Tag Archives: Discovering Daphne

Can You Recommend Any Good Bookshops In… Cornwall?

So after my earlier request, here is the second of the two ‘can you recommend any good bookshops in…’ posts today. This one is from one of the Savidge Readers, Susan, who has asked for your recommendations of bookshops in Cornwell as she and her husband are visiting this month. So can you help?

Lands End, Cornwall

I myself haven’t been to Cornwall for years and years and years, I should add I would love to, so I cannot be of much help. That said I do know of one. Hurley Books, also known as The Cornish Bookshop, is run by Liz Hurley (no not that one) in Mevagissey. Now whilst I haven’t been to visit myself, back when Polly and I did Discovering Daphne season on our blogs, Liz really supported the whole thing, especially as Daphne of course loved Cornwall and made it her home, yet another reason I would love to go. In fact maybe I should ask Liz if I can go and live there and help out for a week or two hahaha.

Back to the realms of reality, which bookshops in Cornwall would you recommend if you are from that beautiful area, or indeed if you have visited?

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Rebecca – Daphne Du Maurier; Discovering Daphne Readalong #5

So to end this years ‘Discovering Daphne’ season I begged and begged Polly to let us finish with ‘Rebecca’ as it is my favourite read of Daphne’s and indeed, I think, of all time so far. It was a toss up between this and Polly’s favourite ‘Jamaica Inn’ and Polly, being the lovely person she is, caved in. The thing was though, once I knew a ‘’Rebecca re-read’ was lined up I started to get really nervous. What happened if the book I loved suddenly felt flawed, what if I didn’t like the unnamed narrator this time or feel any empathy for her, what if Mrs Danvers left me cold, what if I didn’t find it as atmospheric and haunting? I started to get a little panicked.

9781844080380

Virago Books, paperback, 1938, fiction, 448 pages, from my bookshelves

After closing the final page of ‘Rebecca’ a few days ago it was a struggle not to head straight back to the start… yet again. If I could physically get lost in a book then ‘Rebecca’, and of course Manderley, would be the place I would be happy to be stuck in forever. From the very moment of those first immortal lines “Last night I dreamt I went to Manderley again” to the final pages and THAT ending (no spoilers here don’t worry) I was hooked line and sinker and in for the long haul, and how it has made these long dark nights all the more bearable, and all the more haunting.

For those of you who don’t know the book, or its rather infamous plot, ‘Rebecca’ is a tale of ‘the other woman’ only in this case the other woman is dead – amazing, and clever, that she is one of the most formidable characters in the book and the lives of all those living who we join. The unnamed narrator tells her tale of how, when accompanying a rich American lady Mrs Van Hopper (who is a fabulous small character) on holiday, she meets Maxim de Winter and after a whirl wind romance marries him and finds herself back in England and the new lady of Manderlay, a wonderful gothic mansion. Yet once back in Maxim’s home his past, and indeed his previous wife Rebecca (and her mysterious death) come to haunt them, quite literally, along with a little help from the housekeeper Mrs Danvers.

Here I shall leave the story, for if you haven’t read it yet I don’t want to give anything further away, especially as this is a book which has some wonderful, and equally dreadful, twists and turns as it develops. I can say that on a re-read the unnamed narrator (who I once insisted was called Caroline after one re-reading) did annoy me a lot more than she usually does initially, not to the point where it affected the book, but I did think ‘oh get a grip love’ but then because of the psychological aspect of the book and indeed her situation as usual I did once more start to feel for her and could understand how some one like Mrs Danvers could so easily manipulate and scare a woman like her, she scares me.

One of my very favourite things about ‘Rebecca’ is undoubtedly Mrs Danvers, she’s psychotically obsessed with her former mistress and clearly has a dark background which we only get the vaguest notions of. She’s just wonderfully wicked and deliciously, dangerously demented. I have always thought because of her complexity and nature she is one of my favourite characters in fiction, unnervingly stealing the limelight on any page she appears. I have often pondered that I would love to write a fictional account of her life, I could never do it justice though I am sure.

Back to ‘Rebecca’ and along with its wonderful twists and turns, its atmosphere (which is incredible, you feel like you are there with these characters in this gothic, dark, spooky time and place which always, no matter how sunny or lovely come with a darkness in the corners) the one thing that I think makes it such an incredible story is what it says about people, the reasons they do things, the real motives and emotions both the dark and the light of the human condition. That probably sounds grand, but it’s true. There are lots of depths to a novel like this that lie behind what initially may seem a dark and gothic love story, which it also is yet is really so, so, so much more. In fact I would dare to suggest that this could be the perfect book, even if only for me.

As you have probably guessed by now I could easily ramble on about ‘Rebecca’ for hours and hours, I just hope if you haven’t read the book you might read this and pick it up/run for the nearest open book shop. If you have read it, maybe you will be tempted to pluck it off the shelves (because if you have read it I doubt very much you could have given it away) once more, and if you have re-read it for ‘Discovering Daphne’ I cant wait to see what you thought…

Actually I also can’t wait to see what Polly thought either, as she has been rather secretive about it until today.

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Don’t Look Now and Other Stories – Daphne Du Maurier; Discovering Daphne Readalong #4

Oh Daphne Du Maurier thank you, thank you, thank you, for ‘Don’t Look Now and Other Stories’. Not only because I loved it as a collection but also because secretly inside I was beginning to worry that while the other books in the read-along for ‘Discovering Daphne’ have also showed how versatile she is as an author, none of them had quite hit the eerie tone I was hoping for this time of year. This now has of course all changed thanks to the five (well four of the five) stories which make this collection. Well I think it has anyway.

Penguin Classics, paperback, 1971, fiction, 268 pages, from the library (mine is lost in the post)

It is always hard to write about a short story collection. You want to write about each individual story and yet in doing so you could give the plot of each one away. This becomes ever more possible in a collection like ‘Don’t Look Now and Other Stories’ where they all work so well because of the twists and the turns and stings in the tail, which of course Daphne Du Maurier is so good at. So I am going to briefly summarise them before hopefully giving you an overall ‘feeling’ for the collection, or the one I was left with at least. Let’s see how I do.

Probably the most famous of the collection, because it became a film, is the title story of ‘Don’t Look Now’ which starts with the wonderful, and apt, line “Don’t look now,” John said to his wife, “but there are a couple of old girls two tables away who are trying to hypnotise me.” Laura and John Baxter are on holiday in Venice after the death of their young daughter, whilst there they spot a pair of elderly identical twins on of whom appears to have psychic powers and not only says their dead daughter is with them and happy, but if they don’t leave Venice something dreadful will happen. I shall say no more on it than that apart from the fact that I the ending isn’t what I guess and I imagine the last line of this tale will divide readers. I haven’t decided if it worked or not yet, I think it did, kind of.

Three of the other tales are equally bizarre and have a sinister undertone at the heart of them shrouded in a good few twists and unexpected endings. ‘A Border-Line Case’ is a fascinating account of a young actress called Shelagh who pursues a man who is linked to the IRA and is planning a bombing raid, only that isn’t the darkest thing about him. ‘The Breakthrough’ is a much more gothic scientific experiment tale in essence which made me think of one of Daphne’s novels ‘The House on the Strand’ only much shorter naturally, but also with even more of a sense of the ilk of novels like ‘Jekyll and Hyde’ at its heart. There was also the wonderful, and possibly my favourite of the collection, ‘Not After Midnight’ (which was the original title of this collection on its release in 1971) which sees a painter meet and befriend a couple on a holiday, the woman invites him to their hotel room but ‘not after midnight’. I really can say no more than that on any of them because they build slowly, start to disconcert the reader and make them question what the narrators or story is saying before twisting and turning to the end. (We can say more in the comments though!)

It was therefore almost a shame for me that the longest tale in the book ‘The Way of the Cross’, and the one in the middle of this collection, really failed for me. (I guess there is always one, at least, in a collection that will do this isn’t there?) It’s a tale of a pilgrimage of a group of people to Jerusalem and it was rather preachy and had a precocious child in it that I didn’t get on with. Plus it was more character than plot driven, both a good and bad thing, whilst also being rather moralistic, and in a way whilst having a slight sinister moment or two ended far too happily for my liking. It didn’t fit for me and that was my problem with it. I think had it been in any other collection of Daphne’s it might have gotten off more lightly, but this has always been a collection sold on it suspense and sense of the supernatural.

Overall however ‘Don’t Look Now and Other Stories’ is a wonderful collection which does have a brooding, intense and often rather unnerving feeling about it. Each tale is very different yet they all like to make you feel equally uneasy. Don’t expect to pick up this book and be unable to sleep without the lights on, they are much more subtle and psychological than that. There is a real knack with any novel that builds on suspense over a long while to not become boring for a reader (which Daphne is also brilliant at), yet in a short story you must do this quickly but not to quickly whilst adding in atmosphere, tension, misdirection etc all at once and in a condensed way. It is this very style which Daphne excels at and I think is when she is at her most engaging for her readers and shows what a marvellous writer she is. I do love Daphne’s short story collections, I think they should all become classics along side this one.

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The House on the Strand – Daphne Du Maurier; Discovering Daphne Readalong #3

Sorry for the delay with my thoughts on ‘The House on the Strand’ the third in the Discovering Daphne readalongs. This was a book that I didn’t struggle with exactly but one which needed patience and some effort (no bad thing) for me as a reader to work through. No book should be rushed but some books ask so many questions that you need the odd break to let your head catch up with it all. This is a prime example of such a novel and Daphne taxed me and tested me with this book and I admire her all the more for it, even if I didn’t come away from the book loving it I certainly appreciated it.

Virago Books, paperback, 1969, fiction, 352 pages, taken from my personal TBR

Dick Young is a man who finds himself caught between two times in ‘The House on the Strand’, and I mean that literally. As he stays in his old friends house, a scientist called Magnus Lane, he starts taking a drug Magnus has created which transports him to the same place only in the 1300s. I have to admit I was instantly really drawn in initially. I was excited by where Du Maurier would take this concept and therefore me along with her.

As the novel goes on Dick almost becomes addicted to this travelling. Even though as his body stays in the present he ends up hurting himself or getting stuck as some walls didn’t exist back then. (I was surprised Daphne didn’t make more use of this for the darkly comical actually having read her other works.) As his wife Vita and her children join him from America they take him away from this addiction, yet is it in fact escapism from a marriage that might be failing and even unwanted along with the person he is in the present?

Whilst I loved the idea behind the book it’s main flaw for me was not the idea of time travel but the setting in the 1300s. I wasn’t really interested in his time travelling or the people he met, a sometimes too wide cast of charcters including Lady Isolda and a man servant called Roger. I was much more interested in the why. So weirdly the hopping back and forth started to slightly frustrate me as, to my mind at least, the main crux of the novel was very much in the present.

I do find whatever Daphne writes you know there will be both the twists and turns (which arrive just in time in this book thankfully) and also the deeper and yet subtle undertones. For me this book had a lot to say about sexuality and acceptance of the self. Maybe that sounds a bit grand? I didn’t think Dick wanted to be married and in fact thought the closeness he shared with Magnus when younger and the reverberating remnants of all that said a lot without ever been overtly written about or forced in the reader too much. Sometimes it is what Daphne doesn’t say… Or could I just have been looking for it?

I was strangely reminded of my dabblings with Iris Murdoch in this book. She too dealt with sexuality, philosophical themes and the metaphysical, all which also run through ‘The House on the Strand’. It tested me, but so it should. I also liked the slight gothic scientific elements of the book. Was it me or are there hints of ‘Jekyll and Hyde’ and ‘Frankenstein’ here?

I cannot pretend this is my favourite Daphne Du Maurier ‘story’ because I think there is so much more going on in this book (not that there isn’t in all her books, this one just seems more overt and blatant) indeed partly because of where she found her life at the point she wrote this and how she dealt with it explains alot and that to me this novel is almost like a look into the exorcising of her mind and that fascinated me. I felt I got to know her a little more through the complexity of this book, is that odd?

‘The House on the Strand’ is a real mixture and not just because of the questions it raises, or the themes it looks at, it’s also a mix of historical, philosophical and borders on the edges of science fiction. It’s quite unlike any books of hers, or indeed in general, that I have read so far. It might not be a book to curl up with and get lost in (which was the expectation I had set, so I could be at fault for that assumption hence finding the book all the more difficult in parts) it’s a book to sit down with and get you thinking, it just needs some patience and mutual hard work. Some of the best books do that though don’t they? Even if we don’t enjoy them as the escapism we hoped for, we enjoy them for the experience they give us and the questions we have to look at. I will be thinking about this book, and all it raised, for quite some time.

You can see Polly of Novel Insights thoughts on it here.

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Discovering Daphne… In Her Own Words

I am a little behind with ‘The House on the Strand’ and still have about 100 pages to go, sorry, but rather than rush it (which I really don’t want to) I thought that in the meantime I would post some video’s of Daphne Du Maurier herself  discussing the reads that me and the lovely Polly of Novel Insights have already discussed, and asked you to give a whirl, so far in ‘Discovering Daphne’ season.

So here is Daphers discussing ‘The Loving Spirit’

And here she is talking about ‘Mary Anne’

Hope you find them as insightful as I did. It was also really interesting, for me at least, to see her talking… about anything. So how are you all getting along with Daphne? Who is up for some dark short stories next week with the ‘Rebecca’ finale to follow?

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Mary Anne – Daphne Du Maurier

Sometimes there is a special magical feeling that can take over you as you start a book. The writing has you, the characters have you, it is all just working and you know within between five and ten pages that this is going to be a book that you are going to love. I had this tingling sensation from the very start of ‘Mary Anne’, a novel  by Daphne Du Maurier that I have to admit I simply thought was going to be her ‘having a crack at the historical genre’. I wasn’t sure I would be convinced, even though it was Daphers at the helm, I was (of course) promptly and utterly bowled over by it. In fact I loved it so much that I lingered over it and almost didnt finish it in time for today’s planned post. Oops.

Virago, paperback, 1954, fiction, 320 pages, from my personal TBR

‘Mary Anne’ is a historical novel set in the Regency period. I was not familiar with this period, which is a period in British history from 1811 – 1820, before I started the book now however I am desperate to know much more. Daphne Du Maurier steeps the book in atmosphere from the very first pages which had me hooked as they were told from the death beds, and last memories of the four main men in Mary Anne’s life. After this we begin with her poor start in life in the grotty streets of London as she learns her charms and how to use them for her ascent, for that is really the initial part of the story, and how, after a rather disastrous marriage, Mary Anne becomes a prostitute (though a rather exclusive one) and the lover and mistress of the Duke of York. That isn’t the end of the story though, and doesn’t really cover the start if I am honest. I am just highlighting the tale but there is so much more to read it for, honest.

In attempt to avoid any spoilers I will say that once she becomes the lover of the Duke of York she gets rather overly used to the life of a rich woman and all its spoils, yet soon she wants more and more and so starts to do some rather underhand dealings in the name of the Duke which leads to a huge scandal. There is also that saying of ‘hell hath no fury like a woman scorned’ and when the Duke decides that he is finished with Mary Anne, she isn’t so sure she is finished with him.

What makes this story all the more fascinating is that it is based on Daphne’s own great-great Grandmother, Mary Anne Clarke. Some might say ‘well where is the originality or plot design in that, writing about your own family history’ or indeed people might say ‘if it is about her own family isn’t she going to be biased’. With regard to the first point I would say a lot of authors write what they know and there was a great deal of time between Daphne writing this novel in 1954 and her great-great Grandmothers scandal. Plus the story is only part of the book, the atmosphere is incredible and I went from feeling like I wasn’t bothered about the era to now wanting to throw myself into more of it.

I do think that the fact Daphne was clearly fond of Mary Anne, in part because she was fascinating and also because she was part of the family, I did feel that there was a slight biased angle to the novel. I loved the character of Mary Anne, she is forthright, intelligent, ballsy, saucy and very witty (in fact I kept thinking it must have run in the family) and I loved spending time with her. I found the way she used her looks and charms to get what she wanted gave you that ‘tart with a heart’ twist which has made novels like ‘Moll Flanders’ etc so successful. However when the ‘scandal’ breaks she almost becomes a victim and I found myself thinking ‘hang on, this might not quite have been the case’. I then shrugged this off and got lost in the tale again.

I really enjoyed ‘Mary Anne’, my only criticism (or warning) would be that there is rather a lot of ‘courtroom drama’ towards the end of the book and I did find this a little wooden and research filled, but then I think all things courtroom based are quite dull (I was a legal secretary for a while in my early twenties and used to hate the court case work), its rare an author makes them exciting it’s a shame this was towards the end of the novel as it did slightly, though only very slightly, dull the books overall charm, though thankfully it didn’t become the lasting or lingering impression the book has on you.

I can’t hide the fact that I am thoroughly enjoying this Daphne-a-thon and cannot wait to get into ‘The House on the Strand’ for next weeks ‘Discovering Daphne Read-along’ on Sunday the 16th. In fact as it is so gloomy, foreboding, chilly and rather windily auntumnal outside today, I think the timing is perfect to pick it up right now.

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Daphne Du Maurier on The First Tuesday Book Club…

It seems, if unintentionally, that Polly and I chose the perfect month to do our ‘Discovering Daphne’ season as now, after The Guardian Reading Group have started reading ‘Don’t Look Now and Other Stories’, the wonderful First Tuesday Book Club have now covered ‘Rebecca’ in their latest show which aired last week.

I had no idea before I started watching it this weekend, between babysitting two three year olds, that this was one of this months choices, I was thrilled, though I was also nervous about whether (one of my current book loving icons) Marieke Hardy would love it or not. I waited with baited breath… Well, she didn’t let me down when she came out with this, which I think is a wonderful description.  ‘I think the book is perfect… it’s just a big juicy over ripe plum… its bursting out of its flesh and dribbling down your chin as you read and what a great sticky glorious mess to end up in when you finished it.’ Oh Marieke, you are a legend!

The discussion of it being ‘woman’s literature’ came up as Kate Morton, who had chosen the novel, said it was and that was positive yet Thomas Keneally said what slightly annoyed him, though he thought it was brilliantly written for ‘a mass market novel’, it had a ‘breathiness’ which makes it nothing more than a ‘romance’. It then turns to a discussion of whether it is a sexless or sexy book? You should watch it to see the discussion and you can here.  Let me know your thoughts.

We will be talking about ‘Rebecca’, which I think (just like Marieke) is a perfect book, in three weeks time you can see the schedule for all the Daphne reads we are doing here. Please do discover Daphne, you won’t be disappointed.

Oh and my review of ‘Mary Anne’ is coming… honest.

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