get around to it and are they on your shelves now?

Both of my parents love reading and my dad has a wonderful collection of science fiction books, while my mum reads everything else. I was always encouraged to read pretty much everything.  But there was a book they kept hidden behind their collection: John Cleland’s Fanny Hill, Memoirs of a Woman of Pleasure. It was a true undercover operation I had to resort to in order to lay my hands on this book. I would wait until they were both gone to work or ran some errands. I would sneak into the room to read a few pages at a time until I heard a key turn in the lock and frantically place the book the way it was on the shelf so they wouldn’t notice. I would always pretend I was just looking at something to read, with my cheeks burning and praying they would leave again so I could finish it! I think I read this book a few times like that, even memorised some fragments, but sadly I don’t remember any of it now.

If you love a book but have borrowed the copy do you find you have to then buy the book and have it on your bookshelves or do you just buy every book you want to read?

I try not to borrow books from friends as I never give them back. I usually write down the title and the author and buy it. Every year I buy a small notebook where I write down titles of books I want to read. Once I buy it I cross it down so I know I got it. I still go back to some of the notebooks from few years back and slowly go through them. I read over 100 books a year and buy around 150. And my parents buy me books as well, especially books translated into Polish which are not available in English, and some Polish books as well. I’m beginning to think I have OCD when it comes to buying books.

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What was the last book that you added to your bookshelves?

1988 edition of Ernesto Sábato’s On Heroes and Tombs, which is waiting to be read. A massive over 800 pages long Mrs M. Grieve’s A Modern Herbal  I love reading on herbs and plants and their history. Davi Kopenawa’s The Falling Sky  on Yanomami culture and cosmology. I’m finishing Elif Shafak’s The Architect’s Apprentice  which I really enjoy reading. And there’re some science fiction books as well: Alfred Bester’s The Stars My Destination, Peter Watt’s Echopraxia and Roger Zelazny’s Lord of Light. I also got really cool collection of drawings by a Lebanese author Mazen Kerbaj, Beyrouth. Julliet-Août 2006, in French, English and Arabic. During the Israeli attack in 2006 Kerbaj posted a kind of cartoon diary on his blog and it was published in a book form.

Are there any books that you wish you had on your bookshelves that you don’t currently?

Complete translation in ten volumes of The Mahabharata. I have the first three volumes translated by J. A. B. van Buitenen, the great Indologist who began the translation at the University of Chicago. When I studied English Literature back in Poland we had an amazing Sanskrit scholar, professor Joanna Sachse, and once every week we had lectures on Indian literature. For an hour professor Sachse was telling us the story of The Mahabharata. I was mesmerised. It really made the huge impact on how I perceive books. (Talking about the power of storytelling!) And since then I’ve always wanted the read the whole thing. The problem with The Mahabharata is that it’s the longest epic poem ever written, almost two million words! So it’s physically impossible for one translator to finish the work because a lifetime is not enough. I’ve been buying each volume every few years. I hope I can still read the ten volumes before I die.

What do you think someone perusing your shelves would think of your reading taste, or what would you like them to think?

I was told I’m slightly mad because of the amounts of books in my place and I guess I am. I’m just totally obsessed with reading but I love it anyway.

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A huge thanks to Asia for taking part in Other People’s Bookshelves, you can find out more about her at her website here! If you would like to catch up with the other posts in the series of Other People’s Bookshelves have a gander here. Don’t forget if you would like to participate (and I would love you to – hint, hint, hint as without you volunteering it doesn’t happen) in the series then drop me an email to savidgereads@gmail.com with the subject Other People’s Bookshelves, thanks in advance. In the meantime… what do you think of A’s responses and/or any of the books and authors that she mentions?

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My Brilliant Friend – Elena Ferrante

It seems that the successes of word of mouth recommendations are still alive and well if we look at Elena Ferrante. Her publishers have not spent lavish amounts on publicising her, in fact no one knows who she is as she likes to keep herself a secret somewhere in Italy (though she could be in Brazil or Bognor for all we know). Yet her latest novels which form the Neapolitan Novels series and start with 2012’s My Brilliant Friend are selling like hotcakes, some several tyears after originally coming out – that is such a brilliant story of readers suddenly loving something en masse and then spreading the word. So after being reminded, quite sternly but passionately, by Daniela of Europa Editions (who publish them here in the UK) that I really, really, really needed to read them recently, I have finally done so…

Europa Editions, paperback, 2012, fiction, translated by Ann Goldstein, 336 pages, kindly sent by the publisher

“Not for you: you’re my brilliant friend, you have to be the best of all, boys and girls.”

Elena Ferrante’s My Brilliant Friend starts with something of a mystery. The novel opens with our protagonist Elena, who could actually be the author indeed, as she receives a call from Rino, the son of her close friend of over sixty years, Lila, to tell her that his mother has gone missing. Elena isn’t surprised, for it seems Lila has always been quite ‘a character’ since their friendship and has always said that at some point she will vanish from the world and if Lila is going to do something she does. Elena instead of worrying, decides to write down the story of her friendship with Lila from the grimy streets of Naples of their childhood, and so begins My Brilliant Friend.

To try and explain My Brilliant Friend simply a tale of two girls growing up together, which I have seen it described as, I think is quite lazy. Okay that is the overall plot; we follow them from early school days until one of them gets married. Yet friendships themselves are complex relationships and also have their own trajectories. Elena and Lila initially become aware of each other before becoming best friends, falling out, becoming friends again, running away together, starting petty jealousies and competitions and then having the testing time of their teens where one is able to carry on going to school and one is not. This all sounds relatively simple, we have read such stories before, yet I don’t think I have read friendship written so frankly and intricately before, even the complexity of forming a friendship at a young age.

Lila knew I had that fear, my doll talked about it out loud. And so, on the day we exchanged our dolls for the first time – with no discussions, only looks an gestures – as soon as she had Tina, she pushed her through the grate and let her fall into darkness.

I don’t know about you but I can still remember those moments of forging friendships as a kid and how hard it all was to gage, especially when all you wanted to do was play house or build She-Ra a castle in the sandpit. For example, I remember when my friend since 4 years old, Polly, gave me the signal in the playground we could be friends when she made her fingers into a gun and shot me. We hadn’t spoken much before, twenty-nine years later still the best of friends. Anyway the reason I mention this, is not a detour of waffle as you might think, is that it illustrates how Ferrante almost instantly made me empathise with Elena and Lila whatever it was they were going to go through and how your friends just become your friends even when (this doesn’t apply to you Polly, if you are reading this) sometimes you wonder if you actually like them as a person, though of course the person we know in private and the one that they appear in public tend to be very different, most of the time.

Lila was malicious: this, in some secret place in myself, I still thought. She had shown me not only that she knew how to wound with words but that she would kill without hesitation, and yet those capacities now seemed to me of little importance. I said to myself: she will release something more vicious, and I resorted to the word “evil”, an exaggerated word that came to me from childhood tales. But if it was a childish self that unleashed these thoughts in me, they had a foundation of truth. And in fact, it slowly became clear not only to me, who had been observing her since elementary school, but to everyone, that an essence not only seductive but dangerous emanated from Lila.

Friendship isn’t the only thing that we read about, nor is it the only thing that is intricately written about. The neighbourhood and the neighbours are also a huge part of the book, and what a neighbourhood it is. Elena says “I feel no nostalgia for our childhood: it was full of violence.”  And she is not half wrong; there are extramarital affairs, brawls, madness, assault, business wars, class wars and one-upmanship, even murder. The book brims with intricate tales and moments that weave behind the curtains of the houses around Elena and Lila and occasionally to sit at, or be talked about around, their dining tables. Yet what I thought was marvellous about this was that there are no bangs and whistles or big fanfares, things happen and Ferrante writes about them frankly without much drama just great writing.

He gave me ten lire and we all went, silently, to the top floor of a building near the public gardens. There, next to the iron door that led to the terrace, where I was clearly outlined by slender segments of light, I lifted up my shirt and showed them my breasts. The two stood staring as if they couldn’t believe their eyes. Then they turned and ran down the stairs.
I heaved a sigh of relief and went to Bar Solara to buy myself an ice cream.

I am not normally a fan of the coming of age novel, or indeed the more fancy title for it, bildungsroman, I was strangely charmed by this one. In part I liked it simply because it is a tale of two people growing up somewhere very different from me so from the foods to the customs I was intrigued. What I found really interesting was the aspects of the competition verses the companionship of the girls really interesting (I have seen this happen with many of my female friends with their female friends) and how each girl tries to keep both dynamics going yet also trying to figure out their futures where class, education and even beauty are all part and parcel of success according to the society they grow up in at a certain time in a certain place.

I am pleased I have finally read My Brilliant Friend and spent time with Elena and Lila, I am looking forward to finding out where their friendship will go in the next three Neapolitan Novels as well as what happens to the people and the place around them. I am doubly thrilled to have finally read Ferrante though whose writing just gets me; the people, the situations, everything seems so vivid and real. I found myself completely engaged without needing any gimmicks or over blown plots, just a story of two girls and the complexities that friendship brings. I now want to read all her books, especially as I have heard some of her standalone ones can be incredibly dark, so I will be on the hunt for those in particular soon. How lovely to find a new to me author with so many more books to discover.

Have you read My Brilliant Friend and if so what did you think? Have you read the rest, or more, of the Neapolitan Novels, what treats (without spoilers) do I have ahead? Have you read any of Ferrante’s other standalone novels and if so what did you make of them? Questions, questions, questions…

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Filed under Elena Ferrante, Europa Editions, Review

Reading Retreats #3: The Shangri-La Shard, London

Sometimes we want to get away from it all and just get lost in a good book. Last year I had the luck of going to three places where such a thing was all too possible. Firstly I went of to Fjallbacka, where I could literally live in a book as I spent a few days reading some of the Camilla Lackberg crimes that were set there which was quite brilliant, I then went out into the middle of nowhere (well the ocean) to stay on the Weather Islands and read in the silent still surroundings there. I also went to a Booktopia last year in Asheville, North Carolina which I bizzarely haven’t blogged about, but I will when I go back to the US in a few months I promise. Anyway, a few weeks ago I found myself in quite the reading retreat, one which was much closer to home and yet whilst in the middle of London still felt like some kind of hidden idyll away from the world, possibly because I was over 40 stories above it with Canary Wharf looking like a potential bookmark…

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The idyll in question was the amazing five star Shangri-La Hotel which sits between the 34th and 52nd floors of the iconic Shard Building, which I have been meaning to go in/up ever since Doctor Who did all those years ago when it was revealed it was actually an alien spacecraft. Obviously, it isn’t really yet there is something brilliantly sci-fi about it when you are below it…

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I had initially been invited to attend the Shangri-La’s new series of Cultural Salon’s (an intimate and fascinating event as I told you all on Tuesday) then as a thank you for travelling so far, and as a little extra treat I was kindly offered a night in the hotel as a bonus, well how on earth could I say no. I mean it gave me the most amazing reading base for twenty four hours I could imagine, so naturally I made sure I checked in the moment that I could and headed up to my suite ready to read. When I opened the door I was smitten.

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I mean how could you not want to read on that bed? Or at that desk? Or in that armchair? I mean the options were instantly endless, I would have to read hotdesk frankly. And then I was given the ultimate reading treat when I opened the door to the bathroom…

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I mean seriously, firstly the bath has a book holder in it, secondly, THAT VIEW!!! I did actually notice the view first obviously but being such an utter reading addict as soon as I spotted the book holder I knew where I was going to be spending many of my hours that evening and indeed reading, I did a lot.

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Yes, that is indeed Tower Bridge that I was looking/reading over. Quite the most surreal experience but by the time it had gone dark and the water had gone cold for the third time I had finished off one book and was headed onto the next, though in bed. I have to admit though I actually ended up staring at the night time lights of London for an hour or two until I had to pop the blinds down so I could read a bit more and get some kip. Because the next day were two more highlights. First up was breakfast…

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Now I don’t know about you but a) I love hotel living anyway and could happily tour hotel to hotel for the rest of my adult life, well maybe a lot of it if not all b) I am an absolute 100% fan of the hotel breakfast buffet. If I go somewhere and there’s just a menu, I judge it instantly. I mean I love an Eggs Benedict like the best of them but in a hotel I want both the fun and the potential opportunity a buffet can provide. In fact my love in my life probably goes 1. Books 2. Cats 3. Hotel breakfasts 4. Loved ones and friends. 5. Bed. Seriously. Well the Shangri-La met my challenge…

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And again…

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And again.

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Yes that is Dim Sum on my breakfast plate, I am destined to move in forever, this hotel knew me that well. It  was amazing and I won’t lie will be in my number one breakfast moment of the entire year, this is high praise from me. Anyway, I had to get a wriggle on and a swimming costume because next up was a date on the 52nd floor, with a swimming pool…

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And also another book blogger, who I was allowed to sneak in for a Friday morning dip, the lovely Eric of LonesomeReader. Note – this is the highest infinity pool in Europe and we had it all to ourselves for several hours as we chatted; mainly about books and the view…

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And even did a little light reading…

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Seriously, it is like some kind of readers paradise. If you ever get the change to stay, and it is worth treating yourself let alone any of your loved ones, then I would highly recommend it as somewhere to escape from it all, with a good book, great food and incredible views and service. I loved it. I could get quite used to it. A big thanks to both The Shangri-La Shard London and Virginia at The Massey Partnership for inviting me and letting me stay, I won’t ever forget the experience.

So I would love to hear from you as to where some of your favourite Readers Retreats have been, be they intentional or found by luck and chance? I would also love to know if you ever go on holidays away from it all just to read, be it with friends and family or without. If you have recommendations of any other Readers Retreats I should go or hunt out let me know, I am always up for the potential to escape it all with a good book, aren’t we all?

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A Man Lies Dreaming – Lavie Tidhar

Many of you may know, as being so excited I mentioned it a few times, I had the joy of judging Fiction Uncovered earlier this year. Over the next few weeks, and indeed last week, I will be sharing my thoughts with you on the winners, one winner per week. This week it is Lavie Tidhar’s pulp meets alternate history tale A Man Lies Dreaming, which manages to be both a fast paced thriller and a confronting and thought provoking discussion on the prejudice suffered by Jews in the anti-Semitic movement that may still have happened whoever won the Second World War.

Hodder Books, paperback, 2015, fiction, 288 pages, kindly submitted by the publisher for Fiction Uncovered

As A Man Lies Dreaming opens we are greeted by the diary entries of a private detective named Wolf in London, November 1939 as he describes his latest mission to find a missing woman given to him by, as he says in the very first line, a woman with the face of an intelligent Jewess. Yes, from the off we are given a lead character who is a bit of a bigot, to put it mildly. We are then thrown all the more as we realise that not only is Wolf a rather alternative version of any detective we would want to meet (let alone hire, but his client is desperate) but the London we find ourselves in is a completely alternate one. For a start Oswald Mosley is standing for election and overseas the Nazi’s are not the ruling power, Germany is now a communist country, though still a threat in a very different way.

As we follow Wolf as he takes on the case we are taken deeper and deeper into and under these mean and grimy streets into a world of prostitution and a world where all those who dreamt of dictatorship of Germany, and the world, have now fled and are ruling mini domains in the streets of Soho where not only are people going missing, someone is starting to murder prostitutes and carving swastikas into their bodies; a case which will soon get closer and closer to the one Wolf is looking into.

In Berwick Street the whores were busy at their trade. The watcher in the dark had seen the detective exit his office and speak to the young German whore and to the coloured one, and seen him leave, but he remained behind. He had time. All the time in the world. He eyed the whores.

Yet this is not the only strand of A Man Lies Dreaming for after every few chapters of Wolf’s journey we are sent to somewhere quite different and somewhere horrendously real, Auschwitz. Here in one of the biggest concentration camps during the Second World War, where we know thousands of atrocities were committed, we join Shomer. Shomer was a writer of pulp and noir crimes before he found himself encamped in his horrific surrounds with hundreds of other people. When the world for him there gets too much, which as we read on we get the full comprehension of, he retreats to his slumber and a tale of a villainous dictator who has become a detective on the streets of London. This is both his coping mechanism and way of surviving from day to day no idea if today or tomorrow could be his last.

There is only now, no past, no future, there is only Auschwitz, an island floating on the Polish ground. The dead rise in black ash into the sky, day and night the ovens burn, day and night the trains come laden. And Shomer’s mind retreats into itself, the way it had when he was still a man. For he had been a writer of shund, of pulp, for Haynt and other publishers. He had made his living with his hands, at his desk, writing lies for money.

I found this construction of the novel interesting and also incredibly effective. Firstly there is this sense that Shomer is in the real world dreaming of another world where he can wreak revenge on those who have put him here. Wolf gets sexually abused in an S&M club, tortured not long later and (much worse for his ego) publically humiliated at several social events both over the failure his political and writing careers, the latter seeming to wound him most as many feel he was a one hit wonder. Yet at the same time there is a sense that the alternate Communist lead west could be the ‘reality’ and that horrifyingly Auschwitz is still happening somewhere else just not run by the regime we know. This creates a whole onslaught of concerning if fascinating thoughts in our heads.

The other way in which this is so effective is that, without this sounding weird or offensive, he makes The Holocaust more bite size and digestible while all this other noir adventure and goes on around it. This may sound like it is diluting those holocaust sections or making light of them, it is quite the opposite. Yes there is an irony throughout the novel, yet irony can be quite powerful, as can some of the humour in the utterly horrific – though to clarify this doesn’t happen in the holocaust sections but in the London ones the dark and disturbing can have some darkly funny moments especially as Wolf gets put through the ringer which Tidhar does with quite some zeal. I also think humour can often be used in a very effective way in order to highlight the darkest moments and provide contrast (and some light relief when things get very grim) and heighten the effect which I think A Man Lies Dreaming is a prime example of.

In creating an alternate version of the past, and indeed using many well known names and faces of the day not only do we feel slightly clever for recognising them (when we do, the Mitford’s, Ian Fleming etc) we also see how things could have been horrific in different ways. This again doesn’t detract from how awful things were in the Second World War, rather it highlights the fact that prejudice can poison all forms of society all over the world regardless, and sometimes because of or in spite of, of political agenda’s or historical acts. This is one of the novels lasting thoughts, or at least it was for me.

Not looking he bumped into something soft and full that smelled of expensive perfume. A squeal of delight followed and a familiar female voice said, ‘Wolfy!’
He raised his head and found himself staring directly into the adoring eyes of Unity Mitford.
‘Valkyrie?’ he said. He had always used her middle name.
‘Don’t you recognise me?’ she said, laughing.
Wolf winced. He found he could not draw away from her, his eyes kept searching that sweet, smooth face, the full red lips, the mischievous eyes. She had not changed. Her delicate perfume tickled his nostrils. ‘You haven’t aged a day,’ he said.

What I think Lavie Tidhar does with A Man Lies Dreaming is make an immensely readable book about the unreadable. He mixes hardboiled noir; dystopia and magical realism to create a dark and thought provoking novel, sure to compel the reader whilst making them face the darker sides of humanity. It is a book about war, power, politics, sex and religion whilst being a page turning thriller which gives a new and usual twist on tales of World War II and The Holocaust which manages to entertain and then slap you round the face with reality. I think it is one of the most visceral novels I have read in some time and one which weeks and months later I am still thinking about with a thrill and a shudder, it is quite brilliant. I urge you to read it.

You can hear Lavie and I talking about A Man Lies Dreaming on the Fiction Uncovered FM catch up shows here. I would love to hear from other people who have read A Man Lies Dreaming and what you thought of it. I would also love to know if you have read any of his other novels such as Osama or The Violent Century, or indeed any of his other works – lots to discover from an author who I think we should all be reading much more of.

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Filed under Books of 2015, Hodder & Stoughton, Lavie Tidhar, Review

A Literal Literary & Cultural ‘High’ Light…

I am a big fan of books live, by which I mean events where you get to hear, see and even meet the authors. Be they literary festivals, events at bookshops, literary salons, recording of radio shows or even a signing (though I find signings a bit impersonal, it’s can all be a bit ‘thanks, now jog on… next’) put me down for them if I can get to them as they always give an interesting (both positive and negative) insight into a writer and their work which I find endlessly fascinating.

So when I was asked if I would like to attend what could be the highest cultural and literary salon in Europe, maybe even the world, I jumped at the chance and two weeks ago headed to the Shangri- La Hotel in London on the 52nd Floor of The Shard, a building I have always wanted to go into since it was built…

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The event was for author and poet, Tishani Doshi who was coming to talk about her work, her life and what makes her the artist and woman she is as well as the links and influences of both the British Isles and Asia have had on her work as a ‘citizen of the world’.

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I have to admit that I had not read anything by Tishani before, though as you will see this didn’t matter as I didn’t leave empty handed. (I don’t mean I kidnapped her, I mean I bought a book.) However the things that I knew she would be talking about, because the first year of this series of salons is all about the links between Asia and the UK and the fact I had heard wonderful things about The Pleasure Seekers made me feel pretty certain I would enjoy it. Plus canapés and champagne on the top floor of the Shangri-La were a pretty big incentive too…

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Anyway, from the moment Tishani started talking I was spellbound, quite literally – I know that sounds a cliché. She started by telling us a story, which was actually much more of a myth meeting a fairytale, about her life growing up both in Indian, before heading to Mold in Wales, then India again, then London, then America and back to India. She told us tales of her family which we had to guess if were true or not, she told us tales of The West vs. The East. She read from her poetry collections and from some of her fiction work. As soon as the opportunity came for us to be able to ask questions we all just wanted to hear more from her and her prose. She was incredible.

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In fact Tishani and her event was everything that I love about ‘books live’. I was completely engaged, I got to learn more about her as a person and as an artist, more about what captures her imagination and how she writes what she writes and she made me think, leaving my mind buzzing with thoughts and things to go and find out more about. I also wanted to go and buy everything she had ever written. Unfortunately for me, but fortunate for my bank balance, they only took cash at the book stall so I only managed to leave with The Pleasure Seekers (which I had signed, that isn’t me in the picture above). I have a feeling I will love and want to then read everything else.

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Oh the picture above? That is of my bathroom as I got a chance to stay in the Shangri-La afterwards which I will be telling you more about on Thursday, where you may also see a special guest. In the meantime though I would love to know of your thoughts on book events, which ones you have been to and loved, as well as some more unusual ones you have been to – especially if they are quite unusual like this one certainly was at 52 stories above the city. Speaking of which, if you would like to keep up to date with the future cultural events going on in the Shangri-La at The Shard then head here www.slculturalsalon.com I am hoping to go for an event in February that was secretly whispered in my ear, it is a corker though so sign up for updates or bookmark that sight if you happen to be in London, I highly recommend it! I would also love to hear from you if you have read any of Tishani’s works too!

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Little Black Lies – Sharon Bolton

Sharon Bolton, formerly S.J. Bolton, has slowly but surely become one of my favourite crime authors over the last few years due to her Lacey Flint series, which has become one of my favourites. Her latest novel Little Black Lies is a standalone set on the remote Falkland Isles where it seems like from the very beginning we know just who is going to kill someone and just who is going to get killed, yet as with all of Sharon’s novels that would be far to simple, and from the off we know this is going to be a tale with many, many twists.

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Transworld Books, hardback, 2015, fiction, 368 pages, kindly sent by the publisher

I believe just about anyone can kill in the right circumstances, given enough motivation. The question is, am I there yet? I think I must be. Because lately, it seems, I’ve been thinking of little else.

And with these words Caitlin, the first of our narrators opens up the start of Little Black Lies. What has lead to her thoughts on murder, we very soon discover, is the death of her children who were left in the back of her friend’s car which in a moment of carelessness tragically falls off a cliff and into the ocean around the small Falkland island they have lived on all their lives. Indeed they were best friends until that tragic event almost three years ago. Yet while Caitrin is plotting the murder of her former friend a young boy goes missing, something which has happened before over the years, and soon everyone on the island is hunting for a child and their abductor or possible killer.

I have to say that I think Little Black Lies might just be the most complexly crafted, yet brilliant executed (if you will excuse the pun) of her novels that I have read. Not only do we have the duo plots of Caitrin’s murderous planning and the missing boy which make for very tense and page turning fodder, Bolton throws some extra twists and turns as we go. Firstly there is the fact that the novel is written over three parts and set within just six days (pacey). Initially we are in Catrin’s head as she plots the unthinkable, we then go into the head of her ex lover Callum who fought in the Falklands War and has some form of post traumatic stress resulting in blackouts, finally we have Rachel who clearly has depression and who spends most of her time riding and talking to her horses… who talk back.

This of course is genius because we have what everyone? Yes, three unreliable narrators, pretty much a feast if you love an unreliable narrator as much as I do. You also have three very different versions of the same series of events, yet when stitched all together (as each one reveals that little something extra, or a little additional facet) reveal something close to the truth. We think, though with Bolton we can never be sure and she does something so clever on the last page it utterly chilled me. I will say no more on that.

What is also brilliant is that whilst we have these three characters at the forefront, we have a host of characters who could quite easily be the potential killer/abductor, if one of these three isn’t. This isn’t quite a locked room mystery obviously yet on a remote island there are only so many people it could be, it is either one of the villagers or a tourist from the cruise ship. Even as the islanders start to remember the cases of other missing children they would far blame an outsider than one of their own who they have lived with for years, especially as some of those fought for their island in the conflict.

Pouring coffee from the jug on the table is the head teacher of the school, a man called Simon Savidge who became something of a hero in what, only half jokingly, is called the Falkland Island’s Resistance. In the early stages of the Argentinean occupation, while the islanders were waiting for the British Task Force to arrive, Simon made contact with the groups via a forbidden radio, keeping them informed about Argentine movements on the ground.

Oh did I mention there is a war veteran/hero called Simon Savidge, just like me (the name not the war hero)? Well there is, look how simply and cleverly I dropped that huge literal name drop in. As it is, the fictional Simon Savidge of the Falklands is the father of the senior detective Josh, who we soon learn is a bit crap at his job. These additional characters come fully form and offer an interesting and fully realised bunch of suspects; The Savidge’s, Caitrin’s ex husband Ben, Mel the transgender cook…  I could go on.

Bolton also uses these characters to add another angle/layer to the book, the background of the Falklands. Through both characters like Simon and particularly with Callum, along with other stories which weave in and out over the six days as we meet the islanders, we are given snapshots of the conflict and some of the politics behind it as well as a sense of what the Falklands is like today. If this is all beginning to sound very, very dark (and in parts it is exceptionally so, if you love whales one bit will be very difficult to read, I struggled) and rather chilling and creepy (which it also is especially on some of the wrecked boats, yes a book set on boats) there are also some lighter and occasionally incredibly funny moments. Rachel’s conversations with her talking horse being some of them, no really…

‘Come on you grumpy old bugger. We’ve got work to do.’ I flick the bolt on his door. He kicks it open himself and walks out into the yard, his coat gleaming in the sunshine. Officially, Bee would be described as a black horse, but that barely does him justice. I’ve counted over a dozen shades in his coat, from deepest black to rich red brown.
‘Any of those brats around?’ He looks disdainfully for the kids he despises. ‘I’m peckish.’
‘Grandma’s on the premises.’ I drop my voice at this point. There are windows open in the house and you never know where she might be lurking. ‘Plenty of meat on that ass.’
‘Where the fuck are we going now?’ I’m leading him to the trailer and he’s not that keen. ‘We’ve been out once.’
‘Estancia. You like it there.’
‘Fuck I do. Blue clay sticks on hooves for weeks.’

I have always said that an author could never write a book that was set on a boat or had talking horses in it that I would like, damn you Sharon Bolton as that challenge has been met and I thought Little Black Lies was a corker of a thriller – and not just because it broke my book bugbears, which I promise I didn’t thrown down to Sharon as a gauntlet, ha. It is really one of those thrillers that have everything. It has brilliantly unreliable, complex and occasionally rather unlikeable characters at its dark heart; many layers of plots and history; and so many twists and turns, which keep going right until the very last page. Seriously, your jaw might just drop, mine did – easily my thriller of the year so far.

Who else has read Little Black Lies and what did you make of it? Have you read the Lacey Flint series and what about Sharon’s previous standalone novels which I am now itching to get to? As always I would love your thoughts.

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Filed under Books of 2015, Review, Sharon Bolton, Transworld Publishing

Other People’s Bookshelves #65 – Sarah Perry

Hello and welcome to the latest Other People’s Bookshelves, a series of posts set to feed into the natural filthy book lust we all feel and give you a fix through other people’s books and shelves. This week we are off to Essex to join author Sarah Perry who has just got back from her allotment especially to show us around her shelves. First let’s grab a cuppa and a custard cream and find out more about Sarah…

My first novel, After Me Comes the Flood, came out last year with Serpent’s Tail, and has just been released in paperback. My second novel, The Essex Serpent, is coming out in July 2016 (again with Serpent’s Tail, in an act of spectacular nominative determinism!).  I was once a civil servant – largely working in communications, such as writing speeches for government ministers – and then worked for the Council of the Inns of Court while I did a PhD in Creative Writing and the Gothic. I now write full-time, though not just fiction.

At the moment I’m finishing edits on The Essex Serpent. It’s about friendship, desire, sin, love, death and sea-serpents. I talk quite often about my upbringing, and am always afraid it’s going to grow tiresome, but find I’m still asked about it. I was born to a very strict religious family – often, I joke I was brought up in 1895 – and while other girls my age were surrounded by pop culture I was up to my ears in the King James Bible, classic literature, Victorian hymns and Reformation theology. The Gothic quality of my writing and my preoccupation with madness, sin and transgression is therefore not entirely surprising, I suppose.

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Do you keep all the books you read on your shelves or only your favourites, does a book have to be REALLY good to end up on your shelves or is there a system like one in one out, etc?

I’m frighteningly acquisitive when it comes to books, and absolutely hopeless at getting rid of them. About three months ago I attempted a cull, and there have been two large bags of books destined for the local charity shops in the middle of my bedroom floor ever since. I seem to gather books as I walk through the week like a magnet attracting iron filings and with about that degree of discrimination. Proofs arrive in the post, I order them online on a whim, am sent them as gifts, throw them into my trolley in the supermarket, grab paperbacks in charity shops, steal – sorry: borrow! – them from friends. They all wind up in one of the many drifts and piles in the house, and I fear many are destined to remain unread for years, if at all. But I can never quite shake the feeling that the day may come when that 80s edition of The Gulag Archipelago, or that little hardback Rumer Godden novel, is going to be exactly what I need…

Do you organise your shelves in a certain way? For example do you have them in alphabetical order of author, or colour coded? Do you have different bookshelves for different books (for example, I have all my read books on one shelf, crime on another and my TBR on even more shelves) or systems of separating them/spreading them out? Do you cull your bookshelves ever?

Some years ago a friend of mine tried to help me order my books (by genre, and alphabetically by author). It took absolutely hours and lasted for less than a week. I can’t begin to fathom how anyone who has a large number of books maintains any sort of order without a fleet of staff. Everything is all bundled in together – I’m looking at a bookcase right now and on a single shelf I can see a biography of William Gladstone, a guide to Jungian dream-symbols, TH White’s The Once and Future King, two Ishiguro novels next to each other (miraculously!), several crime thrillers, and a Puritan book on the doctrine of repentance. If you’re wondering how I ever find anything: I often can’t, and rage about the house accusing the cat of stealing books. My husband has a better memory than me, and can often lay hands on what I need. I do try and keep to some form of TBR system, and went as far as installing two bookcases on either side of the bed, but then I get distracted by something else, and it all goes out of the window.

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The only truly organised shelves are those where I’m temporary custodian of a friend’s books: he moved abroad, and left them with me, where I’ve taken to calling them ‘The Memorial Library’. I must say I consider arranging books by colour to be the sure sign of a deranged mind (apologies to any deranged readers).

What was the first book you ever bought with your own money and does it reside on your shelves now?

I honestly can’t remember, and wish very much that I could! I do have lots of books from my childhood, though. I have on my desk here a very battered little Bible story book which I must have had since before school, and I’m very attached to a hardback Paddington bear collection which was a gift from one of my older sisters.

Are there any guilty pleasures on your bookshelves you would be embarrassed people might see, or like me do you have a hidden shelf for those somewhere else in the house?

With very, very few exceptions I really don’t have much truck with the idea of guilty pleasures when it comes to reading. Of course, even the most ardent anti-book snob must draw the line somewhere, and I would sooner go to the stake than have my shelves sullied with Fifty Shades of Grey or Ayn Rand. But I have everything out in the open – so far as the disordered tumult will allow! – and if anyone baulks at the sight of Stephen King, Terry Pratchett and Lee Child jostling cheerfully with WG Sebald, Maggie Nelson and Tennyson then I shall sit them down and have a long, gentle but firmly persuasive chat. I never read romantic fiction, but that is merely a matter of preference, in the same way that I would rather eat cauliflower than mushrooms: it’s not a value judgment. I must confess that if my parents visit I might double check that Catullus or Chuck Palahniuk aren’t knocking about where my Dad might take them off the shelves in an idle moment (there was an awkward moment last year with a Thom Gunn poem).

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Which book on the shelves is your most prized, mine would be a collection of Conan Doyle stories my Great Uncle Derrick memorised and retold me on long walks and then gave me when I was older? Which books would you try and save if (heaven forbid) there was a fire?

There are so many of these! May I have a wheelbarrow full? I have a complete Sherlock Holmes which my father gave me: it is a long out-of-print edition, and identical to his own copy, which I grew up reading, and which he is evidently not ready to part with. I have a beautiful vintage edition of Finnegans Wake which a friend gave me when I left London, and since really he deserves it far more than I do I secretly think of it as being in joint custody, like the child of an amiable divorce. When I sold my first novel a friend gave me a copy of A Literary Life by Posy Simmonds, which has got truer and more comforting as the years have passed. There are about half-a-dozen King James Bibles knocking about, most of them associated with events in life: my wedding, or a gift when I was tiny bridesmaid at my oldest sister’s wedding. Once when I had been away for a fortnight my husband met me at the airport with some marmalade sandwiches, two Calvin and Hobbes books and a copy of the Communist Party Manifesto, so I would like those. And I suppose I would like to take the first proof copy of my first novel, with all my anguished handwritten corrections.

What is the first ‘grown up’, and I don’t mean in a ‘Fifty Shades of Grey’ way, that you remember on your parent’s shelves or at the library, you really wanted to read? Did you ever get around to it and are they on your shelves now?

I never really remember there being much of a division between children’s books and grown up books, and I more or less read what I wanted, when I wanted to. Which isn’t to say that I was reading terribly inappropriately (however one defines that) – there wouldn’t have been anything like that in the house, and I wouldn’t have sought it out: since there was so much to read, I was quite content. And so I remember reading Jane Eyre at eight, because it was in an illustrated hardback edition that I mistook for a children’s book, and my father gave me a copy of Tess of the D’Urbervilles when I was ten (greatly to my teacher’s horror). My elder sisters would occasionally conceal slightly fruity novels beneath their beds, which I unfailingly found and would read in a single sitting. The most memorable of these was probably Flowers in the Attic, which I still adore – and which is somewhere on my shelves.

If you love a book but have borrowed the copy do you find you have to then buy the book and have it on your bookshelves or do you just buy every book you want to read?

Greatly to my shame, I never borrow books (unless from friends, in which case ‘borrow’ is often pronounced ‘steal’), and only ever darken the doors of reference libraries, in order to do research. I am simply not to be trusted with library books: they’ll be lost, dropped in the bath, battered, and never returned. It’s a moral failing I’ve long given up trying to remedy.

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What was the last book that you added to your bookshelves?

In the last week, I’ve bought Maggie Nelson’s The Argonauts (her memoir Bluets had a profound effect on me last year), Miranda July’s The First Bad Man (which I cannot imagine I will enjoy, having a very low tolerance for quirky books by privileged young New Yorkers, but I though I’d try and conquer my prejudices), Stephen King’s Mr Mercedes, JG Ballard’s Atrocity Exhibition, John Wyndham’s The Trouble With Lichen, and an Anaïs Nin book I immediately lost and can’t remember. I have also been sent a debut novel by Tasha Kavanagh called Things We Have in Common, which I’m looking forward to. Sorry, that’s several books, isn’t it?

Are there any books that you wish you had on your bookshelves that you don’t currently?

Heaps and heaps! I am very close to mugging someone for an advance copy of Hanya Yanagihara’s A Little Life: its August release date seems a terribly long way away, and literally everyone on Twitter has a copy except me. I also would like a facsimile edition (or a real one, if possible) of the Tyndale New Testament, because who wouldn’t? There are also a number of collected letters that I would like. For many years I had a curious ethical disinclination to read the ‘remains’ of writers: I felt that we should read only their work, not diary entries and correspondence they would never have intended for a general readership. But it turns out my principles are paper thin, and I’d particularly like the letters of Virginia Woolf, which I could cross-reference against her diaries.

What do you think someone perusing your shelves would think of your reading taste, or what would you like them to think?

I imagine their first thought would be that I am spectacularly untidy, and furthermore could do with doing some dusting. I wonder if they might then think that these are the books of several people, not only one – if they did, I’d be delighted. I honestly believe we all have a duty to read as widely and deeply as possible. The worst possible reader is the one who wishes only to affirm and bolster their existing world view, and the worst possible response to a book is this: “I just didn’t identify with any of the characters.” As to what I’d like them to think of my reading tastes: I couldn’t give a single solitary toss, I never have, and I never will.

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A huge thanks to Sarah for taking part in Other People’s Bookshelves, you can stalk her on Twitter here, you can also see her not once but twice at Gladfest this September, where you may just also see me! If you would like to catch up with the other posts in the series of Other People’s Bookshelves have a gander here. Don’t forget if you would like to participate (and I would love you to – hint, hint, hint as without you volunteering it doesn’t happen) in the series then drop me an email to savidgereads@gmail.com with the subject Other People’s Bookshelves, thanks in advance. In the meantime… what do you think of Sarah’s responses and/or any of the books and authors that she mentions?

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Filed under Other People's Bookshelves, Sarah Perry

A Summer of Short Stories

I have fallen in love with short stories again this year. Not that I am sure I ever fell out of love with them. I think if anything I tended to read collections by authors I knew, and saw them rather like bonus scenes to the full novels, which I know is daft but it is true. It was rare that I would read a completely new to me authors collection, though when I did and they were like Lucy Wood’s Diving Belles (which if you haven’t read after the amount of times I have recommended it, you are bonkers and there may be no hope for you, ha) I was lost in them completely.

This year they have really come into their own though for me. During Fiction Uncovered I was introduced to several collections of which the standouts were longlisted The Way Out by Vicki Jarrett and one of the winners The Redemption of Galen Pike by Carys Davies, both of which I will be telling you about and raving about in due course.

Collections can be an interesting experience as some will blow you away and some will leave you cold, I hasten to add none leave you cold in the two I mention above, which can create an interesting reading experience of peaks and troughs. When a short story is amazing though it can blow your mind and as I said when I was talking about how intense reading taught me about my own read habits and that Sometimes a single short story in a collection can have as much power as a 500+ page novel, which is true.

I also think they could be the perfect way to get people back into reading more if they think they haven’t the time or that reading isn’t really for them. You can read a story or two on a commute, or when you are on the loo (sorry over sharing) or when you’re waiting in the car park for your partner to finish faffing around Homebase or any other DIY store, or clothes store if your partner is more into that than DIY or just on your lunch break and need a quick fiction fix.

They are a few pages of magic and so I am planning on reading lots more over (what is left of) the summer. Here are some, not all, of the collections I have been buying and others I have dusted off for just such a short story binge…

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  • Don’t Try This At Home by Angela Readman – This is a collection that The Beard bought me after I had heard great things about it from various lovely sorts on Twitter and also declared I wanted the cover art as bedding.
  • The Isle of Youth by Laura Van Den Berg – I saw this collection from Daunt Books (who have a publishing house as well as gorgeous bookshops) out the corner of my eye, because the cover shimmers, in Waterstones in Newcastle where they have wonderful displays of eclectic books, so purchased it.
  • The Iraqi Christ by Hassan Blasim – This collection won the Independent Foreign Fiction Prize last year (why all prizes don’t include short story collections I do not know) and my lovely pal Natalie was one of the judges and raved about it, a lot.
  • Young Skins by Colin Barrett – This won last year’s Guardian First Book Prize and whilst it pains me that the author was born in the same year as me, 1982, and is so talented it does mean I can tick off a box on my BOTNS Bingo Summer Reading card. This also links nicely with…
  • Things to Make and Break by May-Lan Tan – This was longlisted for last year’s Guardian First Book Award and was the public’s addition to the longlist. I read and really liked May-Lan Tan’s chapbook of two short stories Girly earlier this year and then randomly sat next to her at an event and had a lovely long chat about all sorts.
  • The Not-Dead and The Saved by Kate Clanchy – I do not know a single person who has seen Clanchy read her stories that has not been in hysterics and in tears in both happy and sad ways. This was enough of a recommendation for me.
  • An Account of the Decline of the Great Auk, According to One Who Saw It by Jessie Greengrass – One of the first books to come from the John Murray Originals imprint (the cover is stunning) which I want to read for the title, and title story, alone.
  • Merciless Gods by Christos Tsiolkas – I love Tsiolkas’ writing and this is one of the collections I have been most excited about this year, it is out in September.
  • Jellyfish by Janice Galloway – Almost everyone I know loves Janice Galloway so by default I am sure I will and I think short stories can sometimes be a rather wonderful way of trialling an author, or maybe trying them out sounds nicer.
  • Your Father Sends His Love by Stuart Evers – Again all the right people have been raving about this.
  • Stone Mattress by Margaret Atwood – Why on earth has this gone unread for so long, I am frankly embarrassed. She is a genius, we all know this, and this is meant to be a brilliant collection of nine tales.

Phew. You may notice that there aren’t any classics on this list, which I have realised is rather remiss of me. That said I am reviewing a modern classic collection next, so you’ll be hearing all about that. I have also been contemplating Hemingway’s short stories in September as I will be at some of his old hangouts and watering holes by Lake Michigan when I go on my road trip around some of northern America, we will see.

Have you read any of the above collections or other collections by some of those authors? What did you make of them? Are you a fan of the short story? As always I would love your short story recommendations be they new, recent or classic (I have a feeling many of you will mention Elizabeth McCracken’s Thunderstruck, which I have read and adored but am struggling to write a review of) so let me know which other collections I should look out for and why…

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Filed under Book Thoughts, Random Savidgeness, Short Stories

The Incarnations – Susan Barker

Many of you may know, as being so excited I mentioned it a few times, I had the joy of judging Fiction Uncovered earlier this year. Over the next eight weeks I am going to be sharing my thoughts with you on the winners, one winner per week. First up is Susan Barker’s stunning third novel The Incarnations which in just under 500 pages takes you on an epic journey from China in 2008, to five points in its history, going as far back as AD 632 and tells of two souls destined to keep meeting. Intrigued? You should be…

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Transworld Books, paperback, 2015, fiction, 477 pages, kindly submitted by the publisher for Fiction Uncovered

Beijing, 2008 and taxi driver Wang has started to receive mysterious and strange letters from someone who claims to have known Wang and been a part of his world not only in this life but also in five other previous lives throughout China’s dynasties. Worryingly this stranger seems to have a detailed view about his life in the present, not only where he lives with his wife and daughter, but also some of the secrets that Wang has been trying to keep hidden. As Wang reads through the letters and the many supposed lives he has already lived, his life in the here and now starts to change and unravel all at once. This may be a horrendous time for Wang yet it is a wonderful time for us readers as we get sent into China’s many pasts, and the stories that are revealed there, and also have the added thrill of following Wang as he tries to discover the (actually very creepy) ‘Watcher’ and just what it is that they want.

I breathed your scent of cigarettes and sweat. I breathed you in, tugging molecules of you through my sinuses and trachea, and deep into my lungs. Your knuckles were white as bone as you gripped the steering wheel. I wanted to reach above the headrest and touch your thinning hair. I wanted to touch your neck.

What is quite hard to describe unless you have read the book yourself (and then it is still quite tricky) is how many wonderful layers Barker creates in The Incarnations. We have Beijing in 2008 as it gears up to the Olympics, where Wang and his family live a hand to mouth existence despite his father and (deliciously wicked) step mother living in the lap of luxury not far away, another layer being the mystery as to why Wang has shunned their life and indeed has a tempestuous relationship with them. We also have the layers of Wang’s past from his childhood, teens, twenties and early thirties and some of the stories he has kept hidden from those he loves as well as he can. The way this all unfolds creates a fascinating view of modern China and various parts of its society, from the noodle bars on the streets to the luxury penthouses above.

If that wasn’t a fictional feast enough we have the addition five layers of time periods over 1,000 years of China’s history, where in each we get a very different story and so try and work out how the two souls the Watcher claims to be themselves and Wang will find each other. We have peasants and sorceresses in the Tang Dynasty, AD 632; two escapees in the desert during the Jin Dynasty, 1213; a group of the Emperor’s tortured and mutilated concubines in the Ming Dynasty, 1542; sailors and pirates in the Qing Dynasty, 1836; and a group of reactionary school girls in the People’s Republic of China, 1966. I told you it was a feast, and if you think this all sounds terribly confusing  I promise you it’s not, its crafted brilliantly, you’ll gulp it all down and be enamoured with every new cast of characters you meet whatever their intentions and tales.

One hundred serving eunuchs scurry from the peripheries of the Hall of Literary Brilliance, remove the silver-domed plate lids and carry them away. What a feast! The Emperor licks his lips and points at a dish of noodles. The Eunuch Food-taster cries, ‘Appraising the viands!’ and pincers some dangling threads of noodles with his chopsticks. The Eunuch Food-taster nibbles, nods that the noodles are unpoisoned, and the Emperor proceeds to eat. Concubine What’s Her Name hovers out of eye shot, at the shoulder of His Majesty’s fox-fur-trimmed robes. Concubine Meek and Timid. Oh how ashamed of her I am. But to behave in any other manner is to provoke his wrath. To dine with the Emperor Jiajing is not to eat oneself but to stand beside him, encouraging him and praising him for every mouthful he masticates. A sip of elk-horn and deer-penis brewed tea necessitates a cry of, ‘Oh how this revives the blood, enhances potency, O Emperor of Ten Thousand Years!’

What is incredible is that in each of the periods of China’s history we visit we are completely engulfed, so vivid is Barker’s description. It takes a considerable amount of work for any author to build a modern world or a single historical one, let alone a modern one and five more in the past that are each fully formed and capture you in their detail. Through her prose Barker treats you to the smells, tastes, voices and senses of that time; from the food that they eat, the clothes they wear and the sex they have (this is a very sensual book in many ways) to the politics of the time or in many cases the dictatorships. I was completely bowled over by this and revelled in the descriptions that we are treated to, be it the darker sides of life in each time or the more titillating.

‘Impoliteness!’ she scolds. ‘One mustn’t spit the Jade Liquor as though it scalds the tongue. One must swallow and smile.’ After twenty years of whoredom, Madam Plum Blossom’s knowledge is as boundless as the sea. ‘Men have all sorts of peccadilloes,’ she tells me. ‘Some men like to Penetrate the Red during a woman’s moon cycle, or piddle on a woman out of the Jade Watering Spout. Some men like to poke a woman in the back passage, which is called Pushing the Boat Upstream.’

That paragraph not only shows that what I said about there being sex in the book is true, it also highlights how playful, funny and entertaining The Incarnations often is. Sex is not in the book simply for the sake of it however. It is often used to highlight characters behaviour, as a powerful tool or weapon when needed or most importantly to discuss sexuality. The fluidity of sexuality is one of the novels main themes, as is the metaphor of sexuality being or equalling freedom for many. Sexuality also links in with one of the other main themes of the novel which is love in all its forms. From familial to passionate, from friendship to that fine line of hatred and of course the question of soul mates.

Early in The Incarnations we are told that ‘History taps you on the shoulder, breathes its foggy thousand-year-old breath down your neck… But you pretend not to hear.’  I find the idea of how history and past lives, be they linked to ours or not (to our knowledge at least) can form us even in ways we aren’t aware of in the slightest. I think you would be hard pushed to find a book that looks at this idea in depth in a more wonderfully written or inventive way; especially one with such a sense of gusto, adventure and storytelling.

I was mesmerised by The Incarnations and loved it from start to finish. Barkers’ writing has a sense of darkness, comedy, history and adventure whilst also being a thought provoking, intelligent and sophisticated novel too. It is also one of those brilliant instances where it completely transfixes you in a fictional world and then provides you with an urge to go and read more. I now want to go off and not only read Susan Barker’s earlier two novels, I also want to dig out some Murakami (did I mention there were grooms turned into chickens and ghosts in this book?) and go and find lots of books on China’s history. If you have been pondering what to read next, look no further than this book.

Has anyone else read The Incarnations or indeed any of Susan’s earlier novels? I would love to hear your thoughts on them if so. I would also love any recommendations on (entertaining and insightful) books on China’s history too please thank you very much.

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Filed under Black Swan Books, Books of 2015, Fiction Uncovered, Review, Susan Barker, Transworld Publishing